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Please direct all inquires concerning booking guests, advertising, messages to Mr. Segundo, and the like to
Edward Champion. Please note that while we return all email (eventually), because of the unique and heavily researched nature of these interviews, it is impossible to interview everybody. Although we certainly do our best.
You can also send books, materials, fan mail, and other assorted materials to:
Edward Champion
The Bat Segundo Show
315 Flatbush Ave., #231
Brooklyn, NY 11217
The above portrait was taken sometime in 2006, when someone made the mistake of inviting Bat Segundo to a party. Since then, his public appearances have been very rare. But he does sometimes come out of his Motel 6 room.
Link here and plug the URL into your feed-reader of choice or
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Mr. Segundo has a
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Mr. Segundo also has
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Yahoo! Picks
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Inside the Actor's Studio."
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"the world's best literary podcast" --
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Inside the Actors Studio."
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Archives
Meta
[...] Book #43 was Harvey Pekar’s The Quitter. As Pekar keeps a great prolificity in his post-retirement years, it’s been fascinating to see him investigating millieus other than the immediately contemporary and the immediately personal. In The Quitter, a book chronicling Pekar’s boyhood, there is no madeliene tea per se, but there are certainly specific incidents, presented without adornment, which explain a good deal about Pekar’s rage and misanthropy. The book’s unflinching attitude towards 1950s racism and Pekar’s efforts to fit in are puncutated by Dean Haspiel’s sharp lines and the book’s careful attention to period detail. Pekar’s no hero, nor should he be, but he’s certainly an interesting and misunderstood figure, a flawed everyman who remains as important a fixture in comic books as superheroes. (Podcast with Pekar and Haspiel.) [...]
[...] Book #51 was Harvey Pekar’s Our Cancer Year. Yes, I realize there’s a lot of Pekar on this list. But if I was going to talk with the man himself, I wanted to be expertly prepared. As it so happens, I hadn’t read Pekar’s Harvey Award-winning graphic novel and was touched by Pekar’s honesty in describing his testicular cancer, the hospital treatment that pulverized his physical form, and the despondent person he turned into as he wondered whether he would continue to live. Our Cancer Year was a major turning point for Pekar as an author (and I should note that this was cowritten by his wife, Joyce Brabner), demonstrating that Pekar’s concentration on the quotidian was even more poignant when juxtaposed against a mortal illness. For those who feel that the American Splendor movie sufficiently captured Pekar’s battle with cancer, I urge you to go directly to this volume and get the real story. (Podcast with Pekar and Haspiel.) [...]
[...] While there exists plenty of evidence to confirm Ulin’s point about Pekar writing “work for hire” (Pekar intimated this during a 2006 appearance on The Bat Segundo Show), I don’t think these circumstances translate into an automatic critical condemnation of Pekar’s material. Ulin not only ignored 2005’s The Quitter, an inarguably raw and mature portrait of a younger Pekar developing some of his anger while being tormented on the Cleveland streets, but he failed to cite specifics about why he feels Ego & Hubris and Macedonia are lesser works. Ulin may very well prefer Pekar to his peripheral subjects. But if this is the case, why not simply state this? [...]
[...] (I think of the mice snorting coke at the bar, which is something of a nod to Spiegelman.) Or, like your work with Harvey Pekar, did he defer most of this to you? Was Mr. Ames’s continued proximity to your drawing table [...]
[...] was lucky enough to talk with Pekar very early into The Bat Segundo Show. I was new at this interviewing business at the time, but I did ask the man why he continued to use [...]