I Was Simply Told the Lines

She may be smart, but she doesn’t seem to know much about men. But in real life, journalists are feeling the chill.

The stylish grandmother acted like a stammering child caught red-handed, refusing to admit any fault and pointing the finger at a convenient scapegoat. But now I want a full accounting. I want to know every awful act committed in the name of self-defense and patriotism.

Have you thought about using even fewer than 140 characters? In a droll nod to shifting technology, there’s a British red telephone booth in the loftlike office that you are welcome to use but you’ll have to bring in your cellphone.

Maybe it’s because I’m staying at the Sunset Tower on Sunset Boulevard, but I keep thinking of newspapers as Norma Desmond.

I dreamed that Spock saved our planet, The Daily Planet of journalism. Newspapers are an “endangered species,” as John Kerry called us in a Senate hearing last week, just as the Vulcans are in the new prequel. He gave me that wry Spock look.

Papers are still big. It’s the screens that got small.

Newspapers no longer know how to live long and prosper. It’s enough to make a Vulcan weep.

The really complicated question is what she hopes to gain from this.

This is quite touching, given that the start of the 21st century will be remembered as the harrowing era when an arrogant Republican administration did its best to undermine checks and balances.

How quaint.

I had dinner once with John and Elizabeth Edwards, when he first burst onto the national scene.

You could probably see your own name if you stayed long enough,

I heard about a woman who tweeted her father’s funeral. Whatever happened to private pain?

If you were out with a girl and she started twittering about it in the middle, would that be a deal-breaker or a turn-on?

To save journalism, Google has to know my most intimate secrets?

I feel better for a minute, until I realize that the only reason he knew that I wasn’t so easily replaceable is that Google had been looking into how to replace me.

Class dismissed.

(Tip via Jason Boog)

Joseph Minion Plagiarized Joe Frank

After Hours is perhaps my favorite Scorsese film. I am also a big Joe Frank fan. So it was considerably astonishing to learn that screenwriter Joseph Minion appears to have pilfered a Frank monologue for the first 30 minutes of the film. The details are, in many cases, taken astonishingly verbatim. In a March 2000 interview, Frank was apparently “paid handsomely by producers of a Hollywood film (which he won’t name) that plagiarized his dialogue.” (via Fimoculous)

[ALSO: Minion also plagiarized “Before the Law” from Kafka’s The Castle for this scene. Kafka, however, was not in the position to settle out of court.]

Ben Schott: Absconding With Personal Experience?

All that apparent vetting and editing at the NYTBR wasn’t enough to stop L’Affaire Schott from sullying Tanenhaus’s pristine gates with redolent taints. The story is this: Ben Schott wrote an essay called “Confessions of a Book Abuser.” Readers, alarmed by the essay’s resemblance to a similar essay called “Never Do That to a Book” (contained within Anne Fadiman’s collection, Ex Libris: Confessions of a Common Reader) wrote in, troubled by Schott rather conveniently having an encounter with an Italian chambermaid in 1989, when Schott was fifteen — not unlike Fadiman’s own encounter with an Italian chambermaid in 1964.

benschott.jpgOf course, it’s very possible that Schott did have this experience. It’s very possible that an Italian chambermaid did take a fifteen year old’s hand and returned his copy of Evelyn Waugh’s Vile Bodies. Of course, since Schott failed to mention his parents (did he really rent “a hotel room on the shores of Lake Como” and stay there without parental supervision?), suggesting that he returned to his hotel room of his own accord, as if a self-made man, I’m disinclined to believe Schott — unless he offers unimpeachable evidence that reveals this existential serendipity. After all, Fadiman’s original essay revealed similar childhood details, as well as a specific hotel name. Schott may be a dutiful compiler of facts for his almanacs, but he appears remiss in revealing some of the specifics that would exculpate him from plagiarism charges. (Well, that’s not entirely true. Schott’s all too happy to boast about reading Evelyn Waugh as a teenager.)

Editor & Publisher has more on the glaring similarities between Schott and Fadiman’s respective essays.

You know, we litbloggers may be “sub-literary,” but there’s one advantage to online writing that you won’t find in print. If any of us were to pull this kind of potential theft, we’d get called on it by our commenters. Perhaps the NYTBR might wish to initiate comments upon all of their articles to keep their content honest. It might even help make the editors “aware of Fadiman’s essay.” And who knows? Maybe a communicative conduit along these lines might even alleviate some of the continuing print vs. online fracas. It’s clear from this incident that Tanenhaus’s drawbridge is starting to look a bit rickety.

[UPDATE: Bill Peschel reminds me (and I should have referenced this in the post) that the similarities were observed the day after Schott’s article appeared in a Bookninja thread. Return of the Reluctant regrets the oversight, but we will go one more than the Times in wishing Mr. Murray a speedy recovery from his illness.]