Battlestar Galactica

Just saw the second season finale. And I’m just as stunned as Lee Goldberg. Ron Moore has, with his writers, somehow managed to redeem science fiction television, transferring the moral and political subtext quite present in today’s speculative fiction to episodic drama. He has dared to imbue this series with scope and an almost Tolstoyesque range of assorted characters, without sacrificing the hard space opera component.

Even before the audacious subtitle “ONE YEAR LATER,” last night’s episode was dealing with some pretty hefty issues. A rigged presidential election recalling Miami-Dade County and the moral consequences of interferring with democracy, the lingering aftermath of a state presiding over a woman’s uterus, the gloriously incompetent Baltar, and, if politics wasn’t your thing, Starbuck wondering if she was really ready to commit to a boytoy, an utterly shelled out Tyrol trying to find an identity, and Apollo struggling with his new role as a commander.

In other words, not only do we have characters here who are utterly fucked up, but we have a government presented, warts and all, that represents the flawed will of the people.

I’m almost positive that Ron Moore had China Mieville’s New Crobuzon books sitting nearby when he planned this out with his writers. I can’t recall a single American television series that has dared to combine such a mammoth political scope with a dogged determination to explore flawed human beings. And this in a bona-fide serial format. Deep Space Nine, which, incidentally, Moore did write for, came close, but was, alas, hindered by the need to adhere to the antiseptic utopia of the Star Trek universe.

Something like Lost tantalizes us, but has failed in part this season to live up to its bargain that there is some grand masterplan at work. By contrast, Moore’s Battlestar Galactica has remained absolutely consistent in quality since its inception. Battlestar does not torture us with tedious puzzles that, in all likelihood, are meaningless. It takes more chances and has more followthrough, even on minor storylines that appear to have been concluded. It willingly paints itself into a corner again and again and, like a grand Houdini act, still manages to find an escape.

Frankly, I’m not certain how much longer Moore and company can keep this up. But I’ve greatly enjoyed the ride so far. Battlestar isn’t just escapism. It’s great television. I rarely use that modifier with relation to the boob tube. Indeed, I rarely turn the evil Trinitron on. But Battlestar has restored my faith that, every now and then, television can live up to its end of the bargain.

The Vollmann Club Update

Some slight adjustments, including adding Scott’s take on Europe Central and adding the Copernicus book. My own long-delayed take on Europe Central, including why I believe it to be a major turning point in Vollmann’s career and why I named it one of the top ten books of 2005 (as well as my as yet unfinished post on The Rainbow Stories, which has been in my drafts folder for months) will come eventually. I’ll also share my thoughts on the Copernicus book, along with several non-Vollmann ones (including Seven Types of Ambiguity), in the next installment of 75 Books, whenever that will be.

In the meantime, if you’re in San Francisco, he’ll be at the Booksmith on Tuesday at 7:00 PM. I plan to be there. Feel free to say hello.

Exclusive Excerpt from Alan Greenspan’s Memoir

[EDITOR’S NOTE: Return of the Reluctant has obtained an exclusive chapter from Alan Greenspan’s memoir, a book that Penguin Press recently declared bankruptcy to get the rights for.]

Chapter 18: Ayn and Me

It was 1958. I had risen up through the ranks quite rapidly. By now, I had plenty of minions at Townsend-Greenspan who hung on my every word. They were terrified by my economic prophecies. They wilted as I passed them in the halls. Sometimes they bought me coffee. Decaf. Sanka, in fact. Back in the benzene days when drinking decaf meant something.

I was known affectionately around the office as “Uncle Alan.” I was loved. I was feared. Sometimes, I was even kissed.

alan_greenspan.jpgEven so, I felt a slight empty feeling making all that money. Could I really rule the world so effortlessly? Could I bend the world to my will? Even Bill Townsend didn’t know that most of my private capital was tied up in abstruse mutual funds, all designed to take advantage of the United States Tax Code, which I had memorized at the age of seven.

I decided to take a constitutional around Wall Street. One could play the clarinet only so long. I decided to pay an impromptu visit to a friend, and it was there that I entered an elevator and saw a slinky Russian smoking a cigarette with a prominent brow, lips that were deliciously cold and a nose that was as sexy as Lincoln’s.

“Hi, I’m Ayn.”

“Ayn Rand, the writer?” I asked.

“Why, yes,” she said, blowing smoke into my face. “And who the hell are you?”

Of course, I knew Ayn’s work. I had read Atlas Shrugged ten times. Sometimes, I had my African-American manservant (we called them “coloreds” back in those days) read me passages just before bedtime, alternating these readings with lectures by Keynes.

Well, apparently, despite the hostility, Ayn knew me. And she knew me well.

“What are you doing right now, big boy?” she asked.

At that moment, I could have gone back to my office and made two hundred thousand dollars in a few hours. But there was something about Ayn, perhaps the fact that she never smiled, that attracted her to me. And I had to prove to myself that there was more to Uncle Alan than making money.

We took a taxi across the East River and checked into a seedy Brooklyn motel. Ayn explained to me that she was growing bored with Nathaniel, who was still having difficulties finding her clitoris. I confessed to Ayn that aside from the “Money” speech, I was a big fan of Atlas Shrugged‘s sex scenes.

“Do you like it cold and hard, Alan?” she asked.

“Yes,” I said, taking off my glasses.

“Good,” she said. “That’s exactly how I like it.”

She then proceeded to tie my wrists to the headboard and removed my Brooks Brothers suit. She took off her blouse and carefully pressed skirt, revealing a garter belt and a black leather bra with a swastika on each cup. She then barked at me in German, Geld ist Energie!, and trilled her fingers across my chest. I was feeling excited. I was feeling aroused.

“Are you my bitch, Alan?” shrieked Ayn.

“Uh…”

She hit me across the chest with a riding crop. I had no idea where the crop had come from.

“Yes,” I croaked.

“Do you feel empty?”

“Yes.”

She struck me again with her riding crop and repeated the three German words. She then removed her swastika bra, revealing her pendulous breasts, and wrapped the bra around my neck. She moved closer to me.

“Answer again,” she whispered. “Do you feel empty?”

“No.”

Sehr gut!

Then Ayn took the bra around my neck and tied it around my eyes. It was tight. It hurt. I couldn’t see anything, save a portion of one of the swastikas.

That’s when Ayn began to straddle me, while also summarizing Wicksellian theory.

It was at that moment I decided that money was the root of all good.