Well, A Good Polka It Is For My Good Friend Lee Siegel
Written by Edward ChampionPosted on October 17, 2008
Filed Under siegel-lee
Nathan Burke once said, “Get out of the freight car or I’ll kick your bitchy little ass, Mr. Siegel,” and for Adam Bellow whiny little essays like this one were considered “the spoils of nepotism.” Kafka once asked Max Brod to burn his writing, fearing that a shrimpy little weasel named Lee Siegel would quote him in a century. (What a mess that would make.) We know now thanks to Lee Siegel that you can turn in the world’s most incomprehensibly idiotic essay and still collect a paycheck from the New York Times Book Review. A modest question arises, however: If Lee Siegel is such a legend in his own mind, why is it that his ego continues to be fed by the Gray Lady? When Lee Siegel bangs like an autistic monkey on his keyboard, you’re in big trouble. I mean, big trouble.
Let’s start with a couple of harmless tests. If you’ve read Siegel’s essay and didn’t want to stab yourself after the first paragraph, did you want to stab yourself after the second? First, try to wonder why Siegel feels the need to name-drop six literary names in the first paragraph. Don’t worry, I couldn’t tell you either. Could it be that Siegel has nothing interesting to say about anything? Once you recover this primal state of being after getting past the second paragraph, Siegel tells us, you will then take off your brassiere or your boxers for Mr. Siegel. You will hand him your credit card and he will spend the entire day maxing it out, ruining your hard-earned credit with a spate of 1-900 calls. Volunteers?
Now, I never swallowed when Siegel asked. Nor did I suck him off at any point. Lee Siegel’s downfall was his Dubya-like insistence that he was right, that he was funny, and that he had some scintilla of talent. His undoing arrived — well, how many undoings were there really? The cowardly sock puppet at the New Republic? The tendency to hold any panel or discussion hostage? The inability to act or think like a grown-up?
Well, enough of Lee Siegel. And enough with this parody. My girlfriend pointed me to the article, knowing damn well that I would want to kick this sad sack of a man when he’s down. So let us conclude this entry by pointing out the obvious fact: if Bruno Kirby were still alive, he’d play the role of Lee Siegel in the inevitable movie.
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
[...] joy we experienced reading this parody of a recent essay by Lee Siegel was tempered only by the fact that the original had to exist in [...]
Shorter L. Siegel: All fiction is a sham since I’m too stupid to understand it.
Aww…what do you have against poor Mr. Kirby?
I saw this and thought, ah, Ed will go ballistic…
Siegel could always take up scrapbooking. I hear non-readers enjoy it.