Month / July 2007

by Edward Champion

Jimmy Page, Plagiarist?

This Bert Jansch adaptation of a folk song, “Black Waterside,” sounds an awful lot like “Black Mountain Side,” does it not? And here’s the original “Dazed and Confused.” (MP3)

Well, that’s not all that Jimmy Page was ripping off from other musicians.

(via MeFi)

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by Edward Champion

Appointment in Samarra Revisited

I’ve met Howard Junker — the man was silly enough to drink a barely drinkable pint of Pabst Blue Ribbon with me — and I also email him from time to time. He’s a quietly intelligent and friendly gentleman. I also know that he’s outspoken about what he likes and what he doesn’t like. He does this not to be spiteful, but because he cares tremendously about literature. Like any good literary enthusiast, he demands the best out of people. And if that means telling people point-blank that their work isn’t up to snuff, then that’s simply the way that Howard operates.

But for Stephen Elliott, a writer who purports to chronicle misfits and the misunderstood, a remark Junker made at a competitive reading contest was enough to send him over the edge.

Elliott misheard a remark that Junker made concerning Elliott’s “literary merit.” Elliott didn’t come up to Junker or ask for an apology or express his anger or initiate any attempt to clear things up. (As Howard wryly notes, Elliott didn’t even ask to settle things in the alley.) Instead, he threw beer onto Howard Junker, as well as the new owners of the Booksmith — who are also both very kind people. There was no explanation. No effort on Elliott’s part to talk things out.

Junker immediately left the room without causing any additional fuss. What was Elliott’s response? “I don’t understand why Junker left that night. I had a shirt in my bag he could have borrowed.”

I realize that Elliott has had a tough life. But this does not justify acting like a boor in the present. Particularly when the target is as understanding a man as Howard Junker. Things did not have to escalate to this level.

As Junker noted, “‘Literary merit’ is not a term I use on my own, and it is certainly not among the criteria I use to judge a man as a man. A man, I feel, should be able to hold his beer. Should be able to take his lumps. Should exhibit courage in the face of adversity. And so on.”

The very least that Elliott owes Junker is an apology. Real men own up to their mistakes.

What Elliott did is far from taking his lumps, far from exhibiting courage, and far from being a gentleman.

by Edward Champion

Early Morning Roundup

  • I can truthfully think of no duller candidate for a lead review than this guy.
  • Other Ed, currently counting Rowling units, on Walter Kurtz.
  • Mr. Mitchelmore raises an interesting point about prejudices before reading. I think that a book, no matter how overexposed the subject matter, is still capable of surprising a reader if an author is good enough and that it’s a bit foolish to discount an author’s creative possibilities within a given formula. If anything, seeing precisely what Coetzee will come up with after so many books about writers writing books is the more interesting question. Hell, is not David Markson’s “Novel” tetralogy — if we must group them together — essentially about a writer writing a book? You’d be hard-pressed to call his approach similar to Stephen King novel featuring a writer writing a book.
  • Regrettably, I had to miss the Harlem Book Fair. But Richard Grayson was there dutifully reporting.
  • Spoon is not treading water. The new album is a fabulous head game with what the long-time listening base is expecting. (Case in point: the abbreviated “Your” in the title “You Got Yr. Cherry Bomb.” And where’s the Y in “Rhthm and Soul?” And why a song about a Japanese cigarette case? That’s the kind of thing you’d expect from a band desperately seeking objects in a hotel room to write a song.) I’m liking this album very much because of these elisions, which also manifest themselves in such “ghost” flourishes as that sequenced horn section which opens up “The Underdog,” only to not quite match up with the bass notes in that chorus’s expected pomposity. (And then the “horns” shift to a clear synth voice around the three minute mark.) No, it’s not as overtly experimental as something like Kid A and these production decisions aren’t immediately clear on the first few listens. But it’s still pretty fun. And even if you don’t sign on for this sort of thing, there are still slacking rockers (“slockers?”) like “Finer Feelings” and “Don’t You Evah.”
  • And speaking of Mr. VanderMeer, here he is again in this week’s Book World.
  • More after sleep.
by Edward Champion

Theresa Duncan Dead

Horrible news.

[UPDATE: Pardon my laconic post. The news of these two deaths (Duncan and her boyfriend, Jeremy Blake) hit me as I was about to embark on a restful weekend. My immediate reaction was to beat myself up relentlessly on Friday night for not doing more or for not communicating enough to her that her zaniness was peachy keen. Theresa and I had exchanged quite a few emails after the two of us duked it out last December in an Elegant Variation thread, where I encouraged her to maintain her hearty enthusiasm for reporting breakfast. She responded that she was planning to extend her ebullience to lunch and dinner. Whatever her problems, what I do know is this: I observed in Theresa another giddy and idiosyncratic soul — someone who was good for the artistic community by way of her cockeyed perspective. And I’m very sorry that I never got the chance to meet her. If this horrible conclusion says anything, it is this: We must embrace those who are different.]

[For additional reading, see Kay Redfield Jamison’s Touched with Fire. And on the film front, watch Janet Frame and Jane Campion’s An Angel at My Table.]