A few perspicacious readers have correctly divined from my post last week that I am indeed interested in doing something on the radio drama front in relation to the short story and that my feverish intake of all things old-time radio has spawned something of a side project. Let me just say that emails have been sent, authors have been contacted, and that scripts are being written.
Rather than keep the details mum, I’d like to invite any interested parties to contact me on this. If you are a voiceover talent, a musician, an author who would like to see her work adapted into a thirty-minute production (at the moment, the project is being helmed by volunteers, which means nobody’s making money at this), a radio writer willing to deal with a hard but encouraging story editor, an audio geek, a sound effects guru, or you’d like to jump on board with this in some other capacity, drop me a line and I’ll see if we can get you on board.
The current and wildly ambitious plan is this: I’d like to do an initial set of ten thirty-minute radio dramas — a tough and socially conscious (but not didactic) contemporary anthology series in the vein of Quiet, Please and Dimension X. Why ten? Well, the idea here is to conduct a mass casting call of talent, find out where their particular character strengths lie, and then cast them accordingly to the roles in the ten scripts we have at our disposal. Each drama would be meticulously rehearsed and then recorded over the course of one day. Trust me on this. You will be challenged, but this will be fun.
I’m shooting to get the initial slate of ten up over the course of ten weeks sometime in early 2008.
Ideally, these dramas will be based on previous material, although I have about twenty or so original story ideas in outline form. I’m now writing one script, a satirical story about disaster and religion, which I’m now about halfway into. At the moment, I’m serving as story editor and director. And I’m hoping to give other writing talents an opportunity to not only see their short stories presented in compelling dramatic form, but also, if they are interested, to either adapt their stories or possibly create new ones.
If any of this interests you, you can email me at email@example.com. Please include samples and a brief history of what you’ve done. If you have a pitch for a story you’d like to write that would be acceptable for a thirty-minute production, email me and we’ll volley. I’ll try to get back to everyone within a week or so.