Ana Marie Cox’s Novel: A Shaggy Dog?
Written byPosted on January 3, 2006
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Janet Maslin, The New York Times: “‘Dog Days’ manages to be doubly conventional: it follows both an old-fashioned love-betrayal-redemption arc and the newer, bitchier nanny-Prada chick-lit motif. Melanie is a myopic and self-interested heroine by the standards of either genre. The reader will learn about Melanie’s expensive shoes, Melanie’s drinking, Melanie’s buying of groceries at drugstores, Melanie’s playing with sushi and Melanie’s first shirt with French cuffs. Then there are Melanie’s descriptions of cellphone noises, the Delta shuttle terminal and Washington’s byzantine parking laws. Throughout all this, the ‘Berry’ – a word used as both a noun and a verb – is never more than a pesty ping away.”
USA Today: “The novel has a stripped-down story line and limited character development. The plot is predictable and matter-of-fact. But it does have a blunt, albeit tawdry, honesty.”
Publishers Weekly: “Fans of Wonkette’s wit will find themselves better served by her blog.”
The Book Standard: “[R]eaders hoping for some real-life dirt (or at least a salacious facsimile) will be dealt nothing more than lightweight fluff and throwaway farce.”
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
While lots of reviewers may be criticizing Dog Days for not being the book people expected Cox to write, if you approach the book without the Wonkette baggage, it’s entertaining enough. Is it Henry Adams’ Democracy? Not by a long shot, but then what the hell else is? People who dig Joe Klein’s novels should enjoy this one well enough.
I haven’t read it. So I can’t comment upon its merits or failures. But I think the expectations are high here, because people actually expected a comic narrative from Cox that applied her vim and wit to penetrating insight and got a skimpy and banal narrative instead.
I noticed the Times review called it a blovel. I had thought the operative term was blook.
What, you’re expecting Janet Maslin to know something remotely cutting-edge?
Ouch, bad day for Ana Marie to quit the blog, huh?
Carolyn: I wasn’t going to say it, but yeah…
Ron says: “…lots of reviewers may be criticizing Dog Days for not being the book people expected Cox to write…”
Who are the reviewers doing this? Not Maslin, who according to Ron’s own assertion on Galleycat “…doesn’t really seem to know that much about Ana Marie Cox…”
Don’t you love it when contradictory arguments are applied depending on what’s convenient?
Christopher Buckley seems to be playing the role of Ana Marie’s Critic in Shining Armor.
Dear Lula, among the reviewers using the tactic I described are the very USA TODAY and PW reviews Ed quotes above. I said “lots of” rather than “all” for a reason.