{"id":671,"date":"2008-12-31T14:59:42","date_gmt":"2008-12-31T19:59:42","guid":{"rendered":"http:\/\/www.edrants.com\/segundo\/?p=671"},"modified":"2012-02-25T18:08:19","modified_gmt":"2012-02-25T23:08:19","slug":"allison-amend-bss-256","status":"publish","type":"post","link":"http:\/\/www.edrants.com\/segundo\/allison-amend-bss-256\/","title":{"rendered":"Allison Amend (BSS #256)"},"content":{"rendered":"<p>Allison Amend is the author of <i>Things That Pass for Love<\/i>.  <\/p>\n<p><img src=\"http:\/\/www.edrants.com\/wp-content\/uploads\/2008\/12\/amend.jpg\" align=\"center\" \/><\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_1485\"><!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-671-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3?_=1\" \/><a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\">http:\/\/www.edrants.com\/_mp3\/segundo256.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\">Listen: <a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('http:\/\/www.edrants.com\/segundo\/?powerpress_pinw=671-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"segundo256.mp3\">Download<\/a> (Running Time: 41:42 &#8212; 38.2MB)<\/p>\n<p><b>Condition of Mr. Segundo:<\/b> Pondering the troubling things that pass for love.<\/p>\n<p><b>Author:<\/b> <a href=\"http:\/\/www.allisonamend.com\/\">Allison Amend<\/a><\/p>\n<p><B>Subjects Discussed:<\/b> Dealings with the <i>Atlantic Monthly<\/i>, what constitutes a proper golf story, miniature golf, how Jewishness and faith relates to sustaining a narrative, speaking multiple languages, Pig Latin, the connotations of &#8220;molested,&#8221; small animals in short stories, whether an author should be concerned about manipulating the reader, grabbing the interviewer by the beard, discovering stories through subconscious intent, stories that &#8220;need more gerbil,&#8221; writing stories that run counter to an innate perspective, verisimilitude, magical realism, whether multifarious themes and motifs disguise the primary premise of a story, the narrative complexities of romantic intimacy, avoiding the &#8220;chick lit&#8221; label, Curtis Sittenfeld, the <a href=\"http:\/\/www.glimmertrain.com\/amendb17.html\"><i>Glimmer Train<\/i> essay<\/a>, Amend&#8217;s two unpublished novels, dealing with potential editors who issue demands to include a love story, how much one should compromise for art, authenticity vs. marketability, frequent appearances of Zima within Amend&#8217;s stories, authors who include brand names in fiction, experimenting with lists and found documents, planning the endings of stories, selecting stories for the collection, and thematic unity.<\/p>\n<p><b>EXCERPT FROM SHOW:<\/B><\/p>\n<p><b>Correspondent:<\/b> Golf figures prominently into a number of these stories.  In &#8220;How Much Greater the Miracle,&#8221; you write, &#8220;The soul and golf are interrelated.  I try not to wax too philosophical, but the soul is like a golf ball.&#8221;  Now is this particular statement one of the reasons you frequently return to golf in your writing?  Do you feel that golf gets a bad rap?  Is this your way of essentially taking it, or absconding it, from the upper-class country club associations?  Are you trying to counter the John Updike\/Richard Ford\/Kevin Costner kind of approach to golf?  I think this is a very important question!<\/p>\n<p><b>Amend:<\/b> Sure, sure.  I think that your answer is much better than the one I&#8217;m going to give you.<\/p>\n<p><b>Correspondent:<\/b> No, I&#8217;m sure your answer is going to be fantastic.<\/p>\n<p><b>Amend:<\/b> Which is that back when I was in grad school, Michael Curtis, who edits the fiction for the <i>Atlantic Monthly<\/i>, requested some golf stories.  He was editing the fiction section of <i>Golf Digest<\/i>.<\/p>\n<p><b>Correspondent:<\/b> Oh wow.<\/p>\n<p><b>Amend:<\/b> And he needed some golf stories.  So I was like, &#8220;I can write a golf story.&#8221;  And he said, &#8220;Oh, it&#8217;s very good.  I don&#8217;t want it.  But it&#8217;s a good story.&#8221;  And I said, &#8220;Thank you. I&#8217;ll write another one.&#8221;  So I wrote another golf story.<\/p>\n<p><b>Correspondent:<\/b> Aha!<\/p>\n<p><b>Amend:<\/b> He said, &#8220;I don&#8217;t want this either.  But I like your writing.&#8221;  So I wrote one more just to see.  But actually I do really like golf as a literary theme.  Because, first of all, it&#8217;s something for your characters to do without really having to have them do a lot of business.  So everyone knows how you play.  I mean, everyone sort of knows the theory of golf.  You hit a ball towards a hole.  And so your characters can talk a lot and can think about things without &#8212; it&#8217;s not like it&#8217;s basketball, where you have to describe the reaction all the time.  So I really like golf that way.  But also it&#8217;s this really absurd game.  I played a lot when I was younger and don&#8217;t play so much now.  But if you told me that you can&#8217;t see there&#8217;s a hole about the size of your palm and you can&#8217;t see it from here.  But if you hit the ball three times, you will hit it in the hole.  I would never have believed it.<\/p>\n<p><b>Correspondent:<\/b> Now you say that you had had golf experience before when you had been asked to do these stories.  Or did you have to go into golf again and do a refresher course so to speak?  Or a refresher run?<\/p>\n<p><b>Amend:<\/b> Well, I was at Iowa.  We had a lot of free time.<\/p>\n<p><b>Correspondent:<\/b> Okay.  They have golf in Iowa.<\/p>\n<p><b>Amend:<\/b> They do have golf in Iowa.  And it&#8217;s actually pretty accessible.  There&#8217;s a great municipal golf course.  A nine hole golf course.  And so I actually played a decent round of golf.  But mostly I just asked my parents.  They are very into golf.  And so when I needed some golf details to make the story seem more authentic, I just asked them.  I said, &#8220;What do you do if the ball&#8217;s on the side of a hill?&#8221;  And my dad&#8217;s like, &#8220;Well, you hit down on it obviously.&#8221; I&#8217;m like, &#8220;Oh, of course.&#8221;  And I&#8217;m taking notes as I&#8217;m talking to them.  So that was my golf experience.<\/p>\n<p><b>Correspondent:<\/b> But this is an interesting notion of what a golf story is.  <\/p>\n<p><b>Amend:<\/b> Right.<\/p>\n<p><b>Correspondent:<\/b> Because if one plays golf, it&#8217;s automatically a golf story?  Or golf happens to be a motif?  I mean, how golf-intensive does a golf story have to be?<\/p>\n<p><b>Amend:<\/b> You know, I don&#8217;t know.  I don&#8217;t think that the golf story is going to be the next hot genre.  Although there is the golf novel that does pretty well &#8212; apparently every year.  But for me, it&#8217;s just a story where I have to ask my parents a lot of questions about golf to write it.  So to me, that&#8217;s a golf story.<\/p>\n<p><b>Correspondent:<\/b> I&#8217;m just wondering if there&#8217;s any golf criteria for a golf story.  I&#8217;ve never been asked to write a golf story.  And I&#8217;ve never actually considered, until we just talked about this subject, about what a golf story entails.  And so I&#8217;m wondering.  Maybe it&#8217;s like a Christmas story.<\/p>\n<p><b>Amend:<\/b> It just has to be some Christmas.<\/p>\n<p><b>Correspondent:<\/b> Yeah, I don&#8217;t know.<\/p>\n<p><b>Amend:<\/b> Yeah, I think so.  I&#8217;m not sure that I&#8217;m the best person to ask, since none of my stories were accepted for <i>Golf Digest<\/i>.<\/p>\n<p><b>Correspondent:<\/b> But they&#8217;re in here!  There&#8217;s like three golf stories in here.<\/p>\n<p><b>Amend:<\/b> But they&#8217;re in there.  In which case, golf is sort of a theme.<\/p>\n<p><b>Correspondent:<\/b> Yeah!  So you are a golf story person.<\/p>\n<p><b>Amend:<\/b> Apparently, I&#8217;m a golf story person.<\/p>\n<p><b>Correspondent:<\/b> Among many other things.  Well, okay.<\/p>\n<p><b>Amend:<\/b> Well, I could be.  I&#8217;ve been called worse.<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_1486\"><audio class=\"wp-audio-shortcode\" id=\"audio-671-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3?_=2\" \/><a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\">http:\/\/www.edrants.com\/_mp3\/segundo256.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\">Listen: <a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('http:\/\/www.edrants.com\/segundo\/?powerpress_pinw=671-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"segundo256.mp3\">Download<\/a> (Running Time: 41:42 &#8212; 38.2MB)<\/p>","protected":false},"excerpt":{"rendered":"<p>Allison Amend is the author of Things That Pass for Love. Condition of Mr. Segundo: Pondering the troubling things that pass for love. Author: Allison Amend Subjects Discussed: Dealings with the Atlantic Monthly, what constitutes a proper golf story, miniature golf, how Jewishness and faith relates to sustaining a narrative, speaking multiple languages, Pig Latin, [&hellip;]<\/p>\n<div class=\"powerpress_player\" id=\"powerpress_player_1487\"><audio class=\"wp-audio-shortcode\" id=\"audio-671-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3?_=3\" \/><a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\">http:\/\/www.edrants.com\/_mp3\/segundo256.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\">Listen: <a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('http:\/\/www.edrants.com\/segundo\/?powerpress_pinw=671-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"http:\/\/www.edrants.com\/_mp3\/segundo256.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"segundo256.mp3\">Download<\/a> (Running Time: 41:42 &#8212; 38.2MB)<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1084],"tags":[606,16,274,608,9,117,607],"_links":{"self":[{"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/posts\/671"}],"collection":[{"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/comments?post=671"}],"version-history":[{"count":5,"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/posts\/671\/revisions"}],"predecessor-version":[{"id":2241,"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/posts\/671\/revisions\/2241"}],"wp:attachment":[{"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/media?parent=671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/categories?post=671"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.edrants.com\/segundo\/wp-json\/wp\/v2\/tags?post=671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}