I’m Feeling Lucky About My Google Job

From a fascinating collection of emails from former Google employees:

In one TGIF in Kirkland, an employee informed Eric Schmidt that Microsoft’s benefits package was richer. He announced himself
genuinely surprised, which genuinely surprised me. Schmidt, in the presence of witnesses, promised to bring the benefits to a par. He consulted HR, and HR informed him that it’d cost Google 22 million a year to do that. So he abandoned the promise and fell back on his tired, familiar standby (”People don’t work at Google for the money. They work at Google because they want to change the world!”). A statement that always seemed to me a little Louis XIV coming from a billionaire.

A company that generates several billions of dollars a year in profit — that reported revenues of $5.54 billion during the third quarter of 2008 — is, from the perspective of CEO and Chairman Eric Schmidt, a man who earns a $1 annual salary but who owns more than 10.7 million shares of Google, considered a place where people work simply because they “want to change the world.”

From Emerson’s “Compensation”:

Every excess causes a defect; every defect an excess. Every sweet hath its sour; every evil its good. Every faculty which is a receiver of pleasure has an equal penalty put on its abuse. It is to answer for its moderation with its life. For every grain of wit there is a grain of folly. For every thing you have missed, you have gained something else; and for every thing you gain, you lose something. If riches increase, they are increased that use them. If the gatherer gathers too much, nature takes out of the man what she puts into his chest; swells the estate, but kills the owner. Nature hates monopolies and exceptions. The waves of the sea do not more speedily seek a level from their loftiest tossing, than the varieties of condition tend to equalize themselves. There is always some levelling circumstance that puts down the overbearing, the strong, the rich, the fortunate, substantially on the same ground with all others.

NBCC Rumormongers About Washington Post

Late Friday, the National Book Critics Circle demonstrated its commitment to accuracy by reporting a rumor that The Washington Post Book World was closing up shop. Instead of picking up the phone or talking directly with the appropriate people at the Washington Post or committing any elementary act of journalism, Eric Banks saw fit to create a wave of panic through the online world by suggesting that “a reliable source” was reporting that Marcus Brauchli was recommending to the board that Book World be eliminated. The unconfirmed rumor was likewise disseminated by Scott McLemee, who claimed that “a prominent young American historian” had told him the same thing.

By the way, a dancing leprechaun has been tapping me on my shoulder all afternoon about this. I know he doesn’t work at the Post, but trust me, he’s right about all this, even if he still can’t find his Lucky Charms.

All this, of course, was erroneous. Because nothing has been announced and nothing has been confirmed directly with the appropriate people. And Brauchli was then forced to email Jane Ciabattari to set the record straight. He informed Ciabattari, “We are absolutely committed to book reviews and coverage of literature, publishing and ideas in The Post. Our readership has a huge interest in these areas.”

And instead of Ciabattari, McLemee, and Banks offering an apology for reporting a false rumor, or even putting up a retraction so that readers would know that the news was phony, Ciabattari merely annotated her post with a doubting “Fingers crossed.” When, in fact, it has not been established by anyone that The Washington Post Book World will be closing up shop.

For what it’s worth, I have contacted individuals at the Washington Post in an effort to obtain correct information about what is going on. Rather than dealing with third-hand information or playing a game of telephone, I think it’s important for all “journalists” to stick with established facts. Should I learn anything hard and specific, I will certainly report it here. It’s worth pointing out that what Brauchli may have in mind is similar to what happened with the Los Angeles Times: folding the current material into the daily sections. But since I haven’t heard anything from anyone, all we have right now is speculation. I invite Mr. Brauchli to contact me directly, in an effort to confirm any short-term or long-term plans for what he has in store for his newspaper.

[UPDATE: Politico’s Michael Calderone is claiming that “[h]igh-level discussions about ending Book World have indeed taken place, according to a Post source with knowledge of the talks.”]

[UPDATE 2: Sources within The Washington Post indicate that some reorganization is now in effect and that all inquiries on this subject need to be directed to Marcus Brauchli.]

How Jane Smiley Outfoxed Coherence

Back in the late 1990s, I wrote a 1,672-page novel about horse racing. Though I portrayed an array of upper-class characters and still remain more than a bit mystified by the thoughts and sentiments of the working class, it was easy for me — indeed, perhaps easier — to declare to all of my rich friends in Napa that I was a good liberal, and to always point to my work in defense of this claim. My fiction always informed my readers just how much I cared. I adored Latinos because I adored my Latino apprentice-jockey’s jaunty buttocks. And sometimes, I’d even drag out the Sybian just after pounding out a chapter. It was the only way for me to understand how not to be white, how not to be upper-class, how not to be a humorless twit.

To demonstrate my commitment to multiculturalism, I wrote a lengthy chapter describing how my character’s brown buttocks bounced atop a horse’s brown buttocks. Perhaps the ass-on-ass action here could help me to understand precisely how these people felt. After all, their skin was browner than mine. And although I had tried dying my skin like John Howard Griffin with catastrophic results, the Latinos had been so helpful to me over the years — cleaning my restaurant tables, working on my yard, toiling for very little cash. I figured that I could be helpful to them through the power of fiction.

I didn’t mind the charges that came later, because everyone in the novel was engaged in a single enterprise, and therefore I could become a distinguished critic and a legend in my own mind.

The last eight years blasted that all out of my head. Bush had been elected specifically to smite my fiction. While my friends (some of them no longer my friends) suggested that this clear evidence was something akin to that hack novelist Philip K. Dick’s paranoid delusions, they were wrong. (Lethem is crazier than that hack chick-lit novelist Jennifer Weiner if he wishes to afford Mr. Dick a few laurels, although I do like the sound of his surname.) I would read the newspapers and see that every policy maneuver contained some veiled horse reference. Indeed, the Bush Cabinet failed to appreciate the smooth and alluring curvature of a Latino man’s buttocks.

Horse Purgatory remains my favorite of all my novels. Wild Latino Stallions, A Million Acres, and Ordinary Lust & Good Will Hunting remain close seconds. But these novels were written before I discovered the salient connections between Bush and my writing. I wonder if my political awakening of the last eight years will prevent me from fully appreciating a Latino man’s character and prowess, much less anything outside the muddled cacophonies within my own head.

Sounds nice, doesn’t it?

Although every novel is political and multicultural, and you’re just going to have to take my word on this without an example because I am, after all, Jane Smiley, good novels always feature long descriptions of a Latino apprentice-jockey’s buttocks. A Harlequin romance sells better than David Copperfield, and it’s because of those steamy descriptions. And now that Obama is about to be inaugurated, can we all go back to reading John Cleland’s Fanny Hill?

The key to whether Obama truly reforms the way our culture works is whether or not he can encourage more novelists to write lengthy novels about horse racing. There has been much talk of creating a new version of the Federal Writers Project, and I agree with this idea, but only if it involves more horse writing and only if it involves more buttocks.

I am, quite frankly, a bit clueless about what fiction has to do with politics. But having an uninformed opinion certainly hasn’t stopped me before. So I’ll just say this: Shakespeare progressed from tragedy to romance. Never mind that his most martial play, Coriolanus, came four mere years before The Tempest. The great thing about reframing literature in political terms is that one can conveniently skirt around common sense.

With this in mind, I hope to write more novels featuring descriptions of bouncing buttocks. I thank Obama for making this all possible.