Morning Roundup

  • Does the apple fall far from the tree? Owen King would prefer that nobody knew about the apple at all. Owen is Stephen King’s son and has a new book out called We’re All In This Together. Whatever We’re All‘s literary merits, we’re absolutely confident that nepotism and King’s connections had NOTHING WHATSOEVER to do with the book getting published. Perhaps like other sons of famous authors, Mr. King’s talent will be separate from his father’s and we’ll see him pen a small chapbook called Invasion from the World of Warcraft.
  • As widely reported in the blogosphere this morning, the Washington Post has issued a retraction for Marianne Wiggins’ review of John Irving’s Until I Find You. It seems that Wiggins was married to Salman Rushdie, who in turn is a longtime friend of Irving’s. Ron, David Montgomery and Sarah have posted their thoughts on this issue. The question here is where the line is drawn. If a reviewer has exchanged emails with an author (which appears to be the Post policy), it seems preposterous to me that this will sully one’s critical perspective. (And in fact, I’ve struck up a few unexpected and amicable email volleys with authors whose books I’ve ruthlessly panned.) If the publishing industry can swing between art and commerce swifter than a disco king, than surely the reviewer can negotiate the much simpler divide between the parquet floor of the books and the authors who dance on it. We’re adults here, not junior high school students. Apparently, the Post doesn’t seem to believe that an adult is capable of disagreeing with someone while remaining cordial in person.
  • Poet Laureate Ted Kooser gets up at 4:30 AM each morning to write his poetry and wants to bring poetry to the people.
  • Benjamin Kunkel plunges into Balzac’s Lost Illusions.
  • The Gentleman of San Francisco, one of the first works of Russian poet Ivan Alekseyevich Bunin has been translated and published. It only took ninety years to get around to it.
  • Richard Herring and Stewart Lee have returned to the Edinburgh Fringe Festival after 18 years. They are determined not to turn into Ben Elton.
  • And while there may be more memoirs right now than ever, Andrew O’Hagan says there’s reason to celebrate over this.

My Head Hurts! Therefore, Comic Books Are Bad!

Proving once again how culturally irrelevant they are, the Book Babes have declared graphic novels as the harbinger of evil. So suggesth one Ellen Hetzel:

I am patiently working my way through two graphic novels, David B?s Epileptic and Marjane Satrapi’s Embroideries, just one more indication in our world that Western culture increasingly depends on visual messages to perceive and understand what’s going on. Do I think this is a good thing? No. It seems like the mind has to be able to wrap itself around abstract ideas in order to reason, and visuals?at least as we know them through TV, movies and advertising?cause us to respond instinctively and emotionally.

Let’s discuss just how profoundly stupid this paragraph is. Consider the following:

First off, if the objection here is over any book medium contains “abstract ideas,” then I suppose we should discount the whole of literature outside of rigid genre-based narratives that offer nothing in the way of ambiguity. Ulysses? Sorry, Mr. Joyce, you’re too “abstract.” Tristram Shandy? Borges? Faulkner? Gaddis? Lessing? Flann O’Brien? Sorry, folks, the mind must “wrap itself around abstract ideas” in order to understand you. We’ll have to throw you into the dust heap. But Dan Brown and John Grisham? Well, you’re part of the literal-minded club. So come on by for some barbeque and MGD.

Second, what specifically is wrong with “visual messages?” Is Hetzel really advocating a culture based entirely (if not exclusively) on words? That’s sure fantastic for the 42 million Americans who can’t read or for quick international symbols that convey a point faster than words. I guess those Egyptians were fundamental dumbasses “wrapping themselves around abstract ideas” when they dared to communicate through hieroglyphics. I suppose Hetzel will be demanding next that we replace erect penises and floppy breasts with great Puritanical raiments of language.

Third, “visual messages” — or, more specifically, mediums that involve visual messages — are not exclusive to Western culture, nor are they as recent as Hetzel suggests. (Get schooled in ukiyo-e, Babe.)

Thus, if I am to understand Hetzel’s argument, it is this:

1. I can’t understand this graphic novel thingy. My head hurts.
2. Well, if I can’t understand it, then it must be fundamentally wrong for everybody! It must be abstract!
3. The cute little comic book thingy is composed of “visual messages.”
4. Since I can’t understand the cute little comic book thingy, therefore anything involving “visual messages” is fundamentally wrong!
5. My head hurts. I’m out of aspirin. This is NOT A GOOD THING!
6. There are other “visual messages” on teevee and advertising.
7. Teevee and advertising are lesser mediums than the book.
8. Therefore, the cute little comic book thingy is a lesser medium.

It’s good to have such circular bullshit come so easily, isn’t it?

I’ve had my problems with the Book Babes before, but I never suspected that they’d serve up such idiotic logic. I’m quite stunned that the Book Standard would allow something so fundamentally moronic to infiltrate its pages.

(via Bookslut)

The Harriet Klausner Mythos

Booksquare suggests that Amazon reviewer Harriet Klausner (profiled in today’s Wall Street Journal by Joanne Kaufman) isn’t exactly a discovery of such stunning new finds as Tess Gerritsen, pointing out that Gerritsen’s career kick-started several years before.

However, I’m curious why the Wall Street Journal didn’t make an effort to verify Klausner’s extraordinary claims. Kaufman only describes Klausner’s voice as “more than a few dips of helium,” but makes no reference to the geography of her home or Ms. Klausner’s appearance. I’m wondering if Kaufman even spoke with Ms. Klausner in person. After all, if Klausner has read over 8,000 books and reviewed them in a mere five years, wouldn’t it be worth a trip to Atlanta to observe just how she does it?

The Book Review Reviewers

Holy frijole! Return of the Reluctant got a whole paragraph from the Gray Lady and was named with several other fantastic and swell folks. That conventional media has responded so quickly to the book review reviewers demonstrates that we are having an more of an influence than we thought. At the very least, they’re paying attention. I certainly hope that other litblogs (and blogs in general) pick up the slack and give their local newspaper coverage a hard look. Together, we might be able to remind today’s newspapers that book coverage is a seminal part of the Sunday newspaper experience.

Rest assured, this won’t affect our hard tests here in the slightest. And I should again point out that I would be beyond delighted to send Mr. Tanenhaus a tasty brownie. It’s really up to him.

More Weekly Takes

If you’re interested in other weekly reports on literary coverage, the litblog community has transformed, seemingly overnight, into online ombudsmen:

Mark continues his assaults upon the Los Angeles Times.

Scott has taken on the San Francisco Chronicle.

Sam Jones has taken on the Chicago Tribune.

And Bookdwarf promises to take on the Boston Globe.

This is one of the most exciting developments I’ve seen from the litblogs. There are no doubts in my mind that at least one editor is developing an ulcer.