The boys over at Media Sound Off have an interesting concept for a podcast: interview the interviewers and the other strange souls who toil in this goddam media landscape. Well, they’ve interviewed Jesse Thorn and they’ve interviewed me. The former makes sense; the latter baffles me. I haven’t yet listened to either show, but if I had to recommend one without listening, I’d choose Thorn, if only because I suspect his signature is far more concise on paper.
Month / October 2008
Example #453 of the Radio Industry’s Failings
Sweet Jesus. For goodness’s sake, program directors, why do you continue to syndicate idiots like Bob Grant when there are some of us out here who actually conduct more than a modicum of research before spouting off in front of a mike?
Well, A Good Polka It Is For My Good Friend Lee Siegel
Nathan Burke once said, “Get out of the freight car or I’ll kick your bitchy little ass, Mr. Siegel,” and for Adam Bellow whiny little essays like this one were considered “the spoils of nepotism.” Kafka once asked Max Brod to burn his writing, fearing that a shrimpy little weasel named Lee Siegel would quote him in a century. (What a mess that would make.) We know now thanks to Lee Siegel that you can turn in the world’s most incomprehensibly idiotic essay and still collect a paycheck from the New York Times Book Review. A modest question arises, however: If Lee Siegel is such a legend in his own mind, why is it that his ego continues to be fed by the Gray Lady? When Lee Siegel bangs like an autistic monkey on his keyboard, you’re in big trouble. I mean, big trouble.
Let’s start with a couple of harmless tests. If you’ve read Siegel’s essay and didn’t want to stab yourself after the first paragraph, did you want to stab yourself after the second? First, try to wonder why Siegel feels the need to name-drop six literary names in the first paragraph. Don’t worry, I couldn’t tell you either. Could it be that Siegel has nothing interesting to say about anything? Once you recover this primal state of being after getting past the second paragraph, Siegel tells us, you will then take off your brassiere or your boxers for Mr. Siegel. You will hand him your credit card and he will spend the entire day maxing it out, ruining your hard-earned credit with a spate of 1-900 calls. Volunteers?
Now, I never swallowed when Siegel asked. Nor did I suck him off at any point. Lee Siegel’s downfall was his Dubya-like insistence that he was right, that he was funny, and that he had some scintilla of talent. His undoing arrived — well, how many undoings were there really? The cowardly sock puppet at the New Republic? The tendency to hold any panel or discussion hostage? The inability to act or think like a grown-up?
Well, enough of Lee Siegel. And enough with this parody. My girlfriend pointed me to the article, knowing damn well that I would want to kick this sad sack of a man when he’s down. So let us conclude this entry by pointing out the obvious fact: if Bruno Kirby were still alive, he’d play the role of Lee Siegel in the inevitable movie.
Dave Itzkoff: The Sarah Palin of Science Fiction
Neal Stephenson? You betcha!
State of Affairs
All energies are currently reserved for this deadline. I have made the assignment a bit more difficult than it needed to be. But that’s what happens when you hire me. I am not the type to tackle an assignment in any formulaic way. It must be fun. It must involve honest labor. If it does not crackle in some sense, then it’s not worth doing. But a fillip spills over to this blog, just as it always does, creating another entry that is not so much about blogging, as it is about why I am not blogging. (It is because people are paying me not to blog, or rather to devote my energies elsewhere. But this seems to be the end of these enjoyable professional endeavors for now. But I hustle, hoping to find more.)
Others might posit a simple explanation, confining the reason to a single sentence. Normal people certainly would. I was recently identified as an “acclaimed writer” in a press release, although I have yet to win an award aside from the Cracker Jack prize that is, thankfully, available to any dutiful bodega customer, and I certainly have no time right now to work on my fiction, which saddens me a bit. (A writer with a bountiful financial cushion recently complained to me that he had to spend a whole week coming up with an idea. I wonder if he truly loves his art. I certainly do, and have more ideas than time available.) But, on the whole, I remain sanguine and pro-active. The general state of affairs involves something that happens when you spend most of your time hustling. I assure you that I am merely a man trying to get by on intellectual labor. It is certainly not easy right now. And I’m far from alone. Every good and talented soul I know is hurting — including those who are better than me.
Much of this has caused me to reconsider just what I’m doing. Very few people cared about the New York Film Festival, and certainly none of the outlets I pitched were hep to the idea of detailed coverage. So I felt compelled to atone for this inadequacy, doing what I do. And this is increasingly becoming the justification for why I devote much of my energies to this site: because nobody else is doing it. Because nobody wants to do it. Nobody is willing to throw money at the arts anymore. I’m happy to carry on doing it. The landlord, however, requires rent. This is why I have spent a good deal of time scrambling for a way to make this place — Segundo and the lot — self-sustaining. I’ve even managed to get a number of potential sponsors to talk with me. 2009, they say, that’s when we’ll go with your plan.
But there are two and a half months left in 2008. Thus, the dilemma.
So, for the moment, I have frozen production on The Bat Segundo Show for 2008. For how long, I do not know. Could be weeks, could be months, could give it up completely. There are still many interviews in the can, and a few interviews I’ve yet to conduct. So it doesn’t mean that the show itself won’t continue to pump out installments. All told, we’ll probably get to Show #250 by the end of the year. (And for the record, I could easily do a hundred more of these shows and still have fun with this.)
I won’t ask for money. I don’t want to abuse this idea too much. We tried the pledge drive, fell short of the goal, and I tried to keep the thing going on my own dime as long as I could. Thanks to all those who kindly contributed. It helped more than you know. If Segundo is to carry on, I’m going to have to lock sponsorship into place. There have been talks. There has been some interest, but fish don’t wish to bite until next year. Presumably knowing the precise guy will sit in the White House next year is the bait they’re waiting for.
So that’s where we’re at. Don’t worry. I haven’t given up, but I’m trying to survive right now. So if things are sporadic or piecemeal here, well, you now know why.