Request to the Peanut Gallery

If you are a professional musician and/or composer (ideally, you cut your teeth with keyboards), I need to talk with you. This is in relation to a fiction project I’m working on. I’m hoping to talk with you for about 20-30 minutes on the phone (don’t worry: I don’t bite!) or, if you live in the Bay Area, I’d be happy to buy you a coffee. You can leave a comment here or shoot me an email at ed AT edrants.com

Thanks so much!

Being the First Chapter Chronicling the Return of Camille Paglia

MISS PAGLIA had that kind of loquacity which seems to have been thrown into relief by poor dress. Her mind and mouth were so smugly formed that she could only bear fruit comparable to a costermonger. Had she run out of topics to write about? The servants and the plebs thought not, but their collective emolument steered their ratiocinative rudders. Once a peacock, always a peacock, feathers flitting in the hot air. It became necessary for her to return, huffing out phrases like “aimless hejira” — note the alternate spelling — in relationship to banalities about Anna Nicole Smith. Because this was what Miss Paglia did. She fooled her readers into thinking they were masticating upon something significant, when the meal was mere venison — a common table d’hôte for an unsuspecting commonweal.

Miss Paglia had once been an essayist of some note, sending engaging epistles and pleasant postcards to her fellow baronesses. Then something quite catastrophic had occurred. Pears and oranges flew in parabolic trajectories after every meal involving MIss Paglia. Then Miss Paglia disappeared and returned. But her loyal pups with previously perked up ears had grown up, their perspectives broadened by the lineaments of time.

But Miss Paglia had not changed. If anything, her overbite had grown worse.

Observed at Haight & Cole Streets

8:45 PM. I’m inside a convenience store. I’m standing in line about to buy four rolls of toilet paper. A young man in his early twenties purchases two 40 ounce bottles of Mickey’s and a box of toothpaste (the latter purchased so he can meet the $10.00 credit card minimum). He buys the liquor for a homeless man, who is already quite inebriated, and smiles at the clerk behind the counter and the homeless man. He tells the homeless man, “Alright, man! Time to enjoy yourself!” I’m unsure if he means anything diabolical by this. The remark seems straightforward enough.

1. Is the buyer of Mickey’s culpable of contributing to the homeless man’s inebriation? Is he helping to blot the homeless man’s mind out from the real world? Or is he committing an act of genuine philanthropy beyond my comparative ken? Will the liquor help the homeless man survive another day in the streets?

2. Is the clerk complicit by finalizing the transaction and not remarking upon its consequences? * (Corollary: Are all clerks complicit when they sell cigarettes and alcohol to troubled souls? Or does the free market dictate that a person is entitled to whatever he wants? Why is it so easy to let others, who have homes to sleep in, make bad decisions over more trivial matters and yet so troubling to me to watch this man purchase liquor for another? Further, why can I accept some young person buying another person alcohol and not this man’s actions? Why does class shape my views? What right do I have to possess these assumptions when there’s a double standard?)

3. Am I complicit in my silence? I could have voiced my dismay. I could have stepped in and bought the man a slice of pizza. If I had chosen the latter, the homeless man, his eyes widening at the malt liquor, may have refused my offer. He’d clearly prefer eighty ounces to block out the sights of his horrid world rather than nourishment which would at least settle his belly.

General Feelings: Unsettled by the philanthropist, saddened by the homeless man’s addiction, infuriated that I did not do anything. The defendant pleads guilty.

* — The great irony here is that, when the young man and the homeless man shuffled out of the store, the clerk remarked, “I don’t know why he did that,” to which I could have easily responded, “I don’t know why you did that.” It’s easy for all of us to walk this earth, unaware of our own ironies.