Author / Edward Champion
But Will Barnabas End Up Being a Gay Keith Richards?
Variety: “Johnny Depp is getting in touch with his inner vampire. Warner Bros. is teaming with Depp’s Infinitum-Nihil and Graham King’s GK Films to develop a feature based on the ’60s daytime supernatural sudser ‘Dark Shadows.’ Depp has said in interviews that he has always been obsessed with ‘Dark Shadows’ and had, as a child, wanted to be Barnabas Collins, the vampire patriarch of the series. The role was originated by Jonathan Frid.”
Dave Itzkoff on How to Write for the NYTBR
The first dirty little secret of writing a review for Sam Tanenhaus is to come across like an ill-informed wanker who knows nothing of the genre he is writing about. The second is that everyone who reads the NYTBR are — dare I say it? — intended to be treated as idiots.
It’s important to state a very obvious observation about a genre and then back it up with even more obvious examples — the kind of thing that just about any remote geek would have long since talked about, but that the pretentious literary types insist is “hip” or “new” because they decide to keep their heads in the sand about this crazy little thing called genre. It’s also important to pad out your obvious observation into a really long paragraph like this that sounds sophisticated — that’s written in that insufferable Tanenhaus-sanctioned vernacular — but that has very little fucking substance to it.
It is this axiom that shapes and empowers Sam Tanenhaus’s far from imaginative and, at times, achingly nauseating book review section. In contrast to book review sections like The Washignton Post and The Los Angeles Times, who actually go to the trouble of not only employing people who are passionate about literature but actually read the work of their contributors so as to offer pitch-perfect assignments, the NYTBR, which is less important in the grand scheme of things than it thinks it is, takes the opposite approach, applying the bullshitter’s tools to what is essentially a tabloid section of hot air and gormless content. In essays that alternate between the occasionally provocative to the truly dead, the NYTBR doesn’t come close to telling the story of literature as we know it, remaining openly hostile to anything that isn’t Saul Bellow — apparently, the only author who gives Sammy Boy a hard-on — or part of that petit-bourgeois nonsense that a saner world would shun. You need not possess a brain to masticate upon this stuff, for take away the faux ornate language and there is nothing here to chew on — no penetrating insights or enthusiasm about literature.
Factor in the continued employment of Dave “What’s Skiffy?” Itzkoff — as opposed to people who know something about the genre (like, say, Ed Park or Jeff VanderMeer) — and you have one colossal joke of a newspaper book review section.
Hell Hath No Fury Like a Boxer Scorned
Craig Davidson offers this lengthy account of Tuesday night’s boxing match, observing, “Jonathan’s dating the singer Fiona Apple. So that’s pretty cool. I’m thinking, hell, even if he loses, he goes home with Fiona Apple. That’s got to go a long ways towards healing any hurts. Me, I got to go home to the hotel minibar.”
You know, if it’s any consolation to Craig, I was at the Rebar after-party and I happen to know that a few single women were there swooning for Mr. Davidson, with at least one of them asking me if “Craig was available.” I must aver that “available” meant a lot more than “Can I talk with him for five minutes?”
Wait Until This Judge Gets Around to Dylan and the Stones
The August issue of Harper’s contains, in its Readings section, a fantastic sentencing memorandum offered by Judge Gregory R. Todd, in the case of Montana vs. Andrew McCormack:
Mr. McCormack, to the question of “Give your recommendation as to what you think the Court should do in this case,” you said, “Like the Beatles say, ‘Let it be.'” If I were to overlook your actions and let it be, I would have to ignore that day in the life on April 21, 2006. Evidently, you said to yourself, “I feel fine,” while drinking beer. Later, whether you wanted money or were just trying to act naturally, you became the fool on the hill. As Mr. Moonlight at 1:30 A.M., you did not think for yourself, but just focused on I, me, mine. Because you didn’t ask for help, wait for something else, or listen to your conscience saying, “Honey, don’t,” the victim later that day was fixing a hole in the glass door you broke. After you stole the eighteen-pack of Old Milwaukee, you decided it was time to run for your life and carry that weight. But when the witness said, “Baby, it’s you,” the police responded, “I’ll get you,” and you had to admit, “You really got a hold on me.” You were not able to get back home because of the chains they put on you. Although you hoped the police would say, “I don’t want to spoil the party” and “We can work it out,” you were in misery when they said you were a bad boy. When the police took you to jail, they said, “Hello, goodbye,” and you became a nowhere man. Later, when you thought about what you did, you may have said, “I’ll cry instead.” Now you’re saying, “Let it be,” instead of, “I’m a loser.” As a result of your hard day’s night, you were looking at a ticket to ride that long and winding road. Hopefully, you can say when I’m sixty-four, “I should have known better.”
The blog Fifer Traeger has tracked down this alternative version of the sentencing.