Jennifer Howard reports that Dalkey has found a new home: the University of Illinois at Urbana-Champaign. No word yet on whether a certain prof by the name of Richard Powers will have any behind-the-scenes involvement.
Year / 2006
So Great a Sweetness Flows Into the Breast, So Why Bitch About It?
Elizabeth Merrick pooh-poohs Susan Seligson’s Stacked: A 32DDD Reports from the Front. Without citing anything specific from Seligson’s book (Has she even read it? She doesn’t mention that the book received a starred PW review.), Merrick dismisses that anything chronicling one of the most beautiful anatomical parts is mere “tit lit.”
By this logic, I guess we’ll have to dismiss Robert Herrick as a hack. His poem, “Upon the Nipples of Julia’s Breast,” dealt with this subject as follows:
Have ye beheld (with much delight)
A red rose peeping through a white?
Or else a cherry, double grac’d
Within a lily centre plac’d?
Or ever mark’d the pretty beam
A strawberry shows half-drown’d in cream?
Or seen rich rubies blushing through
A pure smooth pearl and orient too?
So like to this, nay all the rest,
Is each neat niplet of her breast.
We can also dismiss Sappho’s invocation (“Beat your breasts, young maidens. And tear your garments in grief!”), Philip Roth’s The Breast, Nora Ephron’s famous essay, “A Few Words About Breasts”, and Mo Yan’s Big Breasts and Wide Hips. All to be thrown into the dustheap! For clearly there can be no literary value in breasts. They cannot possibly be written about with beauty, scrutiny, love, hatred, or any other value on the emotional spectrum.
I suspect Merrick might have an ally in John Ashcroft.
BSS #82: Kelly Link
Author: Kelly Link
Condition of Mr. Segundo: At odds with his boyhood dreams.
Subjects Discussed: Coffee, the Turkish language, planting little clues within stories, real-life inspirations for fantasy, writing short stories vs. novels, the value of a gestation period, on being easily distracted, being thrown off guard, Link’s pattern-making impulse, Douglas Adams, board games, Cadbury Creme Eggs, breakfast cereals, childhood sense memory, depicting characters without backstory, zombies, having psychologists as parents, William Gibson, bookstores, Edward Gorey, self-publishing, Ben Fountain’s Brief Encounters with Che Guevara, review coverage, “literary” credibility, Scott Smith’s The Ruins, the “literary fiction” label vs. the “science fiction” label, Laura Miller and H.P. Lovecraft, taxonomies, Shelley Jackson’s illustrations, fonts and EC Comics, reacting to older work, “massaging” work, Clarion, George Saunders and New Yorker “fantasy” vs. genre fantasy, and “fictiony literature.”
EXCERPT FROM SHOW:
Link: I think that being easily distracted mirrors, or is the same thing in some ways, as noticing connections too easily. And that does mean that once you have, once you’re solidly at work on a story, everything you see around you, you can sort of pull in and use. Everything in the story you can sort of tie down to other parts of the story.
Listen: Play in new window | Download
Rating the Bonds
If Lee Goldberg is going to do this, then so will I.
Goldfinger
You Only Live Twice
From Russia, With Love
Dr. No
Casino Royale (2006)
Licence to Kill
For Your Eyes Only
The Living Daylights
On Her Majesty’s Secret Service
The Spy Who Loved Me
Goldeneye
Octopussy
Live and Let Die
Diamonds Are Forever
Man with the Golden Gun
Never Say Never Again
Tomorrow Never Dies
A View to a Kill
Thunderball
Casino Royale (1967)
Moonraker
The World is Not Enough
Die Another Day
Best Living Filmmakers
The Guardian lists the top 40 living filmmakers. Any list that excludes Herzog is worthless.
