Hiatus (Sorta)

We’ve been working our keisters off here. Two Segundo shows in the works (one we hope to get up tonight with a very special guest), with a third one on the way. So literary news and the like are going to be slow for the time being. Bear with us.

In the meantime, please enjoy:

  • Mark Sarvas talking with John Banville, Part I.
  • Bud Parr’s response to A.O. Scott’s NYT article comparing The Believer and n + 1.
  • Laura Miller’s humorless response to T.C. Boyle’s excellent new short story collection, Tooth and Claw. (Yes, Scott, I know, I told you it was “a mixed bag,” but that was on the basis of reading the first three stories, only one of which was so-so. Since then, the collection has picked up remarkably and I recommend it to all RotR readers looking to restore their faith in the short story, if not for the deliciously caustic finale of “Jubilation” and the near perfect “The Swift Passage of the Animals” alone, the latter being a witty depiction of dating loaded with nuance and quiet metaphors that are apparently quite invisible to Ms. Miller.)
  • Laila Lalami reviews Desertion in The Nation.

RIP Mr. Monitor

Our monitor is at death’s door, we won’t be able to replace it for a few days, and we’re overwhelmed by the stunning response regarding the Star & Buc Wild post. Factor in the other things we’re doing, and this has resulted in an uphill battle in email responses and regular bloggin. But for now, here are some highlights from the literary world:

  • As noted widely elsewhere (and kept under wraps with great glee here), many congratulations to Laila.
  • Birnbaum interviews T.C. Boyle. It starts off with the question, “Do people call you Tom?” We have to confess that we’ve been asked that question a few times ourselves, albeit in entirely different circumstances.
  • On the Star & Buc Wild front, thanks to the efforts of Devalina Guha-Roy, WUSL-FM‘s reaction has made the Philly Inquirer. There have been more than 130 e-mails and phone calls. Of course, the problem isn’t the broadcast or Star’s antics, but the “insensitive” employee who posted the clip online. Clearly, WUSL hasn’t gone nearly far enough to ensuring that “racially inflammatory” programming on this level won’t occur again. What’s particularly interesting is that Star & Buc Wild’s move to WWPR has elicited more publicity. It seems that in the wake of Star’s disgraceful banter, his publicist decided to issue a press release.
  • John Intini suggests that this generation has become too “resourceful” and suggests that readers of Arts & Letters Daily, McSweeney’s and bloggers in general are as bad as Trivial Pursuit junkies. We think he’s onto something, but we’re wondering what’s wrong with having a capacious storehold upstairs? Granted, when such brainpower is reduced to remembering Usher lyrics, it’s a considerable problem. But we can think of far worse things to remember and recite than, say, a passage from a Jonathan Lethem novel.
  • Lip Service is a UK-based theatrical and radio group who transmogrify literary classics. They sound like a lot of fun.
  • Is Patrick White Australia’s most unreadable novelist?

Deaths, Revivals and Roastings

Historian and one-time Librarian of Congress Daniel J. Boorstin has passed on. Boorstin was best known for his American trilogy and his fascinating books on human innovation. (I highly recommend The Discoverers and The Seekers.) One read a Boorstin book for the best of reasons: to ride a journey across human progress with an enthusiastic mind eager to make connections. Boorstin was an American James Burke, adept at showing the strange way in which the world was charted and everyday things were created. He’ll definitely be missed.

T.C. Boyle’s enemies are dying off. Less people hate Boyle now more than ever before. I remain optimistic. There will come a day when there are more Boyle lovers than haters.

Now who honestly expected to see Kate Christensen profiled in the Post? It’s difficult to say whether this is an effort to woo people who are disappointed by the increasing non-literary direction of the NYTBR. Personally, I welcome feverish Post headlines like VIDAL REVIVES BRAWL WITH MAILER or ZADIE SMITH ROASTS CHICKLIT AUTHORS OVER SPIT.

John Lescroart whines that he doesn’t get any respect. Dude, shut up. You’ve sold 10 million books.

So Chip McGrath (and literary coverage) can be found now in the magazine?

Robert Silverburg has received the Damon Knight Memorial Grand Master Award. He plans to address the Nebula Awards with maniacal laughter.

Dick and Jane are being brought out of retirement. This time, the books are being mined for nostalgia rather than education. USA Today insists that, “Still, in their day, Dick and Jane were cutting-edge.” I beg to differ. Unless Dick and Jane are supporting a love nest, complete with tops and bottoms, Jane getting the bukkake treatment, and Dick tied up, standing naked against a pilaster, unless Jane ends up in a halfway house and Dick has a heroin problem, unless Dick gets a mohawk, or Jane gets a nipple piercing, they will remain hopelessly unhip by-products of a more innocent time. Which is not to say that I have any specific contentions against Dick and Jane. I love their simple dorky intonations and their carefree concerns. Just don’t go around calling them the new black. That’s all I’m saying.

The Guardian on Garrison Keillor’s latest: “Misogynistic, full of literary in-jokes and unwilling to tackle real emotion, I suspect fans of this novel will be restricted to Larry Wylers the world over, which isn’t such an insignificant readership judging by the number of puffa jackets on the streets.” Ouch.

A sign that creative book coverage isn’t dead: Frank Wilson looks to be positioning himself as a qurkier Yardley. He asks the world why the 1921 novel, Memoir of a Midget, isn’t better known. The great thing is that he’s actually serious.

And Christopher Hitchens spares no words for Mel Gibson. Except Maureen Dowd was there with the association first.