A 1972 documentary with Anthony Burgess, Malcolm McDowell, and critic William Everson (who appears to be reading off cue cards) on A Clockwork Orange. Highlights include McDowell discussing how “Singin’ in the Rain” came to be and a bored-looking Burgess barely tolerating Everson’s inane questions.

Incredibly, at the 24 minute mark, Everson actually asks Burgess to comment on the additional scenes that Kubrick wrote in to simplify the plot, which Everson reveals helped him to understand the film better and provided “Hitchcockian suspense.” To add insult to injury, Everson presses Burgess on whether or not he could write his novels “more cinematically.”

Here’s more from You’ve Had Your Time:

Before embarking with Malcolm on a publicity programme which, since Kubrick went on paring his nails in Borehamwood, seemed designed to glorify an invisible divinity, I went to a public showing of A Clockwork Orange to learn about audience response. The audience was all young people, and at first I was not allowed in, being too old, pop. The violence of the action moved them deeply, especially the blacks, who stood up to shout ‘Right on, man,’ but the theology passed over their coiffures. A very beautiful interview chaperon, easing me through a session with a French television team, prophesied rightly that the French would ‘intellectualise like mad over the thing’, but to the Americans the thing looked like an incentive to youthful violence. It was not long before a report came in about four boys, dressed in droog style copied from the film, gang-raping a nun in Pougheepsie. The couture was later denied — the boys had not yet seen the film — but the rape was a fact, and it was blamed upon Malcolm McDowell and myself. Kubrick went on paring his nails, even when it was announced that he was to be given two New York Critics’ awards. I had to collect those at Sardi’s restaurant and deliver of speech of thanks. Kubrick telephoned to say what I was to say. I said something rather different.