Roundup

  • Giles Coren is an angry man. And his fury is focused on the elision of an indefinite article in one of his articles. I do not know whether or not Coren is currently enrolled in an anger management program, but I certainly trust this man to drive a cab in Manhattan.
  • Burroughs: the early days. (via Spike)
  • I’m skeptical about the two guys replacing Ebert and The Spastic Chipmunk Who Was Never One Tenth As Good as Siskel But Who Cannot Be Named Here.
  • Jenny Diski on sleep. I can only speak for myself, but dreams are a vital part of who I am. They unveil my inner prevaricator, cause me to dwell on fears and perversities that I sometimes choose not to discuss with others, and force me to reconsider why I glue together needless shards of propriety atop the ever-shifting china of the real. Dreams are certainly the most unreliable and fragmented of memories. They suggest for many minutes that they are real and they are often so persuasive that you must engage in something truly banal (making coffee, brushing teeth) in order to take in as many details as you can, which depart from your head like a train leaving a Roman depot in 1930. The dreams cannot be trusted, and yet they must be trusted. I sometimes forget about the wild and fierce qualities of my imagination, and I am reminded of where I sometimes do not go and must go because of a dream. Once some rational awareness has kicked in and I am fully ensconced in the waking world, I know that the dreams are not real. But I am also aware that the natural anarchy of the real has just had yet another barrier removed. So thank you, noggin, for the Kafkaesque nightmares, the great epics in which I fight off insect armies armed with ping pong balls, the talking buildings, the giant nostrils, the strange sounds, the amazing orgies, and the really crazy taboo-breaking stuff. There have been many wonderful mornings in which I’ve questioned my own sanity and become determined to paint more frequently outside the lines.
  • The 25 Most Modern Libraries in the World.
  • Jack Butler, motherfuckers!
  • The Hollywood Reporter‘s Borys Kit asks if Comic-Con’s geek chic is fading, pointing to appearances by Paris Hilton and Kim Kardashian. But what he really needs to understand right now is that geeks are the mainstream. If the $300 million that The Dark Knight claimed in the past week didn’t make this clear, then I don’t know what will. It’s quite likely that Hilton and Kardashian are heading to Comic-Con because, well, that’s where it’s at. They may have heard something about a save throw being a cant term for riches and opportunity. And frankly the notion of a Stormtrooper informing these party girls of certain geeky thrusting advantages and getting lucky while clad in full Lucasfilm-approved regalia amuses the shit out of me. For those of us who have been geeks all along, I suppose this is all a bit confusing. Suddenly, we’re a damn demographic? Suddenly, we’re being scouted? But have no fear, geeks. There will come a time in about five years when we’ll be as despised as we were fifteen years ago. Trends change. The way I see it, right now, geeks are about where hippies were circa 1968. Instead of the record labels scooping up the Grateful Dead and Jefferson Airplane and hoping to cash in, the movie companies are scooping up anything that might carry a similar imprimatur on the comics front. Rest assured, there will be disillusion. Perhaps a geek version of Altamont that could prove deadly. And if that happens, well, say hello to a decade (perhaps the 2010s?) that will make all the bad stylistic decisions of the 1970s look like art nouveau. Honestly, the best thing to do is to enjoy this little fiesta while it lasts. And if things get too mainstream, well, there’s still plenty of crazed subcultures to join or form. (via The Beat)
  • For those who are keeping up with this James Wood silliness (which still has little to do with the book in question and still suggests to me that a People cover may not be as crazed a notion as conjectured yesterday), James Wood has now responded to Leon Neyfakh. Will Nikki Finke get in on this action?
  • I don’t really find all the summer romance titles particularly silly, but I certainly find Cathy Horyn’s attempt to understand a fairly predictable trend extremely silly. Consider these extraordinary sentences. “There is no question that certain brands, like certain summer resorts, have a talismanic effect.” “But this summer’s brand-flogging novels also reveal a kind of empty clink at the bottom of fashion’s well.” Fashion & Style, in case you were wondering, I can write sentences that are even more preposterous than this, and I can style them as acrostics and can figure out a way to tie Ralph Lauren and Wittgenstein together.
  • Choire learns yet another lesson about the diaphanous sausage factory.
  • Internet fame? Thousands of words? Seriously, Wired? (via Matt Staggs)
  • The cure to this (pretty clear, but not officially recognized) recession? Sure as fuck not the Recession Special at Gray’s Papaya, which I made the mistake of trying out tonight. (Hey, I was desperate.) But perhaps, just maybe, the giant pork.
  • Kindle vs. iPhone. (via Future of the Book)
  • Strange Horizons is having a fund drive. Throw ’em a few bucks if you can. (via Alan DeNiro)
  • An Onion article invoking John Cheever and alcoholism. (via Isak)
  • The gas prices have gone up, but here’s one interesting side effect: auto fatalities have gone down.
  • I agree with Stuart Evers. Bernard Malamud deserves better.
  • Derik Badman’s Notes for a Future Manifesto.
  • Ask Haruki Murakami Anything.
  • Darren Aronofsky and Robocop? Uh….wha….?
  • Ed Park on The Delighted States: “Some things cannot be blogged about!” Yeah, I’d say that’s the case for me too at the present moment. I hope to atone.
  • Galactica 1980 is available on Hulu. This is something that requires time I don’t have, lots of beer, and WordPress. Can anyone take up the challenge? (Related to this roundup: “The Return of Starbuck,” the episode commissioned out of desperation to save the flagging series, begins with a horrendous colloquy about whether dreams are significant. Perhaps someone might pay Jenny Diski to make sense of all this.)
  • Fantasy Cartography: maps from science fiction and fantasy books. (via Quiddity)
  • Finally, a summer hit that is more execrable than the entire Madonna backlist. This is utter shit. People Paula, as usual, nails it. Thank you, you mainstream bastards. I feel the overwhelming compunction to download sleazy porn.
  • All this suggests that I should end this longass roundup with zombie dating. Perhaps, one’s morning erection would be conducive to such rigor mortis scenarios. Perhaps not. This is, just like many other conceptual gimmicks, a simulacrum. One that will give a lonely soul momentary comfort in the night, but will have us crying in the tears of our own desperation in the morning. Why not liberate yourself from the computer, talk to that glorious geek a few feet away, and see where you can go to from there? It seems better to pretend in the bedroom, when there’s a better chance of nabbing even a vicarious piece of ass, then wasting these energies on fantasies that will either (a) not pan out or (b) result in a quite orgasmic Kleenex experience. Not that (b) isn’t so bad. But the unmarked road is sometimes worth traveling.

Misheard Lyrics — The New York Times Edition

New York Times Corrections: “Because of an editing error, the TV Watch Column on Wednesday, comparing coverage of Senator Barack Obama’s trip overseas with coverage of Senator John McCain, gave an incorrect title in some copies for a Frankie Valli song used in a video by the McCain campaign to mock reporters’ coverage of Mr. Obama’s trip. The song is ‘Can’t Take My Eyes Off You’ — not ‘Can’t Take My Eyes Off of You.'”

One can only imagine the 20-minute conversation that occurred because of this slip-up. A poor copy editor, no doubt feeling the vicious sting of too many twelve-hour days, received a terrible phone call at his apartment last night, just before placing his well-earned spliff between his lips.

OMBUDSMAN: You call yourself a copy editor! This is inexcusable!

COPY EDITOR: Wha…what?

OMBUDSMAN: The Frankie Valli reference, you cocky son of a bitch! It’s “Off You,” not “Off of You.” How old are you, son?

COPY EDITOR: Uh….twenty-eight. Look, can we talk about this tomorrow in the office?

OMBUDSMAN: The New York Times never sleeps! We’re journalists, you arrogant incompetent. Twenty-eight? Just as I thought! You’ve never even heard of AM radio, have you? You’re too young to know who Frankie Valli is! Well, this time, you’ve gone too far! Our readers depend on us for accuracy. And if you can’t be bothered to get it right…

COPY EDITOR: It wasn’t a Frankie Valli profile.

OMBUDSMAN: That’s not the point. You think you’re hot shit, son? Let me give you a two-word sentence to improve upon: You’re fired! Clean out your desk tomorrow.

COPY EDITOR: (sounds of crying) It was just a throwaway reference. Please, sir, I’ll download the top 500 Boomer hits on iTunes and memorize all the lyrics. It won’t happen again.

OMBUDSMAN: Only if you can lick my boots while you’re downloading.

COPY EDITOR: I’ll send a letter of apology and some flowers to Frankie Valli. Please, sir, anything!

OMBUDSMAN: We’ll talk about it tomorrow morning. I’m glad you understand the gravity of this situation. In the meantime, I’ll have another copy editor print up a correction for the morning edition.

COPY EDITOR: Thank you, sir! I’m sorry.

OMBUDSMAN: This is the 21st century, son. There’s no place for gratitude in journalism.

Roundup

  • Who knows what evil lurks in the heart of men? The Shadow knows!
  • So if I understand Sarah’s post correctly, James Wood and sheepshagging jokes represent a new kind of nonoverlapping magisteria, and someone needs to start uploading racy photos of James Wood in lewd positions at Cabo San Lucas damn pronto. Also, Mark Sarvas has read How Fiction Works six times. And that was just in the last week. It remains unknown just how many times James Wood has read himself. But all this talk of how one should read James Wood, and whether one should read James Wood, and how frequently one should read James Wood makes me wonder why nobody is actually responding to what James Wood has to say about books. To add further confusion, James Wood is also leaving comments at Vulture. I can only conclude that all this is a grand ruse to get James Wood on the cover of Entertainment Weekly, perhaps accompanied by Stephenie Meyer and two naked Dixie Chicks with post-structuralist buzz words printed on their naked bodies.
  • Tao Lin has posted some details on his second novel. And if he’s concerned about The Easter Parade being 54,000 words, consider also that The Great Gatsby is only around 50,000 words and would therefore fall into Tao’s organic cold-brewed iced coffee category. (As Shane observes, Tao’s post has been deleted.)
  • John Fox sings the praises of Small Beer Press, but neglects to inform us just how much beer he imbibed before writing his post.
  • Colleen collects a number of interesting reactions concerning class and YA literature.
  • Scott has a few ideas on where litblogs need to go in the face of declining newspapers.
  • Wyatt Mason talks with Adam Thirlwell. (via Orthofer)
  • Superhero motifs and book design. (via Slushpile)
  • The Watchmen trailer appearing with The Dark Knight has caused sales of the graphic novel to jump. But the Moore-Batman association is also boosting sales of Moore’s Batman: The Killing Joke. What is the lesson to be learned here? Appearances of books on film and television (such as placing The Third Policeman on Lost) do help. But I believe these books sold because (a) the movie trailer is considered a respectful and relatively noninvasive form of advertising and (b) Lost, being a television show with numerous references, has led numerous fans to ferret out the meaning by any means necessary. In other words, it isn’t just the appearance of a writer’s name or a book that moves books. It’s the context. The way that a book’s appearance and relationship with the present material inspires curiosity on the part of the reader. The way that the context itself doesn’t treat audience members like morons or a generalized 18-34 demographic.
  • Speaking of which, Douglas McLennan has some interesting things to say on this topic. (via Dan Green)
  • According to Forbes, J.K. Rowling has been named the richest celebrity. And it’s certainly promising to learn that an author can trump a number of idiot actors. Sorry, Tom Cruise. Guess you’ll have to expand your dynamic potential through that Ponzi scam masquerading as a cult.
  • And I missed the news a few weeks ago, but Solzhenitsyn’s The First Circle is at long last coming out in English.