Literary Adaptation Bread

KTLA: “Galled by decades of this kind of equation, New York publishing houses have launched ventures intended to get a bigger piece of the Hollywood action. And who could blame them? Publishers almost never control the film rights to the books they put on the market.”

Even more interesting is Random House putting up half the money for literary adaptations in a deal with Focus Films. One possible side effect: Does this mean more faithful literary adaptations or greater control? Or does it mean business as usual?

The Moral of the Story: Lose the Guillotine, Lose the Audience

Guardian: ” They sat in their seats and hooted and whistled and shouted and slow-clapped. It felt as though the audience was providing the ending that Sofia Coppola was too decorous to show, bringing down the guillotine on a rather silly, spoilt little film. Marie Antoinette is a poodle-brained period fancy. Part curtsy, part style spread, it tells the tale of a beautiful queen and the lovely parties she attends. If ever a movie deserved to be thrown to the mob, it is this one.” (via Romancing the Tome)