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	<title>Comments on: Ben Macintyre: The Latest Sourpuss to Run Away From Possibilities</title>
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	<link>http://www.edrants.com/ben-macintyre-the-latest-sourpuss-to-run-away-from-possibilities/</link>
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		<title>By: Gil</title>
		<link>http://www.edrants.com/ben-macintyre-the-latest-sourpuss-to-run-away-from-possibilities/comment-page-1/#comment-259056</link>
		<dc:creator>Gil</dc:creator>
		<pubDate>Sun, 08 Nov 2009 08:58:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.edrants.com/?p=13278#comment-259056</guid>
		<description>The Internet isn&#039;t killing storytelling; it&#039;s mediocre writers like Ben McIntyre that are killing storytelling.</description>
		<content:encoded><![CDATA[<p>The Internet isn&#8217;t killing storytelling; it&#8217;s mediocre writers like Ben McIntyre that are killing storytelling.</p>
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		<title>By: Justine Musk</title>
		<link>http://www.edrants.com/ben-macintyre-the-latest-sourpuss-to-run-away-from-possibilities/comment-page-1/#comment-259043</link>
		<dc:creator>Justine Musk</dc:creator>
		<pubDate>Sat, 07 Nov 2009 02:43:41 +0000</pubDate>
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		<description>It&#039;s my impression that online reading and offline reading serve different functions: people go online for information and opinions (blogs), but pleasure reading is done elsewhere.  I&#039;m not sure that anyone wants to sink into a narrative when you&#039;re sitting at your desk staring at your computer screen, in a frame of mind that is inclined to skimming instead of deep reading. Perhaps the real test of a writer is whether he or she can write so well as to compel the reader to print out the piece and curl up with it later in the day.

It&#039;s also my experience that readers are willing to read longer, more sustained pieces online -- despite all the how-to-blog guides that tell you to keep things brief and punchy -- but how the narrative is presented might be a factor. Long blocky paragraphs that work in print might have a different visual impact onscreen, so that a writer might pay almost as much attention to the arrangement of white space as he or she does to the language. Fiction specifically written for the web could take on a very different &#039;look&#039; than fiction written for print.

I don&#039;t worry about the future of reading and readers; I don&#039;t fear that our increasingly networked, wired, online existence is giving us all ADD. I do wonder how these changes in technology will affect the shape of literary fiction: if it will be more streamlined, possibly more plot-oriented to engage and compel the reader&#039;s increasingly valuable attention, if and how it will interact with elements such as video, etc., as popular fiction is sure to do.</description>
		<content:encoded><![CDATA[<p>It&#8217;s my impression that online reading and offline reading serve different functions: people go online for information and opinions (blogs), but pleasure reading is done elsewhere.  I&#8217;m not sure that anyone wants to sink into a narrative when you&#8217;re sitting at your desk staring at your computer screen, in a frame of mind that is inclined to skimming instead of deep reading. Perhaps the real test of a writer is whether he or she can write so well as to compel the reader to print out the piece and curl up with it later in the day.</p>
<p>It&#8217;s also my experience that readers are willing to read longer, more sustained pieces online &#8212; despite all the how-to-blog guides that tell you to keep things brief and punchy &#8212; but how the narrative is presented might be a factor. Long blocky paragraphs that work in print might have a different visual impact onscreen, so that a writer might pay almost as much attention to the arrangement of white space as he or she does to the language. Fiction specifically written for the web could take on a very different &#8216;look&#8217; than fiction written for print.</p>
<p>I don&#8217;t worry about the future of reading and readers; I don&#8217;t fear that our increasingly networked, wired, online existence is giving us all ADD. I do wonder how these changes in technology will affect the shape of literary fiction: if it will be more streamlined, possibly more plot-oriented to engage and compel the reader&#8217;s increasingly valuable attention, if and how it will interact with elements such as video, etc., as popular fiction is sure to do.</p>
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		<title>By: Lee</title>
		<link>http://www.edrants.com/ben-macintyre-the-latest-sourpuss-to-run-away-from-possibilities/comment-page-1/#comment-259037</link>
		<dc:creator>Lee</dc:creator>
		<pubDate>Fri, 06 Nov 2009 17:52:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.edrants.com/?p=13278#comment-259037</guid>
		<description>I publish my fiction - often long - online, so I&#039;m certainly hoping that Macintyre is wrong. However, the impression I get is that few readers bring the sort of concentration to online reading that a serious writer hopes for. Of course, it may just be my sort of writing that doesn&#039;t hold one&#039;s attention. Nor does this mean that offline reading necessarily suffers as a result, but there seems to be at least some evidence that this may indeed be the case. As more and more reading is transferred to online and other e-sources, it is at least worth considering what this will mean for the future of narrative.

Personally, I doubt that the human capacity for storytelling (and storyneeding) can be compromised: but its nature can be changed.</description>
		<content:encoded><![CDATA[<p>I publish my fiction &#8211; often long &#8211; online, so I&#8217;m certainly hoping that Macintyre is wrong. However, the impression I get is that few readers bring the sort of concentration to online reading that a serious writer hopes for. Of course, it may just be my sort of writing that doesn&#8217;t hold one&#8217;s attention. Nor does this mean that offline reading necessarily suffers as a result, but there seems to be at least some evidence that this may indeed be the case. As more and more reading is transferred to online and other e-sources, it is at least worth considering what this will mean for the future of narrative.</p>
<p>Personally, I doubt that the human capacity for storytelling (and storyneeding) can be compromised: but its nature can be changed.</p>
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		<title>By: The Daily Square &#8211; Edition &#124; Booksquare</title>
		<link>http://www.edrants.com/ben-macintyre-the-latest-sourpuss-to-run-away-from-possibilities/comment-page-1/#comment-259025</link>
		<dc:creator>The Daily Square &#8211; Edition &#124; Booksquare</dc:creator>
		<pubDate>Fri, 06 Nov 2009 00:30:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.edrants.com/?p=13278#comment-259025</guid>
		<description>[...] Ben Macintyre: The Latest Sourpuss to Run Away From PossibilitiesWe have nothing to add&#8230;except go read this! [...]</description>
		<content:encoded><![CDATA[<p>[...] Ben Macintyre: The Latest Sourpuss to Run Away From PossibilitiesWe have nothing to add&#8230;except go read this! [...]</p>
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		<title>By: Miracle Jones</title>
		<link>http://www.edrants.com/ben-macintyre-the-latest-sourpuss-to-run-away-from-possibilities/comment-page-1/#comment-259018</link>
		<dc:creator>Miracle Jones</dc:creator>
		<pubDate>Thu, 05 Nov 2009 06:50:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.edrants.com/?p=13278#comment-259018</guid>
		<description>Hear hear!</description>
		<content:encoded><![CDATA[<p>Hear hear!</p>
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