When he met her he met her and he liked her as much as she liked him yes, he heard things better, meaning better than before and quite possibly better before he met her, and in his eyes those powerful bright blue orbs that had taken in her presence when he met her the lines of the physical world meeting up at that point where they had met each other and he had liked her, she liking him as much as he did, both standing on these lines signifying the point of the world where the two met, and they both liked each other. He was smarter, smarter than you, smarter than her yes, and quite possibly smarter than the rest of the world because he was a writer of redundant details, and he always had something to ramble about, whether political satire or short shorts or sentences for the kids. They would publish him because he was rich and because he liked you and liked her and he wrote about cute digressive things, nothing about the real world, the world he knew before he met her and they liked each other, just as they were standing on the lines of demarcation. But as to these physical lines of geography demarcating one detail from another, it should also be said that in addition to liking each other, they also liked these lines of geography, and it is safe to say that the lines of geography also liked them. And since everybody liked each other, they would soon spread this terminology across the planet, getting assorted people to stand upon these lines of geography, these lines of demarcation, and making them like each other without force. Everyone’s eyes would turn into bright blue orbs and, yes, he would like her, she would like him, the twain would like the lines of geography, and whoever else happened to be in the room (other than he and she and the lines) would also like everybody else. It would be a fine plan for a fine afternoon involving fine people.
About the Redundant Writer Who Couldn’t Stop Repeating Himself
– March 29, 2004Posted in: Silliness
Magic Hours by Tom Bissell: This marvelous collection of essays chronicles everything from film shoots to novelists rescued from oblivion. (The essay on the Underground Literary Alliance, with its portrait of raucous factions, unexpectedly reveals how soft today's literary world has become.) But if you peer between the cracks of these smart pieces, you may very well see how cultural lives are formed from the most unexpected life choices. And as we follow Bissell's development as a writer over the years, that goes for Bissell as well. (
Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China Miéville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.