Louis Menand offers this interesting overview of book award circlejerks-cum-review of James English’s The Economy of Prestige: “What makes them valuable is the recognition that they are valuable. This recognition is not automatic and intuitive; it has to be constructed. A work of art has to circulate through a sub-economy of exchange operated by a large and growing class of middlemen: publishers, curators, producers, publicists, philanthropists, foundation officers, critics, professors, and so on. The prize system, with its own cadre of career administrators and judges, is one of the ways in which value gets ‘added on’ to a work. Of course, we like to think that the recognition of artistic excellence is intuitive. We don’t like to think of cultural value as something that requires middlemen—people who are not artists themselves—in order to emerge. We prefer to believe that truly good literature or music or film announces itself. Which is another reason that we need prizes: so that we can insist that we don’t really need them. “
Category / Awards
2005 — The Year of the Bad Boys
Banville, Vollmann and now…Gilbert Sorrentino winning the Lannan Literary Lifetime Achievement Award. If 2005 isn’t the year for literary underdogs, I don’t know what is. (Thanks, Molly!)
HOLY SHIT!
William Vollmann won the National Book Award for Europe Central. Way to go, Vollmann. It is about time that Mr. Vollmann’s incredible output be recognized.
Between this and Banville winning the Booker, part of me wonders if there is some karmic conspiracy amongst the West Coast litbloggers and these awards.
When Vollmann accepted the award, he said, “I thought I’d lose, so I didn’t prepare a speech.” Ron has a first-hand account of the many “Oh my Gods” shouted over this unexpected win. But what’s also interesting is that many of the news outlets are putting Didion’s nonfiction victory for The Year of Magical Thinking over Vollmann’s win.
BBC: “Didion and Mailer win book prizes.”
Boston Globe: “Didion wins nonfiction Book Award.”
Reuters: “Top US nonfiction prize goes to Joan Didion.”
If Mary Gaitskill or Christopher Sorrentino had won instead of Vollmann, would they have received such secondary billing? Well, likely, given that Didion is the grand dame of nonfiction. But it’s interesting that the coverage, which has in past years valued the fiction winner over the nonfiction winner, has done just the reverse.
Other winners included poet W.S. Merwin for Migration. Merwin has been nominated for seven other awards, but had not won. Jeanne Birdsall won the young people’s literature award for The Penderwicks.
For more information on Vollmann, check out the Vollmann Club.
[UPDATE: And more here from Sarah, noting that the “minor surprise” or the “unsurprising” reactions that seem to have been reported after the fact (Vollmann won? Oh shit! Get that gun-toting nut off Page E1 because middle America isn’t interested in him. And, for god’s sake, play up Didion! Everyone loves Joan!) were very much not in evidence at the actual awards ceremony.]
[UPDATE 2: With associations of Merwin dancing in his head, Litkicks describes the 1975 dustup between Ginsberg and Merwin.]
[UPDATE 3: A good writeup by the Book Standard folks: “Vollmann began his acceptance speech about ten feet to the right of the microphone, and had to be shepherded over by an attendant. Still, in a tuxedo that looked several sizes too big for him, he came off quite charming, saying that he hadn’t expected to win, and so hadn’t prepared a speech, which, from the confused content of his thanks, appeared, for once, to be true….Vollmann’s win, then, may have been in part a big fat raspberry directed at the people who hoped the award would go to someone who sells.”
Four Books Enter, One Book Leaves
The Whitbread shortlists have been announced. While Rushdie received no love from Booker, he might just be making a comeback with Whitbread. I’m mystified, however, why Nick Hornby was nominated, given that one of the judges is a bit fastidious. But we’ll see how this all plays out.
BEST NOVEL:
A Long Way Down by Nick Hornby
Shalimar the Clown by Salman Rushdie
the accidental by Ali Smith
The Ballad of Lee Cotton by Christopher Wilson
FIRST NOVEL:
The Harmony Silk Factory by Tash Aw
26a by Diana Evans
The Short Day Dying by Peter Hobbs
Gem Squash Tokoloshe by Rachel Zadok
BIOGRAPHY:
Haw-Haw The Tragedy of William and Margaret Joyce by Nigel Farndale
Nature Cure by Richard Mabey
Stuart: A Life Backwards by Alexander Masters
Matisse The Master by Hilary Spurling
POETRY:
Legion by David Harsent
Cold Calls by Christopher Logue
Lucky Day by Richard Price
Marabou by Jane Yeh
(via tse Tung)
Pinter Bags Nobel
And the cause of dissension and delay? Apparently, Harold Pinter. Let us hope that this encourages Mr. Pinter to pen more plays rather than poetry.