Therefore, we have decided to switch The Bat Segundo Show to the very day that people are expecting something new.

As of March 1, 2011, The Bat Segundo Show will be switching its weekly release date from Friday to Tuesday. There won’t be a new episode on February 25, 2011 — in large part because we recently interviewed a very friendly author, who was sick and conscientious and could not shake our hand. A very fun conversation transpired. But our correspondent was felled anyway. (But it was all worth it!)

On Tuesday, March 1, 2011, we’ll be back in the weekly Bat Segundo rotation. Rest assured that we have a very exciting lineup ahead! And because we’ve been slightly more prolific than we expected, look for a few extra conversations that will squeeze their way into the lineup in the next few months. And if you’re missing a fresh Bat Segundo today, why not investigate one of the nearly 400 installments in our archive?

So expect at least nine or ten new shows before the year is up.

I anticipate returning to a regular weekly schedule at the beginning of 2011.

Because of this rather silly and elaborate approach, these two installments will go up sometime during the weekend of February 20th. And the following week, we will return to the regularly scheduled Friday slot.

We’ve received a few requests from listeners asking us how they can get DVD-ROMs of the show. And since Christmas shopping has started, and some of you out there may be on the lookout for a literary stocking stuffer, we’ve decided to begin offering DVD-ROMs of the first 250 shows of The Bat Segundo Show at the very affordable price of $50. (Shows #249 and #250 will be coming online very soon.) For just 20 cents per episode, you’ll be able to experience more than 200 hours of the oddest cultural conversations that can be found on the Internet.

This three DVD set features all programs produced from October 2004 to the present day.

Disc One: Includes interviews with Jonathan Ames, Bret Easton Ellis, T.C. Boyle, Octavia Butler, Jennifer Weiner, Chris Elliott, William T. Vollmann, Erica Jong, Tom Tomorrow, Sarah Waters, Colson Whitehead, John Updike, David Mitchell, Jonathan Safran Foer, Jeff VanderMeer, Robert Birnbaum, Daniel Handler, Alison Bechdel, Tommy Chong, Nora Ephron, Scott Smith, Richard Dawkins, Mark Z. Danielewski, Edward P. Jones, Mary Gaitskill, Kelly Link, Francine Prose, Kate Atkinson, Claire Messud, Simon Winchester, Amy Sedaris, Nina Hartley, Richard Ford, Christopher Moore, Heidi Julavits, Neal Pollack, Tayari Jones, and David Lynch.

Disc Two: Includes interviews with Martin Amis, Ron Jeremy, China Mieville, Tao Lin, Lionel Shriver, A.M. Homes, Scarlett Thomas, Berkeley Breathed, Gary Shteyngart, Richard Flanagan, Katie Roiphe, William Gibson, Marianne Wiggins, Gabe Kaplan, Rupert Thomson, George Saunders, Naomi Klein, Chimamanda Adichie, Steven Pinker, Naomi Wolf, James Lipton, Oliver Sacks, Richard Russo, Tom McCarthy, Andrea Barrett, Will Self, Stewart O’Nan, David Rakoff, Sue Miller, Charles Burns, Steve Erickson, Chip Kidd, Bill Plympton, Michio Kaku, Jennifer Weiner, Richard Price, and Nicholson Baker.

Disc Three: Includes interviews with Mark Sarvas, Errol Morris, Sarah Hall, David Hajdu, Tobias Wolff, Sloane Crosley, Cynthia Ozick, Ed Park, Fiona Maazel, Steven Greenhouse, Ralph Bakshi, Mort Walker, Rachel Shukert, Andre Dubus III, Thomas Disch, Grandmaster Flash, Nam Le, Sen. Mike Gravel, Ethan Canin, Jenny Davidson, Paul Auster, Brent Spiner, Bonnie Tyler, Mike Leigh, Marilynne Robinson, Charlie Kaufman, Neal Stephenson, and David Rees.

Episodes will still be available for free download. But with the purchase of this three DVD set, you’ll be helping us tremendously to continue producing the show, and you’ll save yourself a considerable amount of time downloading them all at home. Particularly if you have dial-up.

The price includes shipping. Please note that all shipments are being sent by FedEx Express Saver to ensure a reasonable delivery time that we can track, and, due to costs, we are currently limiting delivery to the United States. If, however, you’re based outside the States, email me and we’ll work something out.

If there’s enough interest, then we’ll be unloading some additional merchandise, including iPods that have the shows already loaded. But for now, we wanted to offer an affordable way for you to get the shows all in one burst. And if you act swiftly, and you foresee a good deal of commuting time for your Thanksgiving holiday, then we can get the DVDs to you before the turkey is carved.

Here are the links for the torrents:

Bat Segundo Torrent Pack #1 (Shows #1-20) — Includes David Mitchell I, Jonathan Ames I, Bret Easton Ellis, Octavia Butler, Aimee Bender, Chris Elliott, and Dave Barry.

Bat Segundo Torrent Pack #2 (Shows #21-40) — Includes William T. Vollmann, Jay McInerney, Erica Jong, Alex Robinson, Tom Tomorrow, Sarah Waters, and Harvey Pekar.

Bat Segundo Torrent Pack #3 (Shows #41-60) — Includes Colson Whitehead, John Updike, the two-part David Mitchell, Jonathan Safran Foer, A.M. Homes, Jeff VanderMeer, and Robert Birnbaum.

Bat Segundo Torrent Pack #4 (Shows #61-80) — Includes Alison Bechdel, Julia Glass, Tommy Chong, Annalee Newitz, Nora Ephron, Joe Eszterhas, Richard Dawkins, and Edward P. Jones.

Bat Segundo Torrent Pack #5 (Shows #81-100) — Includes Mary Gaitskill, Kelly Link, Francine Prose, Claire Messud, Simon Winchester, Amy Sedaris, Nina Hartley, Richard Ford, Christopher Moore, Neal Pollack, and David Lynch.

Bat Segundo Torrent Pack #6 (Shows #101-120) — Includes Martin Amis, Ron Jeremy, China Mieville, Tao Lin, Lionel Shriver, Scarlett Thomas, and the two-part Berkeley Breathed.

Bat Segundo Torrent Pack #7 (Shows #121-140) — Includes Gary Shteyngart, Richard Flanagan, Katie Roiphe, Kate Christensen, William Gibson, Marianne Wiggins, Gabe Kaplan, and Naomi Klein.

Bat Segundo Torrent Pack #8 (Shows #141-160) — Includes Chimamanda Adichie, Katha Pollitt, Steven Pinker, Naomi Wolf, James Lipton, Richard Russo, the two-part Tom McCarthy, Andrea Barrett, and Will Self.

Bat Segundo Torrent Pack #9 (Shows #161-180) — Includes Stewart O’Nan, the two-part David Rakoff, Sue Miller, Jami Attenberg, A.L. Kennedy, Charles Burns, Charles Bock, and Steve Erickson.

Bat Segundo Torrent Pack #10 (Shows #181-200) — Includes Samantha Hunt, Chip Kidd, Stephen Chow, Bill Plympton, Michio Kaku, Jennifer Weiner, Richard Price, and Nicholson Baker.

More details (and torrents) to come.

First off, I want to thank all of the people who have written with their concerns and kind words about The Bat Segundo Show. I have received messages from listeners all over the world — including France, Sweden, Japan, and Norway. I was also extremely honored by Colin Marshall’s kind writeup at The Sound of Young America blog — especially humbling, given that I’ve greatly enjoyed both Sound and The Marketplace of Ideas — and Carolyn Kellogg’s post at The Los Angeles Times. This has all stunned me. The upshot is that, while my stats have reflected a solid audience of roughly 5,000 to 10,000 listeners per show, it appears that more of you may be listening to this show than I’ve realized. I’ve learned from some of you that podcasts downloaded from this site have recirculated. MP3s have been burned onto CDs for road trips. Files have been swapped onto other computers and MP3 players.

Because of this, I believe we are in the position to not only set a major precedent for a web-based radio program, but at a juncture where we can ensure that these interviews keep on going.

Here is what we have done. There have been talks with a number of parties about how we can sustain Segundo. And we’ve come up with a few ideas. We intend to carry out a three-prong plan that, if successful, will keep the show running through the end of the year at a rate of eight shows per month. Should this plan work, I believe that we can make Segundo self-sustaining, increasing both the program’s frequency and its range.

But before I reveal the details of our campaign, I have some news. There have been a few conversations with radio stations about distributing Segundo. While talks remain ongoing with a few of these outlets, I’m happy to report that, on August 2008, Litstation will be airing the first 230 installments on a nightly basis over the next year. The show will air at midnight. Some of the shows — meaning those that run over an hour — will be slightly modified to fit programming needs. But they will more or less be airing as they originally appeared here. Shortly after I finish with this project, I’m also going to be splitting the shows up into 28:30 blocks. The idea here is to have syndication packages ready for both one hour and half-hour formats so that the show can be distributed in many forms. If you are a radio program director interested in distributing Segundo (the perks include custom intros for your station and a few other frills), please email me and I’ll be happy to discuss the details.

However, I believe that the Web is Segundo’s predominant home. It is the Web that I plan to prioritize first. The biggest problem in getting public radio interested in Segundo is the show’s rather eccentric format. And I believe that the show’s strengths will be better served if Segundo remains fun, passionate, informed, and slightly idiosyncratic. In other words, on the Web.

I’ve also made a few cosmetic changes to the Bat Segundo site so that it’s a little less cluttery and easier for you to subscribe via iTunes.

I have set up a few more interviews for August, ensuring that eight shows will be aired this month. This should take us up to Show #234 before the end of the month. In an effort to keep the Segundo schedule more consistent, I will be putting up at least one new show every Friday, with the week’s second show (or, in some cases, a third show) appearing at some random point in the week.

I am currently in the financial position of keeping Segundo going through the end of August and through a good chunk of September. My operating costs essentially entail enough money for me to pay my rent, keep up the hosting costs, and a few other comparatively meager expenses. (Pedantic expenses such as ConEd and the like.) Over the past year, I have made enough freelancing money each month to keep Segundo going. I still intend to carry on freelancing as much as I can and as long as the editors will have me. But I also realize that, because of recent newspaper developments, it is no longer tenable for me to rely on this shaky income. I am not too proud to take up a full-time job. But if I do become employed on a full-time basis, I will not have the time I need to produce these shows with the same frequency and quality that I have in the past. There was a point when I was putting out Segundo while also working a full-time job. But to do this, I nearly drove myself insane. There were far too many nights in which I would stay up mastering until 4 AM or so, finish a podcast, and then wake up a few hours later to go to work. These considerable demands have become greater over the past year. As the show’s demands upon my life have increased, I do not believe that sleeping three hours a night is a tenable scenario. Each podcast now involves some twenty to twenty-five hours of work, and often considerably more. This time goes into reading, research, booking, production, post-production, et al.

For those who have full-time jobs and compare my creative life to that of a bum’s, I assure you that I am not a loafer. I have continued to work 90 to 100 hour weeks as a freelancer and a podcaster, frequently starting my day at around 6:00 AM and ending it sometime in the evening hours. This is hard work and I do my best to keep things as fresh and vibrant as I can. Some friends have informed me that I live a rather preternatural existence. But I also realize that I am not entitled to this existence and I hope that the product of my considerable labor will permit me to carry on doing this. While I can certainly see Segundo continuing as an intermittent series of specials, I feel that this program is important enough to warrant its continued rate of production. Judging by your emails and support, I believe that you feel similarly.

So here’s the plan:

1. Sponsorship. Because Segundo reaches a very specific niche audience, and because nearly every existing survey I have consulted concludes that listeners don’t mind a 15-second advertisement before a podcast, we plan on initiating an unobtrusive form of advertising along these lines. At the beginning of each program, we’ll feature a quick 15-second audio advertisement. Like old time radio, each program will feature a sole sponsor. For less than the price of a business card advertisement running for a week in the Brooklyn Paper, you’ll get a reasonably priced form of radio advertising that (a) singles out a more targeted demographic, (b) doesn’t have to compete with other advertisements to grab the listener’s attention, (c) permits your product or service to stand out in a way that is unlike any other, (d) treats the audience intelligently and respectfully by not overstaying its welcome, and (e) gives you radio advertising that you don’t have to pay a $2,000 minimum for (believe it or not, that’s the standard cost for a local radio station advertising bundle).

Here’s a look at some advertising rates with other podcasts.

Blogger & Podcaster: $450 for a 30 second ad. (Claimed audience: 20,000)
Blog Talk Radio: $350 per 15 seconds. (Claimed audience: 5,000)
Colorado Hockey Insider: $200 per show. (Claimed audience: 9,000)
Geek News Central: $1,000 per show for 30 to 45 second ad. (Claimed audience: 18,000)
Small Business Podcast: $500 per show to be mentioned in the podcast. (Claimed audience: 3,500)
A Very Spatial Podcast: $250 per show, 10-15 seconds. (Claimed audience: 1,500)

After looking at these figures (and it’s worth noting that all of these podcasts, to my knowledge, were able to obtain advertising at the rates they offered), we concluded that $350 per show would be a very fair market rate to start out with. We took some of the excellent advice and honesty given by podcaster Michael W. Geoghegan about operating as an independent podcaster and set to work on a media kit.

We’ve now prepared a media kit that offers a program overview and includes many details about sponsorship. If you’re interested in setting up the deal, feel free to check it out. You can contact me if you have any questions.

If you’re an advertising agency or a third-party individual who would like to set up advertising for us, I should note that we’re offering a 25% commission. (The standard commission rate given to ad agencies is 15%. And in light of what they do to support big magazines and the comparatively picayune amount we are asking for, I have decided to up the percentage. If you can get one client to sponsor a month of Segundo, that’s $600 that goes directly to you when the deal goes through. If you can do that in about four hours of time, then that’s $150/hour.) However, a few volunteers will be approaching potential advertisers in a very pro-active manner during the next few months. Our goal is to get five of the eight programs set up for sponsorship during August. If we can do this, and maintain a sufficient momentum, then we’ll keep on doing this. And we’ll report on the progress of this experiment as it happens.

There is one stipulation. Because Segundo is a program that strives to maintain its journalistic integrity, we will not be accepting advertising from publishers. We want to avoid anything that resembles a conflict of interest. (Historically, the shows have gone out of their way to include an eclectic mix of publishers, both large and small.) Segundo is what it is because it remains fairly autonomous. And we’re hoping that we can keep things this way. This is not to say that we’re ruling out companies that provide study guides, notebooks, or fancy pens, or those who host book fairs and trade shows, et al. But we do want to run the most ethical ship we can under the circumstances. And, besides, one mistake made by newspaper advertising departments has involved the failure to consider that book people do indeed go to restaurants, shop, travel, et al. We’re going to try and atone for this mistake. And we’re also going to reach out to smaller companies.

I should also point out that, unlike radio, we’re also open to individuals who wish to pay for a crazed message. And if you’ve been having trouble getting a particular kind of ad on television and radio because these networks and stations have cold feet, well then, why not try podcasting?

2. Donations. Of course, we realize that it may take a good month or two to set up advertising. We’re under no illusions that any of this will work. So we will simultaneously be launching a new pledge drive in August for a sum of $1,600. Should we obtain this modest sum in the next three weeks, this will permit us to stay alive during the next month and conduct numerous interviews in September and early October with many important authors in the fall. We’ll also be placing some of this money into a low-cost marketing campaign that we’ll be carrying out in August and September to increase the show’s audience. I can’t yet tell you the details of this marketing yet, but I can say that no podcaster has tried what we’re doing and we believe that it will be successful enough to increase our audience. This audience increase, in turn, will make us more attractive to sponsors. (After we carry out this marketing, in the interests of total transparency, I will report on its degree of success.)

Like our pledge drive from last year, if you contribute $10, we’ll send you a chapbook which contains a special message from Bat Segundo, an excerpt from Humanity Unlimited (my novel in progress), and an excerpt from Wrestling an Alligator (a play I wrote and directed a few years ago). If you’ve already received a chapbook and you choose to contribute again, we’ll be sending a supplemental chapbook that contains an excerpt from a noir novel that is also in progress.

If you’ve enjoyed Segundo over the years and you’d like to see us continue, feel free to donate.

I should also point out that the conflict of interest clause also involves donations. If you are an author and I eventually do interview you, then I’ll have to return the money. (In full transparency, we had one author who contributed last time. But we avoided a conflict in ethics by having somebody else interview this author.)

Now because our previous posts on the near demise of Segundo have resulted in a few donations, we’ll be including them in this $1,600 figure. Fair is fair. So the tally that we now have to beat is:

In the event that donations and sponsorship don’t yield the results, this brings us to Point #3.

3. Reading Fundraiser: I’ve contacted a few authors who have generously offered to give up some of their time for a Segundo fundraiser sometime in the fall. We’re currently looking around for possible venues. (If you have any ideas, again, please email me.) But what we have in mind is a reading fundraiser that would be hosted by Bat Segundo. (As our most recent podcast has made clear, Mr. Segundo was not, contrary to the events depicted in Show #199, shot to death.) Those attending would pay an entrance fee. But if the authors reading at this fundraiser aren’t enough of a draw, we’ll also be handing out CDs, which will contain a selection of the best Segundo episodes (along with a bonus or two that isn’t available online). In addition, should we find a sponsor who is willing to underwrite this event, we could waive the entrance fee and simply hand out the CDs.

We should have more on this fundraiser once we’ve managed to organize.

I realize that this is an elaborate plan that will require a good deal of hard effort. But I firmly believe that together, we might be able to do something quite amazing.

As my advertising rates indicate, I’m sure as hell not doing this for the money. My aim with Segundo has been simply to attempt something a little smarter than other radio shows who talk with authors.

I am being as transparent as I can with you because I do recognize that we’re trying to do something here for community. We’re trying to do something here for democracy. We’re trying to do something here for integrity.

This experiment may work. It may not. But it’s certainly worth a shot. And however it turns out, I’ll keep you posted on our efforts.

Thank you again for listening. And thank you for supporting us.

MEDIA KIT:

Bat Segundo Media Kit

I tried to keep the show running as long as I could, supporting it with my own money. A typical show took me about twenty to thirty hours to produce from start to finish. Segundo was a full-time job for which I received nothing but generous donations, including many of you who kindly chipped in during last year’s pledge drive. The hell of it is that the money required to keep the show going was peanuts.

But now that most of my freelancing income sources have dried up — in some cases permanently — I’m looking for a full-time job to make ends meet. And I only have so much time and energy to go around.

I feel tremendously sad about all this. I know that for some authors, Segundo was the only place they had to discuss their books. But I see no other option but to fold the show under the current economic circumstances.

Thanks to all the authors who took the time out of their busy schedules to talk with me. Thanks to all the publicists who went along with the crazy concept. And thanks, most of all, to the listeners. For four years, we offered a bona-fide alternative to the mainstream. And I’m extremely disheartened to abandon this. I never felt entitled to a living from this. But I do feel as if I’ve drowned a baby.

There are about nine shows left to be released, with a few more interviews I’ve set up that have yet to be conducted. I’ll be putting these shows up in the forthcoming weeks.

In the meantime, if you need a guy to write for you full-time or wait tables, please feel free to email me.

The event will take place at McNally Robinson, located at 52 Prince Street, New York, NY. The event is free, the conversation will also be available later as a podcast, and we will also be taking questions from the audience. Thankfully, we have managed to duct-tape Mr. Segundo to his chair to prevent him from disrupting the discussion. (The idea was kindly provided to us by the gentlemen behind The Signal.)

For more details on this event, go here.

To listen to our previous conversation with Mr. Klimasewiski, go here.

In almost four years of running Reluctant and two years of running The Bat Segundo Show, I have never openly asked for money on this website. Sure, there’s been a donation bar on the side, and some of you have graciously pitched in. I thank those of you who have. There’s also been some advertising, which has likewise helped. But this website has largely been run on my own dime. I’ve done my best to stimulate conversation and to make this a place for the literary community to connect.

So it pains me to make the following announcement. I’ve always tried to be self-sufficient here, ensuring that I can provide you, the readers and the listeners, with free content about the literary news and developments of our time.

But here’s the cold hard truth: Due to an unforeseen development on the advertising front, I’m out $800 this month. I’ve made some calls and spoken to a few people, and it appears that this is $800 I may not see for a while. The specific individuals responsible for collecting these monies have as much interest in performing their duties or informing me of their progress as the CIA. While I’ll be all right next month for income that has nothing to do with advertising, in the meantime, I’m now facing a shortfall that I’ll have to make up in the forthcoming weeks.

Understand that I don’t believe that the world owes me a living. But what this means is that, if I do not find a way to make up this shortfall this week, about seven Segundo interviews with some of today’s leading contemporary authors I had set up for the next three weeks will have to be canceled while I find immediate work elsewhere. (There are two interviews scheduled for this week and I plan to go ahead with these. And there are also some exciting interviews in the can that I hope to release once this financial setback has been resolved, including a provocative conversation with Steven Pinker and a two-part interview with Tom McCarthy.)

Now I don’t want to have to cancel these interviews. Trust me on this: these are all extremely interesting people. But if I cannot get $800 by the end of this week, I’m going to have to.

Here’s where you come in. As an experiment, I’m seeing if you — the readers and listeners who have been coming here — can help make up this $800 shortfall through donations. I’m not asking for a yearly salary like Jason Kottke once did and I certainly don’t want to make a regular habit of asking readers for donations. Nevertheless, in the grand scheme of things, collectively speaking, this is not a lot of dough.

I’ve produced 145 of these podcasts so far and made them available over the past two years for free. And I would like to continue devoting my time and energies doing this. As we all know, the number of outlets for in-depth literary interviews is shrinking. And I’ve been doing my best to fill in the gap with questions not usually asked of authors, careful reading of the books, and vigorous research.

If at some point, you’ve enjoyed any of the podcasts or any of the content here, please take some time to click on the Donation button below. If even sixteen of you contribute $50, then we’re back in business. Even if you can contribute $10, $5, beer money, it all helps. Let’s see if we can’t conquer this shortfall together. When I’ve raised around $800, I’ll remove this post and continue with business as usual.

And, as an added incentive, for those who contribute $10 or more, I’ll throw in a homemade chapbook containing an excerpt from my novel-in-progress, Humanity Unlimited, an excerpt from my play, Wrestling an Alligator, a brief history of Bat Segundo’s sordid past, along with a few other items. The chapbook is only available through a donation.

Thanks very much for your time.

There are more podcasts coming next week, including an hour-long interview with a very important author. Pardon Our Young, Roving Correspondent’s raspy voice during some of these shows: he was suffering from a month-long bout of laryngitis.

Torrent Packs #4 and #5 of The Bat Segundo Show have been released to The Pirate Bay.

Pack #4 contains Shows #61-80, and features interviews with Alison Bechdel, Daniel Handler, Tommy Chong, Nora Ephron, Scott Smith, Richard Dawkins, and many others. You can download the torrent here.

Pack #5 contains Shows #81-100, and features interviews with David Lynch, Mary Gaitskill, Kate Atkinson, Francine Prose, Nina Hartley, Richard Ford, Christopher Moore and many others. You can download th torrent here.

There will be a sixth pack, once time can be found to complete more shows.

Pack #2 contains Shows #21-40, and features interviews with William T. Vollmann, Dana Spiotta, Erica Jong, Sarah Waters, Tom Tomorrow, Harvey Pekar, and many others. You can download the torrent here.

Pack #3 contains Shows #41-60, and features interviews with John Updike, Colson Whitehead, Jonathan Safran Foer, David Mitchell, A.M. Homes, Jeff VanderMeer, and many others. You can download the torrent here.

Future torrent packs will be made available soon!

Condition of Mr. Segundo: Enchanted with sobriquets.

Author: Heidi Julavits

Subjects Discussed: Heidi’s middle name, the psychotherapeutic muse, Michelle Stacey’s The Fasting Girl, Mollie Fancher, science vs. faith, Freud’s Dora study, responding to Marisa Meltzer’s claims of conservatism, the pros and cons of unreliable narrative, “What Might Have Happened,” setting a novel in indoor environments, dialogue vs. description, Tim O’Brien’s In the Lake of the Woods, narrative resolution and ambiguity, perfect endings, Before Sunset, cultural metaphors vs. gesture, Viewmasters, repartee vs. gushing in a therapeutic environment, pushovers, grief tea, the inspirations for Hyper Radiance, clarifying the antisnark manifesto, Nick Hornby, The Believer‘s role in review coverage, Dale Peck, and constructive criticism.

EXCERPT FROM SHOW:

Correspondent: For example, Nick Hornby’s column. I mean, there’s a risk that he can be almost a more highbrow form of Harriet Klausner in the fact that he writes nothing but positivism.

Julavits: Yeah.

Correspondent: I mean, isn’t there something about laying one’s cards down on the table and offering not necessarily — okay, to bring up the Dale Peck review.

Julavits: Yeah.

Correspondent: I object more about the literalism behind the amazing sentence “Rick Moody is the worst writer of his generation.” That’s an extraordinary thing to say.

Julavits: Also unprovable though. I guess I feel like the reason that I feel like there are writers who are extremely critical, and I mentioned them in my essay. But Daniel Mendelsohn — I mean, that guy pulls no punches. But he only says things that are actually provable, thereby showing that he is a serious intellect. You know, he’s not out there just to throw slanders around and call attention to himself, which is what Dale Peck — I didn’t want to read past that first sentence. Because this is not going to be an intellectually serious takedown of Rick Moody. This is just going to be someone throwing their fists around.