“Real Life” Fiction

Maud points to “literature from the underground” from the ULA, everybody’s favorite group of Knut Hamsun/Henry Miller flunkies. One suspects that the ULA’s problem is their aversion to editing. So as a service to the ULA’s genius writers, I’ve decided to help them out with the first two paragraphs of Emerson Dameron’s “Uptown Valhalla”:

Thursday evening, 8:34 PM. I jerked awake on my brother?s couch in Uptown. [How does one jerk awake on something as uncomfortable as a couch? A couch will deaden your back muscles and hinder the waking process.] ?At least I don?t have a hangover; that?s a goddamn miracle,? I thought [Why express this as a thought? Shouldn’t he be feeling this or the omniscient voice expressing this?], right before the railroad spike went in one ear and out the other. [Who the hell are you? Pheinas Gage? This makes no sense whatsoever.] I glanced at the coffee table. I shoveled my hands in my pockets. Wallet and keys were not forthcoming. [To shovel is to dig and unearth some sediment. One cannot shovel and produce nothing. It is like applying a shovel to air.]

Fortunately, my sibling [Your brother? Your sibling? Does he have a name? Is this even relevant?] had a few twenties stashed in a Pokemon Stadium cartridge [Aren’t these unnecessary pop cultural references what you’re damning Dave Eggers about?] on the bookshelf. I left the apartment and plodded toward a local jazz club, rubbing the fresh, acne-like bumps on my scalp. [Did you recently shave your head or is this supposed to be metaphorical? This sounds more like eczema rather than “acne-like” description that fails to tell it like it is. Clarify.] It felt like a TB test was coming up wrong. [Yeah, and I feel like a simile tossed out in desperation.] A nest?s worth of defiant hornets buzzed ?round my circulatory system. [Make up your damn mind. Does his head hurt? Is he suffering from a condition? This is incoherent rubbish.] These weren?t coke bugs. I know what those feel like. [Too bad that we don’t, becaue you’re incapable of clarity.] They look for escape routes, whereas these li?l fellas seemed to be on some sort of reconnaissance mission. [Ho ho ho!]

Now if I were a literary editor, the above bracketed statements would be racing through my mind. I’d toss this story out in an instant. This isn’t “real” writing. It’s junk. I’m sorry to be rough on Mr. Dameron. I’m sure he’s a nice guy. But the ULA has yet to offer a compelling reason why we should subsidize people who put together this kind of drivel in one draft while others spend years starving in rat-infested garrets actually developing their craft. Like it or not, there are some people who can write, and there are others who can’t.

You want real life, Wenclas? I’ll show you rooms of starving writers (and patient spouses) turning out novel after novel, receiving rejection slip after rejection slip, and continuing despite the fact that 90% of everything is crap and that bleary-eyed editors are beleagured by “aspiring writers.”

The simple truth is that when a story has so many foolish inconsistencies embedded within its first two paragraphs, even the most experimental editor won’t have the patience when the piece is competing against a vertiginous slush pile of manuscripts. And I say this is a good thing. As readers, we only have so much time in our lives to devote to the neverending amateurs and incompetent moonlighters who pester like self-entitled whiners. And even then, we have to choose from what’s published.

The ULA wants to “overthrow” the literary establishment. Well, that’s silly. Because, for the most part, these people know what they’re doing. They read perhaps more than any of us. Granted, money plays a sizable role in their decisions. But then money plays a sizable role in everyone’s decisions. Even the wannabe Bohemian writer who spends hours of his time railing against the machine rather than writing a novel.

I’d have more respect for the ULA if they were actually promoting something of value. But they are a first-class literary sham. They’re the assholes you encountered in high school who wanted divisiveness for the sake of divisiveness, fools who would spend a whole lifetime making enemies, rather than truly “fucking up the shit from the inside” like the best of subversive novelists. And as such, they deserve no respect: not from you, not from me, and certainly not from anyone who seriously cares about literature.

White Bread

So listen all, peeps. We got this here Whitbread dope piquing crosst the pond. My boy David Mitchell got jacked, dig, but there other choices instead. Add some shortening to them cookies, biatch, and you get a list so simple that my ditch-dirty cuz could bake youze some mean pumpernickel blinded.

Dwellin’ on da fiction:

So we gots us a clear favorite with Alan Hollingshurst. Wasn’t enough for The Line of Beauty to scarf the Booker, now it needs Whitbread too. Sheet, book’s got bigger appetite than my libid. Leave the boy alone. Bee-effin-seiged by ‘views, he is. Cat can’t stop answering dubyaass questions. So he out, cause we all tired of his Thatcherism-ramblin’ ass.

Kate Atkinson has nice name and tome titled Case Histories. No doubt ever’one’s main forens-fixated folk is pleased by this. Still, the girl’s favorite books are hackneyed as hell, and I ain’t talkin’ taxi. So she out too, cause we like influences spiced, if you know what I’m sayin’.

Annie Levy’s got that Small Island, smart, sassy and cerebral. We like that and nice curves in a hot momma. But more postwar posturin’? We sick of the Gravity’s Rainbow offshoots, dig? Maybe ’cause we drinking 40s and revisiting the mack daddy who started all this — who is a lot clearer than these messy folk. No, Levy’s out, just cuz we be chillin’ through year’s end.

Then there’s this freedom-soundin’ author named Louis de Bernieres with Birds Without Wings. Boy’s humble with the Tolstoy comparisons. Sounds like a right cat. Our horse is on him. Go Louis go! We may be movin’ on up to Paris if that Penn Ave. bad lay push us in da slums.

Iowa Yin-Yang

Tonight, at Modern Times, two University of Iowa grads read from two books issued from University of Iowa Press. Both books were remarkably compact (both around 135 pages) and both authors had won several awards. It is here that the similarities end between Marilyn Abildskov and Merrill Feitell. (Although, you see? They also have similar first names!)

Both read for about twenty minutes: Abildskov from The Men in My Country and Feitell from Here Beneath Low Flying Planes. Abildskov’s book is a highly personal memoir set in Japan about her days as an English teacher, while Feitell’s book is a collection of short stories (and winner of the Iowa Short Fiction Award).

After their readings were up, the two answered a handful of questions, before Marilyn took the mike and began interviewing Merill and expressed how astonished she was at Merill’s output, before Merill confessed that writing her California-based novel was an uphill battle.

Even so, the two ladies demonstrated that there’s one heck of a demand for Iowa writers here in San Francisco. It was SRO by the time I got there, but I somehow managed to find a strange seat watching the two authors in profile. I felt a bit like Tom Landry, which is a strange sensation to feel at a reading.

Incidentally, I’ve read The Men in My Country and I’ve been trying to talk Marilyn (a friend of mine) into a Segundo interview. I made an impassioned pitch to her that she did indeed have things to say, but we’ll see.

Status Report

  1. I am badly in need of a vacation. I have been waiting for Thanksgiving to roll around, but alas even two weeks away is an eternity.
  2. Because of the general fatigue, my reading speed has dropped to an all-time low. A mere 75 pages a day, if that. It’s not the books I fault, but a certain malaise that nags at me. Why does literature matter? It does, don’t get me wrong. But in prioritizing reading and responding above other things, am I not the apolitical parvenu remaining blissfully ignorant in Stalinist Russia?
  3. November’s election: oh, how to fight off the bitter aftertaste! And why is the right so angry? They won this motherfucker!
  4. Writing is pathetic. We’re talking 400 words or so a day and that involves staring at a screen for about two hours, putting a ZoneAlarm Internet Lock on the comp. And even then, none of it matters. Not the poetic descriptions of vagrants fading into urban colors, not the dialogue involving choices. We’re talking earnest questions that nobody wants to answer. Understandable.
  5. I have been trying to avoid all political news. Fallujah, rigged elections, mandates, tax code readjusted for the rich. But this, apparently, is an impossibility. My moral concern about my country has eaten away hours of my time — reading news stories, replies, angry bloggers, the like. Before I know it, it’s 2 AM. The sad thing is I haven’t a clue as to how we can win. A few general ideas, sure. But nothing within my current existential purview. What a waste!
  6. Invariably, people want to talk politics in social clusters. And I’m sick sick sick of it. Somehow, everything else seems trivial. You can’t talk about a winning restaurant or a fantastic feeling someone had last week without coming across like a complete and utter cad. To resist social discourse is to be Donne’s island, but it all leaves me feeling spent and secluded these days. And so I’m reluctant to chatter or socialize, even when I force myself to. Plus, I am now very cognizant of stupid people and I don’t like these elitist impulses.
  7. There are strange people taking away the solitary time I need during my weekday lunches to remain a happy and sane person. And apparently I’m not alone. The strange people in question have sensed the dip in cheeeriness and have brought in their efficiency experts and their positive values programs and their Leo Buscalgia rhetroic (accompanied by milky New Agers who resemble the palette of Cream & Wheat and cherub-cheeked bald guys who haven’t smiled convincingly since 1986), and it all makes everyone feel uncomfortable. And they are rebuked in whispers.
  8. There is a general feeling of defeat in the Financial District. People are overworked, nobody’s hiring. This is the new American way — at least for the next four years. And while one can complain, the general sense is that one should not if she expects to keep her job. It is much like the mentality behind the Great Depression. Guilt for having to settle within a socioeconomic archipelago of overqualification.
  9. There are surely better ways to eke one’s existence than this.
  10. I have no shame about how these points are interpreted.
  11. I’m a cheery soul and I’m fighting every impulse that resembles that moment in Happiness where Ben Gazarra willingly applies the salt to his meal. As long as I exist on this planet, I will not throw in the towel. But I weep at the growing batallion of Gazarras who have seemingly infiltrated every urban hot pocket.