Don’t know how I missed it, but if you’re looking for another outlet-centric blog, Emily Gordon’s blog, Emdashes, is New Yorker-centric and also offers a monthly column about writers named Jonathan entitled “Jonathans Are Illuminated.”
Month / July 2005
They Want Grande, Not Pequeño
There’s now a rumor being floated around that Apple has a Video iPod in the works for September.
I have two words on why such a device will completely and utterly fail: Video Walkman.
Law Apologizes for Out-of-Control Penis
Actor Jude Law has expressed “sincere regret” for allowing his penis to take over his body and consummate its desires for nanny Daisy Wright while he was engaged to actress Sienna Miller.
Law issued a statement shortly after his publicists were in the dark about how to spin this, before coming up with an eleventh-hour forthright apology.
“I just want to say that I am deeply ashamed of my manhood. I should have controlled my penis. It should not have controlled me. As I try and weather the storm with Sienna, it is quite likely that I will be having an exclusive hands-on relationship with my penis. For this, I am truly sorry,” said Law.
“There is no defence for any actions that my penis has taken.”
Shortly after this sentence, in a rare appearance, Jude Law’s Penis emerged from Mr. Law’s trousers and begin to speak to reporters.
“She was only caring for one children,” rebutted Jude Law’s Penis. “Surely there was enough time on her hands for two. And frankly, I was getting sick of Jude and Sienna’s hands. The time had come to mix things up.”
The Real Book-Related Fantasy News of the Weekend
Mad Max Perkins has departed the blogosphere, wizard hat and all.
On Current Cinema
It isn’t easy for me to make this next confession. After all, we’re talking about a medium that has kept me excited, enthused and alive for damn near my entire life. But if the point of this blog is to chronicle the truth, then I have very little choice in the matter.
Anyhow, the confession is this: I have very little desire to go to the movies anymore.
It’s not the obnoxious people. I can handle their cell phones and their terrible cellophane wrappers and their talking through a movie. Years of constant moviegoing has inured me to the rudeness of the American public.
It’s not the prices. Ten bucks isn’t really all that much more than eight bucks. And besides, even at that price, you can at least get a theatrical experience that deafens your eardrums.
What it is, I think, is the fact that the people who produce these movies probably don’t know who John Cassavetes or Federico Fellini were. I get the strong sense that they do not read, let alone live. I get the sense that they no longer have the ability to reduce me to some silent and lifeless hunk of flesh, completely in awe of what has just transpired. Because what it is all about these days is pure profit. It’s about taking something that might have been special to me once (e.g., The Fantastic Four) and reducing the magic to utter idiocy.
I have no desire to patronize their crapola. The last film I paid for was Land of the Dead, and that was only because I inherently trust George Romero.
I am probably the only human being in the world who has not seen The War of the Worlds. Probably because I liked the H.G. Wells novel just fine and I don’t want my fun memories of George Pal’s version to be sullied.
Every time I go to the movies, I see trailers that mean absolutely nothing to me. They fail to delight, to suggest, or to play with my imagination. I presume that this is because I don’t fall within their demographic anymore. And I am forced to conclude that I am either too old or too demanding of my fantasies. Either that or I’d like to think that something is terribly wrong with Hollywood.
But whatever the case, aside from the new Terry Gilliam film, there is not a single film coming out in the next few months that silently demands, “See me.” There is not an upcoming release that I believe will sufficiently take the wind out of my lungs and transport me so completely into its world. Instead, I have had to rely upon DVDs of older films made by people who know and intuitively feel that this is what the cinematic medium is about.
And for this, I am very sad. Because I know the power of the medium. I know that it is a place that can produce something that matters. I know that it is a realm that can demand an intense vicariousness. And it is my hope against all possible hopes that one day, it will do so again.