Primer

I have just seen the film Primer, and my head fucking hurts. But in a very good way.

Do I know what went on? Somewhat. What makes this film such a delight is how it can be viewed as both a left brain experience or a right brain experience. The left brain can soak up the multiple timelines and time travel devices (I believe there were at least four, but I wasn’t taking notes) and try to keep up. The right brain can relish in the confusion and accept the film as a parable for personal responsibility and young smart men who sacrifice viands and sleep to play god for their very deadly ambitions, only to discover that they unearth more havoc than personal returns.

For those still flailing in the dark (including moi), this timeline helps considerably. Shane Carruth, the young man who wrote, directed, produced, acted in, photographed and did several other things for this movie is definitely a talent to be watched. He shot this film for only $7,000. And Carruth’s wild ambition makes El Mariachi look like juvenile fluff. If you’re looking for an exciting, head-scrambling experience, the film is available on DVD. Joe Bob says check it out.

Roundup

  • Because one can never cover too many awards, I note that Orhan Pamuk has won the 2005 Book Trade Peace Prize. The prize is the most coveted literary award in Germany.
  • Alan Riding points to a quiet controversy that has been unearthed regarding women’s writing prizes (and the Orange Prize in particular). Specifically, novelist Anne Fine is quoted, “I do think the Orange Prize has created a division, an artificial barrier where there was only an awful inequality.” Perhaps the answer is much simpler. Could it be because Fine has never been longlisted for the Orange Prize?
  • Super Size Me filmmaker Morgan Spurlock is entering the book industry. The first book is Don’t Eat This Book. The second one will be Slightly Smarter Though Still Stupid White Men.
  • After years of relying on numbers cobbled together from disparate sources for our neighbor up north, publishers can now rejoice. BookNet Canada has introduced a new centralized sales-tracking system. This makes Canada the last English-speaking nation to do this. But the Globe and Mail‘s Kate Taylor is mourning: “At its most useful, it will let publishers stop guessing how many books they have really sold; at its most dangerous, it will draw them yet further into the pointless game of second-guessing their customers.”
  • In Waynesville, MO, as many as 20,000 books from Waynesville school libraries are going straight to the dumpster. This remarkable idea comes to us from the mind of Superintendent Ed Musgrove, who is inflexible to donations because “it would cost more for us to pack them up and donate them than to destroy them.” It seems that despite the fact that other members and local residents expressed concern over this small-town homage to the barbarians who destroyed the Great Library of Alexandria, Musgrove stayed firm, revealing that the main factors being employed to remove the books are the copyright date and the subject. If you’d like to let Musgrove know how you feel about this, here’s his contact information.
  • One amusing thing that’s come out of the ballyhoo concerning Edward Klein’s expose, The Truth About Hilary, is, as the BBC has reported, the listings over what other books the customers have bought. Currently leading the list is John E. O’Neill’s Unfit for Command: Swift Boat Veterans Speak Out Against John Kerry. Craig Shirley and Dick Morris are concerned that Klein’s smear approach will make Hilary Clinton a more sympathetic person and thus a more viable presidential candidate for 2008. Meanwhile, Klein himself keeps flip-flopping with his source (Or is it none or more than one? One never knows with this guy.) that claims that Bill Clinton raped Hilary to conceive Chelsea. [UPDATE: Ron Hogan has additional information about Klein, jumping off from this Publishers Weekly article.]

What to Do at a Reading

M.J. Rose has put up a list of ten things not to do when publicizing your book. Beyond Rose’s troubling Miss Manners-style tone, as a man who tries to attend several readings a month, there are a few reality alerts that need to be addressed.

1. Most of the people who attend readings are probably not going to be familiar with your book, much less you. They are, as Stanley Elkin repeatedly suggested in George Mills, more likely to be there for the free food and wine. This in itself is not as ignoble as it sounds. Because this understandable impulse is walking hand in hand with some love or curiosity for literature. So it is possible for an author to win potential readers and book buyers over. However, reading your excerpt in a dry somnambulistic tone is not going to do the trick. It is essential for the aspiring author to not just entertain (in a manner that she is comfortable with), but to win potential readers and buyers over to her side. An author may have penned the best novel of the year, but if the author reads without feeling or enthusiasm, if the author doesn’t, say, find her voice within the dialogue of the characters, what then is the point of a reading? That means actually enjoying the book tour process (as much as it detracts you from your writing) or breaking out of the troubled template of reading followed by questions. Why not pick five people out of the crowd to enact certain characters from a book? Or reverse the questioning process. Ask the audience how often they write. Bring strange props or offer to do something nutty if a customer buys a book.

2. With rare exceptions, all press is good press. Don’t let anyone tell you otherwise. If you are concerned with losing readers because of what you do or because of the tone of your book, then you probably shouldn’t be in this business. The minute that a book is published, it has already lost and found readers. Some folks (like me) may not want to read another self-absorbed memoir written by a middle-aged Caucasian going through a midlife crisis. Some folks may be averse to genre fiction. Some folks simply want to read a Dan Brown novel. If you’re concerned that some people aren’t going to be interested in you, then fuck ’em. Cater to the people who are going to be interested in your type of book. Your goal as an author is to locate the people who will be attracted to your voice and appeal directly to them without compromising who you are.

3. Some people are going to be annoyed with you no matter what you do. I’m not suggesting that authors become outright assholes, but I should point out that if you smile artificially towards someone (or offer passive-aggressive advice lists that reek of inexplicable and unvoiced fury), most humans will know that you’re putting on some kind of act. Find a genuine way to enjoy other people, even the ones you’re uneasy about. Because enthusiasm is infectious and there is always a common ground somewhere. Learn to be curious, courteous, yet remain true to yourself. If there’s some heckler in the crowd (and there will be at some point), responding in a calm, detatched, NPR-sounding way isn’t going to win you respect from yourself or from your reading audience. Find out where the guy’s coming from and don’t take it so personally.

4. For Christ’s sake, go to the trouble of talking with and thanking the booksellers. I’ve heard absolute horror stories from booksellers of certain authors (who shall remain unnamed) who treat the people behind the counter with utter disdain. As if they were dumbass baristas. Newsflash: Booksellers actually fucking read and they determine placement of your book. Besides, most of these folks are very nice. Talk to them, find out what these folks are reading and (here is where I agree with Rose) buy a book or three.

5. To a great degee, it is about you. You penned the book, you showed up, people are there for you. But this doesn’t mean it has be exclusively about you — far from it. So make it a conversation rather than an exposition.

Another Ego Who Makes Generalizations About the Locals, Another Ungrateful and Overhyped Author

Like the Rake, I’m mystified why no one in Denver has put this smug bastard in his place. Perhaps the concept of “When in Denver, do as the Denverites do” only applies if you get less press than Tom and Katie. But then I like omelets and I also realize that 99% of Jeep drivers aren’t thinking about Nick at Nite every minute they drive. I think it’s safe to say that now there is no way in hell that I’m reading this memoir, even if the book is placed squarely into my hands.