A Quick Roundup
Written by Edward ChampionPosted on August 3, 2008
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- Solzhenitsyn has kicked the bucket, traveling to that great gulag in the sky. That is, if you believe in that stuff. I’ll give him “One Day” and Cancer Ward to some extent, but I never quite took to Archipelago. Thought Gulag was turgid stuff that preached to the converted. (Explain yourself at length! Well, maybe one day.) Then again, I’m one of those odd readers who looks to the text, rather than an author’s miserable experience, for merit. The biggest upset here is that nobody thought to book Solzhenitsyn and Elie Wiesel for some demented pay-per-view boxing match.
- Warren Ellis on the reality of SF magazines. Much of this, I suspect, has to do with the graying of science fiction fans. Or rather the graying of austere acolytes hostile to emerging voices and pining for hard science fiction the way that the rest of us look for a grand cross between Kierkegaard and a roller coaster. Don’t worry. The dour codgers will die off eventually, their unsmiling lips tarnished with talcum and a mortician’s assiduous cover. Unfortunately, Ellis is right. There are few ebullient pubs that will pick up the slack in print. Maybe if Gordon Van Gelder submits to disemvoweling, there might be some hope for tomorrow’s speculative Coovers, if only by accident.
- Nicholson Baker has written a delightful essay about obsession with the OED!
- What the hell? Ed’s writing something positive about the New York Times? Yes indeed. And I should also point out that I absolutely loved the theme for Sunday’s crossword too! I mean, that kind of wordplay takes an adept hand, depth and wit, if I do say so myself.
- Aside from John Leonard’s pardon in Harper’s, it appears that Matthew Price is one of the few critics to get Thirlwell.
- And Michael Martone has some damn interesting thoughts on blogs.
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
Yeah, Gulag is only really interesting if you really want to read about it. I guess I was since I read all three volumes. At that time I also read 1984. Twice. It’s a wonder I’m still alive. And though Solzhenitsyn was influential in me becoming a Russian major I don’t quite understand how “Gulag” became popular in the West, since it’s a combination of “Decline and Fall of the Roman Empire” and “Politics of the English Language,” and so it’s specifically targeted at a Russian audience, and challenging their false memories, and showing how he believed the Communists destroyed the Russian language.
And I agree with you that it’s more important that he’s judged as a writer and not for his prison camp experiences. After all, he’s not the only writer to live in the camps or to emerge from them. Unfortunately, it was difficult for him to even escape those times. And for his merits as a writer, I’d recommend reading his short fiction and prose poems.
Matthew is my brother’s name, but he’s off at summer camp.