Subjects Discussed: The inspirational force of Van Halen, music in hockey arenas, speculation on why Kenny Loggins’s “Danger Zone” is continuously played at football games, special interests in sports journalism, the “sports industrial complex,” sports blogs, sports journalists losing their edge, trying to maintain a meritocracy within the Nick Denton model, the sports industry’s condescending attitude towards fans, boycotts, protesting terrible commercials, steroids, the Olympics, the sports industry vs. pure sports competition, drug testing, Chuck Klosterman, Ben Roethlisberger’s golden boy image and drunken photos, dwelling upon gossip over physical ability, Leitch’s role in contributing to the way in which sports figures are perceived, being a “paid entertainer,” traditional sports writing vs. new sports writing, describing the hell of attending a Yankees game vs. continued attendance figures at Yankee Stadium, whether or not a sports revolution is possible, whether Deadspin has affected changes in the industry, the 49ers video and Kirk Reynolds’s culpability, the coach’s responsibility in managing players’ behavior, Garrison Hearst, why Leitch played football against pros, watching ESPN for 24 hours straight, entertaining and enlightening through sports, the NFL banning Ron Mexico jerseys, the sports industry ignoring information online, whether it’s fair to accuse football players who thank Jesus of proselytizing, addressing Leitch’s generalizations about African-American sportscasters, interviewing John Rocker, Red Smith, and the future of sports writing.
EXCERPT FROM SHOW:
Leitch: A lot of people worry about sports blogs going corporate, or like Yahoo hiring sports bloggers full-time. I never worry about a lack of independent sports bloggers. As long as someone has a voice and they have something they have to say, they’ll go ahead and do it. Whether someone’s paying them or not. The nice thing about it is that the good ones — the best thing I’ve learned about sports blogs since doing the site is that the ones who are good get readership. Like there is a meritocracy to it. It’s actually pretty exciting to watch.
Correspondent: But I’m wondering if you can actually maintain this meritocracy with Deadspin, because I know that Deadspin is run by Gawker Media.
Correspondent: And you are beholden to pageviews. I mean, unless you’ve got some sort of separate deal going on with Denton. I don’t know.
Leitch: Uh, I have the advantage of not — I don’t personally get paid like the new pageview system they have. I’m the editor of the site. So I don’t have to worry about that. That’s actually more for the writers.
Correspondent: But your contributors have to worry about this.
Leitch: I suppose. But like frankly it’s nice. Because nobody really notices. Like the nice thing about working with Gawker is that they literally have no idea what I do on Deadspin. In a way, I’m a little bit of a hark back to an earlier time of Gawker Media. Back when it was — like the idea was, “Let’s take this established thing, whether it’s politics or Hollywood or sports, and let’s put a new spin on it.” And I think Gawker’s changed a lot. It’s amazing. I’ve been at Gawker now for almost three years. And I’m the second longest editorial employee. Which to me, my father has worked the same job for thirty years. He thinks it’s crazy. But out here, it’s like, “Wow. You ran a blog for three years. That’s amazing.”
Correspondent: Yeah, that is thirty years.
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