A good deal of Orson Welles’ radio work is online, including his dramatizations of Les Miserables and The Pickwick Papers, which I’ve long been curious about. (via 2 Blowhards)
Month / March 2007
Note to Actors: Avoid David O. Russell At All Costs
More on Russell’s Antics:
New York Times: Russell puts Christopher Nolan into a headlock, shrieking at Dustin Hoffman, and more.
YouTube: Lily Tomlin lets loose choice words at David O. Russell, with Hoffman trying to smooth things over.
Uh, Because It Sells?
Michael Levitin: “Do we need another postmodern version of the Haggadah? And if we do, why is Foer—a fiction writer who is not observant, who does not go to synagogue and who describes himself ‘as skeptical as most New York Jews of organized religion’ — the man for the job?” (via Galleycat)
Harry Potter 7: It’s Not Easy Being Green
For those interested, the new Harry Potter book will be 784 pages. The first print run is set at a mind-boggling 12 million. The paper used will contain “a minimum of 30 percent post-consumer waste fiber.” While this eco-friendly output is good, as Chelsea Green’s Margo Baldwin observed last year, many small publishers have been putting out books with a higher PCW fiber count. And I can’t help but wonder whether any of these 12 million copies will be remaindered. And if they do not sell, will they be pulped? And is this mass pulping really beneficial for the environment?
In Which I Join the Fold
Since I’ve amassed a tidy arsenal of reviews over the past six months, and, since my litblogging colleagues Mark Sarvas, Lizzie Skurnick, Sarah Weinman, Michael Orthofer, and Jessa Crispin were members, I figured that the time had come to join the National Book Critics Circle and participate in the ongoing critical conversation.
I’m honored to report that I’m now an NBCC member.
There were several reasons why I joined. For one, we’re in the middle of an interesting convergence point, a confused nexus of print and online media in which both parties sometimes wave scolding fingers at each other instead of communicating or meshing with the “other” side. It seemed only natural to join the organizational body that was attempting to put current literary criticism into perspective — particularly as some perspectives are misunderstood, some genres and books are needlessly dismissed, and the future of literary criticism remains somewhat inchoate as layoffs and buyout offers assault working journalists and the remaining column inches devoted to book reviews.
While it is true that I have taken the NBCC to task from time to time (and I certainly don’t exculpate myself from some of the aforementioned finger-waving), I figured that understanding the NBCC from a member’s perspective might permit me to form a more informed opinion and understand where many of its members were coming from.
We’ll see how this all works. In the meantime, I’d like to thank Jane Ciabattari, Rebecca Skloot, and John Freeman for having me on board.