Seattle Weekly: “But for the moment, Susan Lindauer’s strange story remains incomplete. She is confined to a federal mental facility in Texas, perhaps never to get her day in court, according to friends, officials, and public records. Mostly unnoticed, a New York federal judge has found her incompetent to stand trial and ordered further evaluation. She is being held past her scheduled release date, which had been sometime early this month, and, she tells friends, might be forcibly medicated as part of her treatment.”
Author / Edward Champion
It’s Doubtful We’ll Be Saying a Guantanamo Reunion Along These Lines
Washigton Post: “‘During the many interrogations, I never laid hands on anyone,’ said George Frenkel, 87, of Kensington. ‘We extracted information in a battle of the wits. I’m proud to say I never compromised my humanity.'”
Segundo Update
Full capsules will be completed later. The five new shows released today are also up at the Segundo site for those of you who require specific streaming options. And, believe it or not, there’s still six more shows in various stages of post-production set to be released in the next two to three weeks, including a very special guest for Show #150. Enjoy!
BSS #145: Jeff Parker
Condition of Mr. Segundo: Contemplating memories in a pizzeria.
Author: Jeff Parker
Subjects Discussed: Growing up in Florida, working in a pizzeria, John Sheppard’s Small Town Punk, the working class in fiction, setting the book in the early ’90’s, unexpected parallels to current events, music references, Desert Storm, alcoholism, work ethic, Post-It notes, unusual character names, linguistic affectations, food stamp scams, hidden economies, purple underwear, grenades, two dollar Huffy bikes, diligent fact checkers, small town civil projects, menacing occupations, Richard Linklater’s Slacker, television blaring in the background, tattoos, and literary symbols.
EXCERPT FROM SHOW:
Parker: You know what? I took a writing workshop — well, I took many writing workshops with this writer named Padgett Powell, who’s one of the contemporary — I mean, he’s one of the few pure contemporary stylists in American fiction. Like him and Sam Lipsyte are kind of on the same page. And you know, he just always says this thing about repetition. You know, he says, writing well — all you have to do to write well is repeat yourself well. And so, sort of my strategy really is — I don’t know, maybe I shouldn’t be saying this. Because it undercuts the possibility for meaning in the omnipresence of nipples throughout the book. You know, to make it supportable, if you — where else would I put the scarification? It had to be on the nipple. Because it had to sort of reflect the third nipple. It just had to be basically a reiteration of it for, like, the thematic unity of the work. So I see it as a craft point rather than a thematic issue.
Correspondent: So your suggestion to anyone writing is essentially just like: Come up with a vaguely literary metaphor, repeat it multiple times throughout your novel, and, hey! Your critics will love it. It will go down with the readers. And there’s novel writing for you.
Parker: Well, okay, I don’t mean to be so cynical at all. But what I do believe is that, you know, if you have a lot of things going on — that is, like, you’re paying attention to the language and you’re generating, like, complicated real characters that hopefully you can, you know, establish some emotional connection or the reader to. And you have other things going on, you know, then the repetitions, regardless of any meaning you might want there — I mean, the repetitions, like, accrue meaning of their own. You know, that’s the nature of literary art, I think. So, in a sense, yes to your question.
Listen: Play in new window | Download
BSS #144: David Peace
Condition of Mr. Segundo: Empathizing with surnames.
Author: David Peace
Subjects Discussed: Why it took so long to set a book in Japan, stereotypes, research, the occupation period, the effects of serial killers, language and repetition, dissociation, Japan vs. the UK, Zodiac, police investigation, the difficulties of style, comparing the Red Riding Quartet with the Tokyo trilogy, driving editors mad, Mark Danielewski, typesetting, abandoning a 80,000 word draft, defying predictability, Kabuki metal and silence as an aid to writing, Japanese symbols, women and children as victims, melding fact and fiction to get to an emotional truth, working off a nonfiction template, Eoin MacNamee, Gordon Burn, Don DeLillo, The Death of Ivan Ilyich, “practicing” passages, and the publishing industry’s obsession with “originality.”
EXCERPT FROM SHOW:
Correspondent: Could it be said then that you’re attracted to subject matters that lend themselves more to dominantly masculine takes?
Peace: I mean, you know, this isn’t a cop out. But I was raised in West Yorkshire, which is not the most liberal place to be raised. And then I live in Japan, which again is not the most liberal place — you know, it’s not. And I’ve chosen to write about places where I don’t think that, if I was a woman, I wouldn’t be moving out to those places.
Correspondent: (laughs)
Peace: But that does not mean I am like, you know, a sexist or a misogynist. Or…
Correspondent: No, no, I wasn’t implying that!
Peace: And I know you weren’t. For the record.
Correspondent: No. I guess I’m just fascinated by — why do writers choose the subjects that they choose? Whether it’s conscious or not.
Peace: Well, this is the — the terrible thing about book tours is that you like — I’m not really big on self-analysis. You know, I write the book. And to some extent I don’t know where they come from. Or I don’t want to know where they come from. And then when you go — like this is like a three week tour of just talking about yourself incessantly. You know, some writers end book tours with nervous breakdowns. And it’s because they’re being forced to confront things that possibly they wouldn’t want to confront.
Listen: Play in new window | Download