But It Took Him Considerably More Than 14 Minutes to Move On

Chronicle of Higher Education: “Fourteen minutes. That’s how long it took Prestigious University Press to reject my proposal to edit a book of new essays on an early-modern philosopher. Apparently that’s the time it took the acquisitions editor to receive my e-mail message, open the 10-page attachment, make a professional judgment, and then write back with a curt one-sentence rejection stating that my proposal was ‘too specialized’ for the press’s successful series of handbooks on individual thinkers. That’s also how long it took me to go into the kitchen, eat a sandwich, and return to my computer to find his reply.”

You know, most of the time, a writer doesn’t get any kind of reply at all.

(via John Fox)

All Roads Lead to Writing

John Baker coaxes Jenny Davidson to chart her writing process. And I find it very interesting. Because there are many things there that I can’t fathom (for me, the premise announces itself in the writing) and many things that I can (write something every day). But so long as all roads lead to creating work, I think it’s fantastic and that it doesn’t really matter what road takes you there. Perhaps personal temperament — and not some horrible seminar that tells a starry-eyed hopeful the absolute way to write — is the thing that determines how one goes about this discipline.

Love/Hate Write

To answer Jason Boog’s query over whether writers hate to write or love to write or what not, here is my answer on the subject:

I love to write. I love having written. I hate to write when my brain doesn’t work and when I end up writing drivel or I fail to challenge myself. But this is not endemic to the writing itself, but a rather ruthless castigatory impulse directed towards self. I don’t hate having written. I am a goal-oriented monkey and I can sometimes convince friends to throw bits of banana into my mouth; from this vantage point alone, I suppose I must love writing, even though writing is nowhere nearly as easy as it looks and there is that synaptic problem of mediocre prose sprouting forth like fungi on a white screen. There is clearly some sadistic part of me that likes to kill the fungi, slashing at it with blue pen or selecting text and nuking the site from orbit with one mighty push of the DELETE button. But when I write and there is nothing but fungi, I don’t necessarily hate the writing. Write better you bastard! Thoughts along those lines. I do sometimes hate the fact that fungi is all I’m good for, thus causing me to question whether there is a capable mind inside my thick skull (partial answer: there is, I suppose, but why dwell on it and become a smug megalomaniac when there’s a fascinating world of exciting people to contemplate!). Thus, how one answers this question of being a writer says a lot about the writer himself. Writing is work. It is sometimes difficult, sometimes easy, but it is not a painful process. Compare writing to working in an office or a maquiladora. Get some perspective, for Christ’s sake. Trying to figure out how to pay the rent is a painful process, but how one decides to do it or the degree of difficulty that one places in paying the rent is a matter of choice, depending upon how one’s interests run against the system that runs our world. But spare me this nonsense over whether you love or you hate writing and simply write and write the best prose you can with love and life attached to it.

Writers who don’t love writing are easy to spot. As for John August, it would seem to me that he does not love writing and that he has not loved writing ever since his fantastic screenplay, Go.