“Real Life” Fiction

Maud points to “literature from the underground” from the ULA, everybody’s favorite group of Knut Hamsun/Henry Miller flunkies. One suspects that the ULA’s problem is their aversion to editing. So as a service to the ULA’s genius writers, I’ve decided to help them out with the first two paragraphs of Emerson Dameron’s “Uptown Valhalla”:

Thursday evening, 8:34 PM. I jerked awake on my brother?s couch in Uptown. [How does one jerk awake on something as uncomfortable as a couch? A couch will deaden your back muscles and hinder the waking process.] ?At least I don?t have a hangover; that?s a goddamn miracle,? I thought [Why express this as a thought? Shouldn’t he be feeling this or the omniscient voice expressing this?], right before the railroad spike went in one ear and out the other. [Who the hell are you? Pheinas Gage? This makes no sense whatsoever.] I glanced at the coffee table. I shoveled my hands in my pockets. Wallet and keys were not forthcoming. [To shovel is to dig and unearth some sediment. One cannot shovel and produce nothing. It is like applying a shovel to air.]

Fortunately, my sibling [Your brother? Your sibling? Does he have a name? Is this even relevant?] had a few twenties stashed in a Pokemon Stadium cartridge [Aren’t these unnecessary pop cultural references what you’re damning Dave Eggers about?] on the bookshelf. I left the apartment and plodded toward a local jazz club, rubbing the fresh, acne-like bumps on my scalp. [Did you recently shave your head or is this supposed to be metaphorical? This sounds more like eczema rather than “acne-like” description that fails to tell it like it is. Clarify.] It felt like a TB test was coming up wrong. [Yeah, and I feel like a simile tossed out in desperation.] A nest?s worth of defiant hornets buzzed ?round my circulatory system. [Make up your damn mind. Does his head hurt? Is he suffering from a condition? This is incoherent rubbish.] These weren?t coke bugs. I know what those feel like. [Too bad that we don’t, becaue you’re incapable of clarity.] They look for escape routes, whereas these li?l fellas seemed to be on some sort of reconnaissance mission. [Ho ho ho!]

Now if I were a literary editor, the above bracketed statements would be racing through my mind. I’d toss this story out in an instant. This isn’t “real” writing. It’s junk. I’m sorry to be rough on Mr. Dameron. I’m sure he’s a nice guy. But the ULA has yet to offer a compelling reason why we should subsidize people who put together this kind of drivel in one draft while others spend years starving in rat-infested garrets actually developing their craft. Like it or not, there are some people who can write, and there are others who can’t.

You want real life, Wenclas? I’ll show you rooms of starving writers (and patient spouses) turning out novel after novel, receiving rejection slip after rejection slip, and continuing despite the fact that 90% of everything is crap and that bleary-eyed editors are beleagured by “aspiring writers.”

The simple truth is that when a story has so many foolish inconsistencies embedded within its first two paragraphs, even the most experimental editor won’t have the patience when the piece is competing against a vertiginous slush pile of manuscripts. And I say this is a good thing. As readers, we only have so much time in our lives to devote to the neverending amateurs and incompetent moonlighters who pester like self-entitled whiners. And even then, we have to choose from what’s published.

The ULA wants to “overthrow” the literary establishment. Well, that’s silly. Because, for the most part, these people know what they’re doing. They read perhaps more than any of us. Granted, money plays a sizable role in their decisions. But then money plays a sizable role in everyone’s decisions. Even the wannabe Bohemian writer who spends hours of his time railing against the machine rather than writing a novel.

I’d have more respect for the ULA if they were actually promoting something of value. But they are a first-class literary sham. They’re the assholes you encountered in high school who wanted divisiveness for the sake of divisiveness, fools who would spend a whole lifetime making enemies, rather than truly “fucking up the shit from the inside” like the best of subversive novelists. And as such, they deserve no respect: not from you, not from me, and certainly not from anyone who seriously cares about literature.

The Literary Hipster’s Handbook — 2004 Q2 Edition

“con-fuse”: When an author uses his reputation to offer an overlong and unedited book, thus conning his audience into buying or reading it, and eventually lighting the reader’s fuse. (Or: Neal Stephenson‘s Baroque Cycle.)

“Dale Pecker”: An unpleasant asshole at a literary cocktail party who claims erudition, but who will never shut up. The distinction between a Dale Pecker and a socially maladjusted person is that the latter still has a love of literature, while the former does not. Term expected to fade into obscurity before summer. Use sparingly. (Ex. I was shooting the shit with Bill over China Mi鶩lle’s upcoming New Crobuzon book, when this Dale Pecker came up and wouldn’t shut up about Ted Chiang.)

“get Doctorowed”: To be booed at a literary gathering, often when one blusters about politics. (Or. E. L. Doctorow) (Ex. He had the audience in the palm of his hands, until he got Doctorowed after referring to some obscure and apparently evil legislative acts against potatoes.)

“Laura crown”: Generally used when a person has repeated the same point in 35 different ways over the course of an hour. A term sometimes punctuated with a pantomine gesture that causes the person to which the phrase is being directed to bow down and become donned with an imaginary crown of laurels. Reported inspiration: Laura Miller.

“niggerati”: Out of style. A failed effort to sound politically incorrect in the comic style of Richard Pryor, but a term that ultimately sounds silly and serves no purpose save through contextual mocking of the term’s originator. Source: Alice Randall, Pushkin and the Queen of Spades, discovered by Old Hag

“to Rushdie”: To read a literary book that is too long and not very good and slip into a despondent state. Also, used in the context of flashy marriages and writing — the latter, more specifically applied to anything Salman Rushdie has scribed from The Moor’s Last Sigh onwards.

“swink away”: To become thoroughly rapt with a hip literary magazine like Swink or Pindelyboz, only to be found in a semiconscious state under the docks days later, magazine clutched tightly in hand.

“wonketting off”: Disparaging. Used when angry bloggers express jealousy over the possibility of other bloggers getting book deals, even if the book deals in question are not forgeone conclusions. Often used by paranoid types who have too much spare time and believe the blogosphere is out to get them. Sources of grief: Ana Marie Cox and Daniel Radosh “Talk of the Town” piece.

Those Nanny Diaries Gals Ain’t Got Nothin’ On Plum Sykes

Sykes, a 34-year-old contributing editor at Vogue and the more dramatic sister of a nineties ?It?-girl twin set??Lucy and I were Paris and Nicky without the sex tape??received a $625,000 advance for her novel from Miramax Books in 2002. Bergdorf Blondes turns out to be a Devil Wears Prada where everyone is an angel. ?I say, if you are lucky enough to go on gorgeous trips abroad, take your girlfriends something fashionable back,? reads one line. Early reviews are lukewarm (?Tacky? Absolutely,? said Publishers Weekly).

(via Emma)