Three Hours of Sleep

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The Bat Segundo Show #20

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Author: Dave Barry

Condition of Mr. Segundo: Reduced to second-string narrator.

Subjects Discussed: Suze Orman, footnotes, Donald Trump, lawsuits, phone calls from Paul Anka, daily affirmations, indices, sex with ducks, buzz cuts (1960 vs. 2005), the boomerang generation, getting reviewed in the NYTBR, Dave Barry deconstructs our Young, Roving Correspondent’s baroque speaking style, snobbery, humor, Lee Eisenberg, commuting, podcasting, reading books and farting, quitting his column, reader expectations, and working with Jeff McNelly.

[LISTENER’S NOTE: This podcast is probably the strangest one we’ve put out.]

A Question for Language & Audio Geeks

In the course of engineering audio, I’ve noticed that the bilabial plosive (meaning the b sound when voiced and the p sound when voiceless) is sometimes recorded with too much gain, even when I have placed the microphone at a reasonable distance from the mouth. Meaning that when I open up an audio file, whenever someone says “book” or “picture,” I must meticulously correct it in postproduction. Not having an expensive processing unit, I am wondering if there is a workaround that would save me such time. (I am guessing that switching to condensers is probably the answer.) I am also curious why the bilabial plosive is so prominent (particularly in deep-voiced male speakers). Could it be the not bad yet dynamic microphone I am using? Or perhaps the signal is simply coming in too high.

[UPDATE: It may in fact be audio compression (PDF), but if other podcasters are having sibilance issues, please offer your thoughts, theories and solutions in the comments.]