Darby: About these protean layouts of yours, I recognize the compulsions of a fellow neurotic. Really, sir, it’s the words that count more than anything else. And it seems to me that you’re tinkering around with the look because you’re too damn concerned with the more important component of blogging: the words. You’ve even gone so far to hide them with that preposterously large graphic at the top. Minimalist, my ass. You’re avoiding your duty. To write something on the blog every so often, to keep things fun, to tell us what is on your mind. Do I have to go out to Ohio and kick your ass? Stop this right now. Write. Simply write. You have my vote of confidence. But what of your own? Don’t give a damn about the audience. Write. And write again. Let us see what you’re writing. We don’t give a damn about your layout. We care about your words. Write. Leave the visual trickery to those who are truly frightened. Write.
Month / August 2008
Responding to Orwell: August 14
George: Nothing from you in the past few days. What’s going on? Hesitant to log weather and reddening blackberries? I don’t think you have anything to worry about. Who could possibly have anticipated so many souls hanging onto your most pedantic words seventy years later? And, yes, George (can I call you Eric?), I’m one of them. I know that, being dead, you’re not exactly in a position to care about what your readers might think now. But if some residue remains aside from the tomes that settle in the dust, don’t let the haters bring you down. At least you have the comfort of writing words without getting instant feedback from readers. None of us have that now, George. Not anymore. I suppose that’s why the book exists. There, we can write about damn near everything and in the early stages of applying the nib to paper (or, more pragmatically, fingers to keyboard), we can machete through an unfettered wilderness of words before we start hunting endangered species. Got caught in the rain myself this afternoon. Heavy downpour, soaked shirt, no grass snake. Wildlife encounter yesterday. Loud squeak from rail, followed by rat just more than a foot long, dragging a bit of Styrofoam into a hole, then screechy onset of approaching car. The rats do seem to know when the subways come, making their cameos at the eleventh hour. This evening, saw spitting image of old high school friend in the streets. Gait, swagger, height, loping arms, and frame a total match. Followed man a block to see if he was truly a Doppelganger, but when he turned, there was no physiognomic resemblance. Phone rings frequently now that cell’s back in action, but am trying to make this more of a luxury. Frequently unplugging from Internet to get work done, to map out terrain while there’s still some time. Rest easy, George. Am eagerly awaiting your next volley and will respond in kind, even though some are losing patience with this format. Well, I like it. So there.
The Zutons, Jeremy Warmsley & Robyn: Who Started the Slow Motion Domestic Disaster Music Video Trend?
Exhibit A: Jeremy Warmsley, “Dirty Blue Jeans” (Director: Ben Rollason)
Exhibit B: The Zutons, “What’s Your Problem?”
Exhibit C: Robyn, “Be Mine”
Excerpt from David O. Russell’s “Alienated”
[EDITOR’S NOTE: Reluctant Habits has obtained an excerpt of David O. Russell’s new book series for children, Alienated. The series will center around two children who work for “an old tabloid that covers the worlds of freaks and aliens.”]
The alien had come into the tabloid’s office for a profile piece. But why couldn’t she understand Penelope’s simple instructions? Why couldn’t she see that Penelope had greater plans for her?
“Fuck you,” said Penelope, whose cute golden curls glistened with venom. “I was trying to fucking help you. Do you understand me?”
The alien, whose name was Lily and whose curls did not glisten with venom, sat at the desk, puzzled that an eight-year-old girl would use such language.
“Try being a fucking collaborator. I was trying to help you figure out…”
Penelope had a point to make. She was, after all, a freak. Nobody understood her. And it was necessary to throw a tantrum so that the extent of her genius — her fucking genius — would be understood. Why couldn’t Lily understand her? But this was all for the best!
“Hey bitch! I’m not here to be fucking yelled at! I’ve worked on this fucking tabloid for three fucking years, and to have some cunt….”
Penelope kicked a binder on the desk for emphasis. Her genius extended into musical rhythm. It was good to be a freak. Good to be angry. Good to watch one of the secretaries cower near the door in the corner. They’d never treat her with contempt again. Penelope was surprised that Lily was calm the entire time.
“…yell at me in front of the fucking staff when I’m trying to fucking…fuck you, bitch. Figure it out yourself! Fuck yourself!”
Penelope began to beat her fists into the wall. It seemed the right thing for a genius to do.
Segundo Distribution Update
If you are a program director interested in airing Segundo, please note that the first 230 shows of Segundo are available in a one-hour format, with the shows all running just under an hour. While the running time ranges from 23 minutes to 58 minutes, if you are looking for a literary program that you’d be interested in stripping during a post-midnight slot and you have an automated system that can fill in the remaining gaps with short segments, please email me and I’d be happy to discuss arrangements.
A half-hour syndication package, involving a more scheduling-specific 28:30 format, will be available in a few months.
I was as surprised as anyone to learn that the entire Segundo oeuvre now runs close to 10 gigs in MP3 format. (About 98% of these shows fit on two DVD-ROMs.) Because of this, I’m going to soon be releasing twelve torrent packs for these shows that will be uploaded to The Pirate Bay (with the older ones repacked), so that Segundo can be disseminated further.
For those who simply want copies of the shows on DVD, so that you can simply copy the shows over to your iPods or MP3 players without having to download them all, I plan on working out a scenario in which you’ll be sent the first 225 or so shows on two DVD-ROMs for a reasonable price.
In the meantime, the August pledge drive is still on. We’re still short of our goal. So if you haven’t donated, your support will help us continue the show. We’ll have more news on all this later, as well as another podcast up very soon. Thanks again for listening.