Like Mark and Maud, we’ve completely obliterated Amazon as a purchasing option. No gifts or random packages sent from there anymore, thank you very much. You won’t even find our wishlist. Those kind and remarkable people lurking behind the scenes will have to stay the course until we get our obscure objects of literary desire tranposed and listed onto safer pastures. Rest assured, we don’t take Amazon’s PAC funding lightly and, as previous actions have demonstrated, we’re adamantly sociopathic in our boycotts. This week’s dartboard cutout? Why, Jeff Bezos, of course!

We do, however, think that the inestimable Mark Sarvas is overdoing it with his Time subscription legerdemain. The magazine is, without a doubt, useless. When you factor in their neurologically inert coverage of current events (witness such prima facie pronouncements as “The poisoning has already given him martyrlike status among his supporters, but it also raises questions about whether his health will allow him to serve with sustained vigor,” and the moronic machinations become apparent) and the fact that a mere four (four!) of their Persons of the Year have been women, it’s really a no-brainer. The magazine was established by Briton Hadden and Henry Luce to reduce the information of our times to jejune gardyloo processed by dullards. Or to cite Luce directly, “Of necessity, we made the discovery that it is easier to turn poets into business journalists than to turn bookkeepers into writers.”

Birnbaum might drop-kick our asses for riding the adjective with two Js, but in Time‘s case, it’s readily apparent that no other modifier cuts the mustard in quite the same way.

(Furthermore, it would be criminal for us not to reveal how much we loved the Man of the Year moment in The Big Lebowski, whereby slacker Jeff L glimpses himself in a mirror styled along the Time yearly hard line. It’s one of the film’s most overlooked gags.)

We now return you to our regularly scheduled hiatus.

We can’t think of anything particularly compelling to say. And every time we open our mouths, it results in gardyloo. So we’re taking a sizable break. Happy holidays.

One 2004 book that seems to have been entirely overlooked by all the end-of-the-year listmakers is David Markson’s Vanishing Point. (Full confession: I’m just as guilty, having only just hit Markson’s latest on my bookpile.) Nevertheless, Markson deserves some special consideration, given how he’s mastered the ability to juxtapose obscure personal tidbits involving artistic figures against the emotional dilemma of the “Author.” (For example, “David Garrick, retiring from the stage: Now I will sit and read Shakespeare.”)

This is the kind of cultural obsession that almost anyone who reads thinks about to some degree. That Markson’s tidbits are both fascinating and unsourced almost lends his work to compulsive fact-ferreting among the truly obsessed “Jesus, did that really happen?” scholars. (In fact, Markson’s phrasing reminds me of Don Marquis’s poetry with its seemingly simple gimmick masking a deeper emotional patina.) But Vanishing Point (much like This is Not a Novel and Reader’s Block) also addresses the broader problem of how literary culture often marginalizes the art in favor of the artists’ lives. How far removed are we really from the People subscribers? In dwelling upon the personal foibles of high cultural icons, are we groping for an existential meaning that we lack?

These are the bold questions that Vanishing Point and Markson in general dares to unfurl. But even if you’re not into this kind of obsessive probing (although you probably will be), Vanishing Point is still a supremely enjoyable novel.

(Also, happy anniversary, Mr. Syntax of Things.)

“It’s saving humanity!” “It’s just like reading a book!” “It’s just like partying!” These and many other excuses can be found in Suzy Hansen’s amusing article on gaming and relationships, a connection that I suspect goes far deeper than anyone cares to admit.

Carl Hiaasen acts nuts in the presence of Bob Shacochis and becomes my new hero. Among Hiaasen’s affronts:

• “because I’m making cell-phone calls in my car and exhibiting an absolute lack of urgency, Hiaasen rearranges the garbage cans.”
• “Eventually we drag our feet down his dock and load gear onto the boat with icy fingers and half a warm heart between us. “
• “‘Do you want people to die? Do you want carcasses floating down Biscayne Boulevard?’ he says. ‘Of course not. But nature’s here to remind us, and it does, that it can kick our ass, that we’re just gnats.'”