Category / Needless Intellectualizing

by DrMabuse

Joe Camp Presents Benjamin the Haunted

Up until Wednesday night, I didn’t believe in the afterlife. However, I was swayed from my skepticism when a Wiccan friend of mine, whom I had met through the personals section of my local alt-weekly rag, took my hasty notion of what Walter Benjamin might think about the Bush administration very much to my heart. My Wiccan friend (whom I shall refer to in these pages as “Broom Hither”) pushed me down onto her bed, tied me up with several painful strands of tight rope, carved a pentagram into my chest, and then demanded that I bark like a dog.

To her supreme credit, Broom Hither had delivered on every single promise she had pledged that evening. And since I was already bleeding profusely and had no wish to stain Broom Hither’s expensive carpet, I howled like a Baskerville hound while Broom Hither let loose a heinous farrago of salty aromas, pungent candles and various other paraphernalia designed to badger my sinus and presumably the olfactory senses of the dead.

While it’s safe to say that I won’t be dating a Wiccan again, I have consulted a plastic surgeon about what he can do about the pentagram scar on my chest. The answer is: not much. But it was all worth it. Because Broom Hither did manage to coax the spirit of Walter Benjamin to offer us two paragraphs from the Great Beyond, which I am happy to publish on these pages. Mr. Benajamin has not only been paying remarkable attention to current U.S. politics, but has, in fact, ably mastered the English language in the sixty-five years since his suicide.

What follows is Sections 4 and 5 of Mr. Benjamin’s Theses on the Philosophy of Idiots:

IV

The human struggle, which is rarely present to a yokel influenced by White Zinfandel in a box and monster truck rallies, is a fight for the crude and avaricious desires which are often mistaken for upward mobility and, indeed, success. It is rarely the crude ones who allow for idiocy to rise, but the master manipulators in power who maintain the facade of idiocy. As American society has gravitated towards media mirages (c.f., reality television), the crude now see slim possibilities in their own futures. Thus, and I have not studied this as long as I would have liked, it remains my conviction that idiocy is allowed to flourish.

V

Please see Section IV.

At this point, Mr. Benjamin disappeared in a sepia haze. It is worth noting that he had no sympathy about my bleeding chest. However, he did admonish me for associating “arcades” with Mr. Do. So perhaps his lack of empathy was justifiable.

I have since learned that Broom Hither can be found in California’s Megan’s Law database. I suppose this is what happens when one lets common sense languish so that one may get laid.

Whatever the case, Broom Hither has disappeared from her residence. She has apparently listed me as her designated contact and I am flagging off the requests of dunners, creditors, and even a landlord from three years ago.

I will confess that I am not sufficiently familiar enough with Mr. Benjamin to corroborate his identity. It is quite possible that I was still reeling from the trauma. However, I leave this record up so that greater experts than I can make sense of Mr. Benjamin’s message from beyond.

by DrMabuse

Hold the Mayo, Hold the Line

Excerpt from “Toto’s Misunderstood Musical Prosody,” thesis paper by Wally Hanthorp, M.A. Music, 1991:

toto.jpg“Hold the Line”, a seminal track from Toto’s innovatively titled 1978 album, Toto, represents a rare case of restrained genius overstating the obvious. Critic Leonard Parvoo once suggested in The Peoria Journal Star that this was “a tune written, produced and performed specifically for stadiums and FM radio.” But it is worth noting that Parvoo, who communicated his unique fury over this innocuous little tune (and Toto in general), founded a Peruvian leper colony three years later. Clearly, the bile he expressed towards Toto in his review was transmuted in some small way into munificence. This demonstrates the value of Toto’s simplicity and the band’s power to change the world. For even Toto’s opponents are motivated to do great things.

But our subject concerns “Hold the Line.” Beginning with a simple snare drum snap, we are then acquainted with Steve Porcaro’s repetitive keyboard chords (thus anticipating the grand opening moments of Jefferson Starship’s “We Built This City”), which are then momentarily fluctuated in a slightly jarring beat, only to return to a traditional 4/4 beat that remains wholly uninterrupted throughout the song. This is our first clue that, while radio-friendly in nature, “Hold the Line” insinuates something more baroque. It is as if this tune represents an effort to “hold the line” on several levels, with the slight slippage hinting at a darker inconsistency. It is worth noting that singer David Paich himself is simultaneously singing while frequently pounding on his keyboard throughout the album, thus multi-tasking well before this term found usage in American vernacular. This is a truly admirable achievement — indeed, an American one. But why the unexpected introductory shift?

The answer is simple. Beyond the metaphorical elements of the song, Porcaro is holding the line musically, waiting for Paich to come in. Porcaro is determined to bang mechanically on his keyboards, despite the echoing barre chords from the guitar and the rote bass-snare backbeat. Paich’s obligation is simple: keep the listener hooked just in time for his introduction and the inevitable guitar solo. And what a rousing introduction it is!

“It’s not in the way you hold me.”

We are introduced almost instantly to the song’s sense of fervent denial. This is then followed up with a simple guitar riff that echoes each line.

“It’s not in the way you say you care.”

We hear the same denial, barely deviating from the previous line and sang in almost the same quasi-forcefulness. And the same guitar riff. When indeed will the transition occur? Prosody, as usual, has been maintained with a firm yet simple way of hooking the listener.

“It’s not in the way you’ve been treating my friends.”

More syllables in this line. These guys can cook! And indeed interject with a few more notes. In this way, Toto deviates from traditional stadium rock of the era, both by defiantly refusing to rhyme and ins ticking to the simple words “It’s not in the way.” And like the lyrics, we come to learn that “Hold the Line” is, musically, not like its corporate rock brethren. For we are eventually introduced to a chorus that quite deliberately offers perhaps the worst lyrics in Toto’s ouevre.

“Hold the line / love isn’t always on time.”

Even the most generous Toto appreciator would have a hard time reconciling “line” with “time.” There is nothing about these two words that rhymes. But then Toto is forcing us to come to terms with the remote propinquity of four-letter words. How many of us can truly rhyme on command? It’s also worth noting that the four-letter words Toto includes are not obscene. They are, in fact, quite interchangeable within the realm of everyday human vernacular.

Yet in this way, we immediately understand the initial discordant keyboard riff. For what is this but an oblique reference to Mussolini’s trains running on time? Where other bands could have employed a whistle sound effect, Toto lets the music speak for itself. The song needs no flash, save Steve Lukather’s driving guitar solo.

Will Paich offer us the full thrust of his emotions? Not here. He will save such moments for “Rosanna” and “Africa.” Here, he is concerned with how emotions are interchanged, often denuded of their primary value. His “Love isn’t always / love isn’t always” reminds the listener that this song is inherently about love, albeit love of a highly general nature.

It is the kind of love that helps one to get through a Saturday night. It is the kind of love that one can use, if one is fully inclined, to found a leper colony.

by DrMabuse

Tracking Sensations Is A Tough Racket

“If you reject absolutely any single sensation without stopping to distinguish between opinion about things awaiting confirmation and that which is already confirmed to be present, whether in sensation or in feelings or in any application of intellect to the presentations, you will confuse the rest of your sensations by your groundless opinion and so you will reject every standard of truth. If in your ideas based upon opinion you hastily affirm as true all that awaits confirmation as well as that which does not, you will not avoid error, as you will be maintaining the entire basis for doubt in every judgment between correct and incorrect opinion.” — Epicurus

by DrMabuse

The Kookysolo Manifesto

Sasha Cagen’s book, Quirkyalone: A Manifesto for Uncompromising Romantics, is now ranked 436 at Amazon. But I must take umbrage with Ms. Cagen’s success. I fear that Ms. Cagen has plagiarized me. Back in April 1997, I wrote a piece for Motherfuckin’ Angry Motherfucker, a zine assembled by a staff of one at Kinko’s with a modest circulation of 42. I’ve contacted my attorney about this and he’s informed me that a little bit of public exposure may help my case. I’ve also obtained permission from the editors of Motherfuckin’ Angry Motherfucker to reprint my piece, “The Kookysolo Manifesto,” in full on this website. There are, of course, certain similarities between the two catchphrases “quirkyalone” and “kookysolo.” However, I wish to assure my readers that this was simply an essay whipped up in the course of a drunken evening. If I had known that “kookysolo” had appeal, I would have cashed in the same way that Ms. Cagen has. Of course, there are also subtle differences between our respective philosophies. But I leave the readers to judge the results (and Ms. Cagen’s possible theft) for themselves.

People Like Us: The Kookysolos
by Edward Champion

I am, perhaps, what you may call a man who masturbates frequently. Relationships are like nectar from the gods. They happen, but perhaps only once in a blue moon. For years, I’ve wondered if I should check into a clinic or get a liposuction. But, of course, that would be a betrayal. Why would I desire to be one of those ironies that grace the magazine covers? The Meg Ryan type cast in repeated roles that involve a concept as believable as a government that never lies: the absolutely gorgeous young woman who can’t seem to find Mr. Right or so much as a date with a fine young stallion.

The morning after New Year’s Eve (another hangover in bed alone, another year minus a good afterglow) I was standing in the San Francisco air when I realized that I needed one of two things: a good lay or a cup of coffee. I settled for the coffee, since getting the good lay involved an endeavor more intricate and demanding than getting a Ph.D. At least if I wanted something immediate. I drank three double lattes, just to be sure that I was awake, and began rambling incohrently to the guy behind the counter, who was also suffering from a hangover. “I’ve got it!” I exclaimed. “Kookysolo.” Needless to say, I was 86ed from the cafe. My picture hangs on the wall.

But I knew that I had something with this kookysolo thing. It was clear to me that not only was this a term that could stick with the socially inert, but that it could be used as an excuse for those people who are afraid to introduce themselves or to give their fellow humans the benefit of the doubt. Gravitating towards the kookysolo label would allow people a justification for their own self-pity, those people who watch Love Connection or Blind Date in the dark.

We are the puzzle pieces who never actually throw themselves into the box. We inhabit singledom as our natural capitulating state. In a world where most people have no problem living up to John Donne’s idea that no man is an island, we are, by force of our convictions, our abrasive personalities, and our failure to remember first names, hopelessly antisocial.

Yet make no mistake: We are no less concerned with making an effort to ask someone out on a date, whether we be male or female. We do not have the courage to voice our interests in someone. Secretly, we are romantics, but romantics who are terrified of putting ourselves out there or giving a stranger a chance. We want a miracle. We want someone to somehow perceive our terrifying inability to interact and do the work for us. And in this quest, which is no different from plopping onto the couch with the remote control rather than getting out into the world, we are our own worst enemies.

For the kookysolo, the world is a terrifying place of axe-murderers and rapists behind every corner. We cannot conceive of the possibility of failure and when it does happen, as it does all too frequently, we remain convinced that the world is out to get us. Thus, we go home and watch television and drown ourselves in a bottle of wine rather than pick ourselves up and accept that, yes, one day, a nifty soulmate will be there, so long as we keep plugging away. We kookysolos have become so hopelessly placated by our 57 channels of cable and the number of beverages in a convenience store that we’re surprised that the same principles cannot be applied to relationships.

By the same token, being alone is understood as a way to reinforce these terrible impulses, to be considerably more hindered by our fears. Our weekends are full of intricate rituals. Lots of potato chips and television and vodka. Even if we do find the fortitude to go on a date, we’re terrified by the prospect of wrapping our arms around our date just to see how it feels. Because we go into the thing assuming the worst.

And so, a community of kookysolos is essential.

Since people like us eventually hit a point where we’re willing to throw in the towel, it becomes essential to get together with other kookysolos and have pity parties. Support groups are just the tip of the iceberg. We need manifestos. We need self-help books that are modeled exclusively on half-baked theories rather than science. We are a demographic that will always buy these books. Because, dammit, it’s something we can reach for in the hermetically sealed comfort of our own home. It’s something that confirms what’s destructive to us.

But if this is what it means to live, then you can count me out. Because probably the worst thing that can happen is when one kookysolo hooks up with another kookysolo, and the two of them kvetch endlessly about their own fears and limitations. Bonding based on crippling negativity is a recipe for chaos. If the relationship survives, it will be quilted in emotionally clingy fabric, which is healthy for neither party. But chances are more likely that it will end badly, and it will further terrify both kookysolos into avoiding relationships.

The earth will quake if anyone, en masse, actually believes that being kookysolo is a good idea.

by DrMabuse

Well, Since It Seems So Important.

They gathered on the shifting sands, away from the bright lights and the big stars. Kith and kin caught on the question of kaput, the winds cutting across their chiseled jaws, freezing limber pecs and refrigerating halter tops housing surgical implants. It was an ineluctable assault on the California senses. Fifty degrees was just too damn cold. They were concerned. Perplexed. Unable to offer answers. Ensnared by the greatest enigma to face humanity since Poe whipped up his “Gold Bug” code or those planes disappeared in the Bermuda Triangle. But who really cared about these trivialities? There were more pressing concerns than the mysteries and achivements of the human race.

Their friend was behaving strangely.

No longer the virginal vixen they had worshipped. No longer the adorable fuck-me starlet coveted by Bob Dole. No longer the gal who might have slept with Justin Timberlake. Or not. But possibly a John Wayne Gacy in the making. A troubled soul.

Their friend had been spotted slamming shots. More than a few times. Oh, she was of drinking age. Of that, there could be no doubt. But because she was accustomed to staggering demands, because she was rich beyond the dreams of that amateurish carapace she had thrown off long ago when she crossed those Ts on a contract signed in blood, her employees were afraid to tell her that she had a sizable problem. But was it the steady lucrative paychecks or genuine commiseration? Was their friend naive enough to believe that she could buy the sympathies of an entourage or was it a classic case of amoritizing pathos to ensure popularity? Had she been told that all along?

Whatever the case, they kept the hard line. No problems. Nothing to report. Shot while trying to escape. But then their friend had been whisked out of the Palm Casino, vaguely cognizant, succored by white man’s burden. But, no, their friend had not imbibed beyond the pale.

Thoreau would have marveled over this denial of excess. If anything, the deceitful impressions slung by well-paid publicists would have sent him into a sudden apoplexy. Their friend could no longer be characterized as modest, as virtuous, as inherently good. Now she was a victim of her own restless problems. Of course, unlike most of the public, there was an image to perpetuate and a deep-seeded unhappiness to conceal. And if she had behaved like that without the platinum records, the limos and the Braques on the wall she never looked at, she would have been 86ed from any self-respecting dive, declared a high maintenance case among an inconsequential neighborhood, possibly left alone to inflict herself with a harder narcotic she couldn’t afford. A daily habit in the hundreds.

So when their friend sauntered down a Vegas “30 Minutes or Less” nave with all the sanctity of a microwaved Swanson TV dinner, tying the knot with a childhood friend, acknowledging the true ceremonial import with a garter over blue jeans, and when their friend cancelled the deal 55 hours later, it reflected something else that the newspapers hadn’t considered. She could marry on a whim and then throw it away. She could drink to excess and emerge with a momentarily crippling hangover. She could do almost anything and then forget it ever happened. Except one thing. A pivotal facet not long ago.

A recording contract. A Faustian deal she had to fulfill. The only commitment she had. Don’t point to the men who had perfected the art of harvesting profit over litigious decades. The star, as always, was the culpable one. Even a star young, dumb, and full of come who didn’t know any better.

And they concluded that if their friend fell asunder, or was trampled by her own coping mechanisms (harmful behavior which they encouraged), there would be another friend to grope and laud, to salivate for a time until this friend too became forgotten or the paychecks dried up. Fame was an airtight science, a neverending cycle. And the public would never stop making rash conclusions based on the few things they could espy through the tiny observational sliver.

[1/23/06 UPDATE: The original link above does not look, but it linked to a frivolous FOX News article with the headline, “Loved Ones Worry About Britney.” The article is no longer available. It is as if FOX News’s coveted resources were devoted to other things in January 2004.]