On the occasion of Sarah Hall’s The Beautiful Indifference, this essay outlines how Hall’s striking literary voice developed in her first three novels.
In which a thoughtful volume on what it is to live as a cab driver (and a human) is compared against the needless privilege promulgated by Jonathan Safran Foer.
In an effort to provide appropriate journalistic context for the Ocean Marketing debacle, I have performed several dramatic readings. (I have replaced all instances of “LOL” with suitably melodramatic laughter.)
In this 2,500 word piece, our correspondent spends a few days in Toronto and is charmed by several friendly people, many sociological details, and Honest Ed’s.
In this one hour interview, acclaimed writer William Kennedy discusses Changó’s Beads and Two-Tone Shoes, journalistic squalor, his dealings with Hunter S. Thompson and the Albany political machine, and black power.
In this 40 minute radio interview, Joyce Carol Oates discusses The Corn Maiden, the history of narrative violence, the allure of vacuum cleaning, and what it means to be a woman writer. The conversation also features a Dickensian exchange involving a “heater.”
In this 30 minute radio interview, transgressive fiction writer Dennis Cooper discusses The Marbled Swarm, attempts to tame language, being disliked, and the historical fusion of punk and literary.
In this 45 minute radio interview, How to Live Safely in a Science Fictional Universe author Charles Yu discusses schlubbiness, being inspired by gobbledygook, Richard Feynman, and hypothetical AI.
In this one hour interview, poet and social critic Wayne Koestenbaum discusses humiliation in its many forms, the use of triangles to uphold book concepts, Edith Massey, and whether striking out language is a muscular statement.

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