I’ve been informed that Against the Day is now in transit from New York. Reading and reporting will begin IMMEDIATELY upon its arrival.
[UPDATE: Mr. Orthofer has his copy and offers some details.]
I’ve been informed that Against the Day is now in transit from New York. Reading and reporting will begin IMMEDIATELY upon its arrival.
[UPDATE: Mr. Orthofer has his copy and offers some details.]
This week at the LBC, our first finalist, Sidney Thompson’s Sideshow, is discussed by various LBC members. We’re breaking down the discussion story by story, but be sure to look out for an appearance by Sidney Thompson, a podcast featuring nominator Jeff Bryant and Thompson (in cahoots with the fantastic Pinky’s Paperhaus), and considerably more.
My review of Stephen King’s Lisey’s Story appears in today’s Philadelphia Inquirer.
LCD Soundsystem’s James Murphy has apparently created a track called “45:33” for Nike. The song, designed for a workout, is available through iTunes for $9.99. In other words, Bittorrent is your friend.
As bad as William Deresiewicz’s Echo Maker review was, it doesn’t hold a candle to the silly leaps in logic laid down by Craig Seligman, who accuses Richard Powers of victimizing Oliver Sacks:
Modeling Weber so closely on Sacks was mildly insane, because it points you toward Sacks’s rigorous prose — next to which the heated emotions and the elaborate literary scaffoldings in this book seem overcomplicated and false. If there’s exploitation here, the victim is Oliver Sacks.
Given that there are probably no more than a few pages of “Weber”‘s work within The Echo Maker, I’m wondering precisely how Powers has pointed towards Sacks’ prose (Sacks’ ideas and techniques, perhaps; but what does Sacks’ prose style have to do with it?). I believe it can be safely stated that Sacks was certainly one of the inspirations for the Weber character, but I think it’s up to the reader to determine these implicit connections.