An Urgent Plea to Sam Tanenhaus
Written by Edward ChampionPosted on February 8, 2009
Filed Under Tanenhaus, Sam
Mr. Tanenhaus, while we profoundly disagree on a number of points, I must echo the sentiments of my colleague. Your concerns, interests, and curiosity are clearly within politics, and the time has come for you to resign from the New York Times and take a chance. It is abundantly clear from the thoughtful and striking qualities of your New Republic piece that politics, not literature, is your beat. Your heart is in finishing the Buckley bio, not in books. Your literary hero, John Updike, is dead. And you clearly aren’t interested in any the emerging literary talents. So why continue to pretend?
But here’s the good news. There are plenty of people who can do what you cannot on the literary front. And with Democrats now controlling a sizable stretch within the Beltway, there are plenty of conservatives who cannot do what you can do on the politics front. If you wish to flail the sheets of conservatism and get a movement going, would such linen-shaking be best served in your current sinecure at the New York Times? Or would it better served through work carried out at The New Republic and other publications? I may be a liberal, but frankly a number of my progressive friends and colleagues could use a few swift kicks in the ass. Right now, there is no better candidate than you to puncture the complacency that has settled in among certain sectors of the Obama camp, who still genuinely believe that questioning even a few notions of Obama’s decisions do not involve the gestures of a natural skeptic, but a liberal drifting right. Like Jefferson, I like a little rebellion now and then. Natural storms must inhabit any partisan atmospheres if the American system is to remain honest. And while we both rest on different wings, I sense that you feel the same way.
Would not the sparring that you once unsuccessfully attempted by assigning Leon Wieseltier to write an ad hominem attack on Nicholson Baker be better served through politics? I’m sure you know by now that what works for politics does not always work for books. Humorless and austere writing — that Burkean tone you so admire and attempt to employ, often stubbornly, within the Review — does not blend particularly well with the fun and bipartisan possibilities of literary journalism. But it does work for politics.
I know what you’re thinking, Mr. Tanenhaus. Did the Democrats fire six shots or only five? Well, to tell you the truth, in all this excitement I kind of lost track myself. But being as this current political climate represents a .44 Magnum pointed in your direction, the most powerful handgun in the world, and would blow your head clean off, you’ve got to ask yourself a few questions. Do I cower away from the principles with which I’ve lived my life? Or do I accept who I am and write and work with my strengths in mind?
Do I feel lucky? Well, do ya, punk?
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
Well said. Here’s my favorite part:
“Humorless and austere writing — that Burkean tone you so admire and attempt to employ, often stubbornly, within the Review — does not blend particularly well with the fun and bipartisan possibilities of literary journalism. But it does work for politics.”
I do think Sam Tanenhaus has much more credibility as a political writer than as a literary editor.
This is the best thing I’ve ever read about Tanenhaus to Tanenhaus about Tanenhaus. There is so much restructuring going on at the New York Times — people hanging on precariously by their fingernails — couldn’t he just resign gracefully for health reasons.
Our health.
Not his. — Tim Barrus, Amsterdam
The first sentence is unreadable. The last two paragraphs are cringe-inducing. And in between – bilious, disingenuous drivel.
If I were Mr. Tanenhaus, I’d be worried that someone like you is entertaining fantasies about his head being blown off, metaphorically or not.
I think the idea you propose is interesting, though I don’t think you expect him to take it seriously. Perhaps that’s why you invoked Dirty Harry. But I also think that the reference was a bit odd and uncomfortable, if not quite as disturbing as the last poster found it.
Magnificently expressed and gorgeously presented. What else is news, though, Edward?
IMO, if I were you (and, I ain’t; but, am happy that’s true, too, since you’re a OneOf), I’d worry about the comment above the cowardly anonymous one. That sounds like a psycho to me; and, I could prolly name said psycho; but, why stoop to conquer when I can rise to communicate with one of the last cut-above thinking Americans on the planet?
Thanks for this; you know, after I read Levi’s post on your meeting, I completely lost hope and faith in the bookerly world insofar as that organisation goes (downhell). If ST doesn’t read around Cyberia, he’s got no business doing the job he’s (allegedly) doing; and, if he does, he’s got the integrity of a piece of VD (and, um, okay, go ahead: Make my dinner on Valentine’s Day, eh? LOL).
p.s. Too bad a couple commentarians don’t recognise a good trope when they see one lopin’ across their screens; maybe, jes’ maybe, if they firmly grasp their ears and tug, tug, tug, they’d be able to give up brushing with Prep-H
p.p.s. Hope your sweetie understands I ain’t puttin’ the make on her bloody-rare steak
Ms. Fitzgerald: Ma’am, I do recognize bad tropes when I see them, and that’s what we’ve got here, one limping after another. For example:
“If you wish to flail the sheets of conservatism and get a movement going, would such linen-shaking be best served in your current sinecure at the New York Times?”
What is happening here? Who the hell beats an ideology’s linen, and why would they do so?
“flail the sheets of conservatism”… Christ, I would have understood waving flags. Or hoisting ships’ sails. Or filling them with wind. Or unfurling banners. Or even, God help us, stitching together some kind of quilt. Even restricting ourselves to fabric alone, there are probably a dozen ways this stillborn teratoma of an image could have been brought to term. But beating linen? The linen sheets of… conservatism? What? Why?
And I’ve deliberately chosen one of the less bizarre conceits here. I won’t go into the storms which somehow keep atmospheres honest, or the different wings upon which we rest, or the Democrats’ depleted revolver of… political… ?? I give up.
This sort of thing happens every other sentence or so here: garbled grammar, mixed metaphors, botched allusions, pointless and misleading thesaurus-speak, grotesque flights of curdled dudgeon –
And yet this unerringly tin-fingered Mr. Malaprop is somehow pompous enough to rant and froth about who’s qualified to edit the NYT and who isn’t? Give me a break.
Perhaps because Mr. Malaprop actually has a purpose behind every sentence, and your dull tin lobes can’t ken what’s going on beneath. And, no, I won’t explain it to you either. If you want literal-minded content, I suggest you go elsewhere. Perhaps Maxim and People are more your speed?