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	<title>Comments on: Tokyo Sonata Q&amp;A: Screenwriter Max Mannix</title>
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	<description>a cultural website in ever-shifting standing</description>
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		<title>By: Kiyoshi Kurosawa (BSS #244) : The Bat Segundo Show</title>
		<link>http://www.edrants.com/qa-screenwriter-max-mannix/comment-page-1/#comment-264212</link>
		<dc:creator>Kiyoshi Kurosawa (BSS #244) : The Bat Segundo Show</dc:creator>
		<pubDate>Tue, 15 Mar 2011 21:20:46 +0000</pubDate>
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		<description>[...] Delving into the issue of whether or not contemporary Tokyo is now a city without a voice, collaborating with screenwriter Max Mannix, Ozu&#8217;s trains, crossing the axis, the noisy train behind the family house, characters [...]</description>
		<content:encoded><![CDATA[<p>[...] Delving into the issue of whether or not contemporary Tokyo is now a city without a voice, collaborating with screenwriter Max Mannix, Ozu&#8217;s trains, crossing the axis, the noisy train behind the family house, characters [...]</p>
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		<title>By: The Bat Segundo Show: Kiyoshi Kurosawa</title>
		<link>http://www.edrants.com/qa-screenwriter-max-mannix/comment-page-1/#comment-264211</link>
		<dc:creator>The Bat Segundo Show: Kiyoshi Kurosawa</dc:creator>
		<pubDate>Tue, 15 Mar 2011 21:19:32 +0000</pubDate>
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		<description>[...] Delving into the issue of whether or not contemporary Tokyo is now a city without a voice, collaborating with screenwriter Max Mannix, Ozu&#8217;s trains, crossing the axis, the noisy train behind the family house, characters [...]</description>
		<content:encoded><![CDATA[<p>[...] Delving into the issue of whether or not contemporary Tokyo is now a city without a voice, collaborating with screenwriter Max Mannix, Ozu&#8217;s trains, crossing the axis, the noisy train behind the family house, characters [...]</p>
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		<title>By: A Conversation With Barry Eisler</title>
		<link>http://www.edrants.com/qa-screenwriter-max-mannix/comment-page-1/#comment-252419</link>
		<dc:creator>A Conversation With Barry Eisler</dc:creator>
		<pubDate>Mon, 06 Apr 2009 20:12:20 +0000</pubDate>
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		<description>[...] on the set, which was a thrill.  Sony bought my screenplay adaptation, but in the end director Max Mannix decided to write his own, which is fine by me &#8212; there are a lot of ways to interpret the [...]</description>
		<content:encoded><![CDATA[<p>[...] on the set, which was a thrill.  Sony bought my screenplay adaptation, but in the end director Max Mannix decided to write his own, which is fine by me &#8212; there are a lot of ways to interpret the [...]</p>
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		<title>By: j.j. murphy on independent cinema &#187; Tokyo Sonata</title>
		<link>http://www.edrants.com/qa-screenwriter-max-mannix/comment-page-1/#comment-252379</link>
		<dc:creator>j.j. murphy on independent cinema &#187; Tokyo Sonata</dc:creator>
		<pubDate>Sat, 04 Apr 2009 02:59:58 +0000</pubDate>
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		<description>[...] he was doing an Ozu-like film, is upset by Kurosawa’s treatment of his original script. He told Edward Champion: &#8220;The original screenplay that I wrote didn’t ask the audience to trust me here and there, [...]</description>
		<content:encoded><![CDATA[<p>[...] he was doing an Ozu-like film, is upset by Kurosawa’s treatment of his original script. He told Edward Champion: &#8220;The original screenplay that I wrote didn’t ask the audience to trust me here and there, [...]</p>
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		<title>By: A Feature and a Short Film: Tokyo Sonata and Le Maison en Petits Cubes &#171; Banana Cream</title>
		<link>http://www.edrants.com/qa-screenwriter-max-mannix/comment-page-1/#comment-251031</link>
		<dc:creator>A Feature and a Short Film: Tokyo Sonata and Le Maison en Petits Cubes &#171; Banana Cream</dc:creator>
		<pubDate>Thu, 19 Feb 2009 08:29:11 +0000</pubDate>
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		<description>[...] by Japanese director Kiyoshi Kurosawa, but has an Australian co-writer (Max Mannix). I was reading this interview with Mannix, and he seems slightly defensive about how the director thought that his original [...]</description>
		<content:encoded><![CDATA[<p>[...] by Japanese director Kiyoshi Kurosawa, but has an Australian co-writer (Max Mannix). I was reading this interview with Mannix, and he seems slightly defensive about how the director thought that his original [...]</p>
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		<title>By: NYFF: Tokyo Sonata (2008) : Edward Champion&#8217;s Reluctant Habits</title>
		<link>http://www.edrants.com/qa-screenwriter-max-mannix/comment-page-1/#comment-248693</link>
		<dc:creator>NYFF: Tokyo Sonata (2008) : Edward Champion&#8217;s Reluctant Habits</dc:creator>
		<pubDate>Mon, 10 Nov 2008 14:00:30 +0000</pubDate>
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		<description>[...] part in an open series of reports from the New York Film Festival. For related material, you can read my interview with screenwriter Max Mannix or listen to a podcast interview with director Kiyoshi [...]</description>
		<content:encoded><![CDATA[<p>[...] part in an open series of reports from the New York Film Festival. For related material, you can read my interview with screenwriter Max Mannix or listen to a podcast interview with director Kiyoshi [...]</p>
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