The End of Raucous Late Night Television

And here’s Part 2 of the John Lydon vs. Tom Snyder exchange.

RELATED: Wendy O. Williams smashing a television set and Snyder interview. More on Williams’s Milwaukee charges here. Also, Williams vs. Mrs. Fields.

TANGENTIALLY RELATED: Weird Al Yankovic’s first national television appearance — on The Tomorrow Show — performing “Another One Rides the Bus.”

It’s also worth noting that Tom Snyder’s The Tomorrow Show originally had the 12:30 AM time slot that NBC than gave to a rising standup comedian named David Letterman, who replaced Snyder’s thoughtful and often explosive interviews with “Stupid Pet Tricks” and interviews that involved Letterman more or less slipping into whatever celebrity junket was handed to him. Snyder would return to television thirteen years later — albeit in a more subdued form — to The Late, Late Show for a four year run. He eventually left, and he would once again see his show tailored for mass consumption — with the host replaced with Craig Kilborn and later Craig Ferguson. One might convincingly argue that Ferguson brings at least some smarts to the populist late night talk show. But when one considers the above explosive exchange with John Lydon and Wendy O. Williams’s smashing of television sets, it becomes clear that the days of late night television which attempted to grab viewers by the lapels or seriously challenge conventions are over.

Today, the only real intimate talk show interview — without a studio audience — is Charlie Rose. But compare Rose’s interviews, which involve Rose sucking up to his guests, with those of Dick Cavett’s, who regularly challenged his guests. Or Tom Snyder. Or even Mike Douglas. (Or even the early days of Bob Costas.) Television, which once specialized from time to time in provocative conversation, is now more content to waffle in conversational and intellectual mediocrity. And today’s 18-34 demographic, growing up without Snyder or Cavett, have no idea what they’re missing. (Terry Gross pretends to be a follower of this tradition, but as Curtis White has convincingly argued, she is not a true representative of public opinion.)

The interviews that I conduct for The Bat Segundo Show are an attempt to return to this abandoned long-form approach. I don’t claim to be as good as Cavett or Snyder. But I do hope that one day, radio and television will return to the conversation as a journalistic form, unsullied by avarice and the quids pro quo of publicists. Fortunately, the Internet presents an opportunity for today’s journalists to correct this considerable imbalance.

BSS #124: Alternative Press Expo 2007, Part One

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[This is the first in a series of podcasts devoted to Alternative Press Expo 2007.]

GUESTS: Carmen Ogden, Heather Morgan, Jess from CW, Sacha Arnold, Stephen Notley, Sarah Weinman, Jacquelyn Mentz, Tammy Stellanova and booth babe, Gabriel Martinez, Brian Andersen and Preston (cheerleader), Alex Cahill and Jad Ziade the laconic writer, Bryan Lee O’Malley, Tessa Brunton, Melina Mena, DJ Bryant, Travis Fox, two guys talking about waffles, Argel Brown and Michael Galande, Hope & Nicolette Davenport, Jeff Zugale, and Kristian Horn.

SUBJECTS DISCUSSED: The glut of autobiographical comics, Fat Camille, an unexpected skirmish between old media and new media, consulting cartoonists for tax advice, writing age-appropriate comics, handmade books, compartmentalized paneling, urban wildlife, the pigeon ecosystem, satanic raccoons, copraphilia, inverted superheroes, laconic comic book writers, whether or not robots are the savior of humanity, country bands and domain squatting, life’s rich pageant, retail humiliation, ripping off George Harrison, efforts to exploit the comic book circus atmosphere, waffles and freedom fries, turning interviews into comics, how to get rid of excess self-published comics, and superhero political comics.

EXCERPT FROM SHOW:

Correspondent: Whoa, whoa, WB and UPN have merged?

Jess: Yeah. About…

Correspondent: No one told me this!

Jess: I’m sorry. I mean, I’m hear to say. The last one to know. About nine months ago. But, um, it has shows like America’s Top Model and Simpsons and South Park.

Correspondent: But if WB and UPN merged, shouldn’t it be called WPN? Or UB?

Jess: Uh, that’s —

Correspondent: I mean, how the hell did you get CW out of it?

Jess: That’s a very valid…uh…what is this for?

But Will Barnabas End Up Being a Gay Keith Richards?

Variety: “Johnny Depp is getting in touch with his inner vampire. Warner Bros. is teaming with Depp’s Infinitum-Nihil and Graham King’s GK Films to develop a feature based on the ’60s daytime supernatural sudser ‘Dark Shadows.’ Depp has said in interviews that he has always been obsessed with ‘Dark Shadows’ and had, as a child, wanted to be Barnabas Collins, the vampire patriarch of the series. The role was originated by Jonathan Frid.”