Too Many Westlakes

In a screwup worthy of Dortmunder himself, a few days ago, I posted some erroneous news about Donald E. Westlake reading a poem over a short film entitled “A Life of Death”. Whether it had something to do with enjoying the hell out of Thieves’ Dozen or just having Dortmunder on the mind, I was wrong (as many of you kind enough to write in informed me) and I removed the item. Well, I’ve now heard from filmmaker Dawn Westlake herself. Her film has apparently won two awards and was just nominated for a third in Sydney, Australia. The guy reading the poem is Donald G. Westlake, who is Dawn’s father. And Donald G. is a cousin of Donald E. I have no idea if a cousin of Richard Stark may be involved, but as a good faith effort to correct what was a ghastly mistake on my part, for the love of decency, check out Dawn’s site.

Maybe Digression’s the Problem

The Rake points to this very long, very detailed Paul Auster analysis that I too will have to read later. I haven’t been much of an Auster fan, for reasons similar to B.R. Myers’ “A Reader’s Manifesto.” But I’m always willing to give any well-regarded author another shot (even if The New York Trilogy left me very annoyed). Will someone explain why Auster’s the shit? Will someone tell me why this Peter Stillman nonsense is so important? (I should also note that I’m crazy about William Gaddis, John Barth, Donald Barthelme, David Foster Wallace, and Robert Coover. Hell, I’m even partial towards the manic detailer Nicholson Baker. So why not Auster? It’s not pomo per se that’s the problem here.)