Month: February 2014

Dave Itzkoff and Translated Literature: Mad as Hell (BSS #536)

This one hour program looks into two “mad as hell” scenarios. We talk with journalist Dave Itzkoff about MAD AS HELL, the making of NETWORK, Paddy Chayefsky’s colorful personality, and why something that seemed so absurd forty years ago became so real. We also investigate a controversy at Open Letter Books which may reveal an emerging ecosystem of smaller publishers being abused by agents on the make. That segment features Open Letter’s publisher Chad Post, Scott Esposito, and Michael Orthofer. Read More

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Sarah Churchwell (BSS #535)

Nearly ninety years after its publication, THE GREAT GATSBY remains a fluid and endurable masterpiece. In CARELESS PEOPLE, Sarah Churchwell tackles F. Scott Fitzgerald’s great novel with an approach somewhere between an avid reader and a obsessive scholar. This vivacious and jampacked conversation, which covers everything from old menus to famous murders to the interplay between Scott and Zelda, reveals that GATSBY is so rich that just about any literary interpretation is possible. Read More

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Jenny Offill (BSS #534)

If we leave out a few words, how does the story change? How are human instincts for speculation encouraged by a minor elision? Who really knows the story? Jenny Offill explores these ideas and more in her new novel, DEPT. OF SPECULATION. We discuss the virtues of twisted quotes, the narrative frameworks that can be extracted from poetry, the risks of self-consciousness, and the importance of a contrarian impulse. Read More

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Diane Johnson (BSS #533)

Diane Johnson is best known for her comic novels centered around France: LE MARIAGE and LE DIVORCE. But before all this, many years before, she wrote a darker novel called THE SHADOW KNOWS that attracted Stanley Kubrick’s notice. Johnson has published a new memoir, FLYOVER LIVES, that details her thoughts on her ancestors, growing up in the Midwest, her life, and her work. Our vivacious and variegated chat gets into the current state of Franco-American relations, forgotten writers, the Methodist practice of being frightened into being good, America’s migratory impulse, the demise of the American rail system, foodies, California history, and the considerable references and ideas that Johnson and Kubrick consulted for their work on THE SHINING. Read More

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