This morning, several conservative litbloggers weighed in on the Red States vs. Blue States business.
Well, when you’re a Jet, you’re a Jet all the way.
Really, I haven’t seen such vitriolic political nonsense in this nation since the Baltimore Riots of 1812 and 1861. (And if Baltimore is the place that the shit starts stirring, I expect the Hag to offer a Daily Riot Likelihood Report.) Let’s not make that mistake, shall we? The election’s over, the nation’s divided. Depending upon where you sit, the country is either (a) going to hell in a handbasket or (b) moving in the direction the people want it to. How about this: Can we move on now? You have your side, we have ours. You’ll have a cakewalk, we’ll have a fight. Blah blah blah.
But in the end, we’ll kick your asses. We always do.
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
We’d better!
I think.
I am afraid this “can’t all just get along” thing has failed in my case. Mark Sarvas has designated me beyod the pale (he will no longer read my blog and requests that I desist from reading his) for some “spiteful” comments. Can I hang out here for a while?
Sorry, wrong email and address in the comment above (in case you were wondering about the “scene of the crime”).
Kevin: You can hang here. But tread carefully with this “reaching out” business. The anger on both sides is remarkable, but I’m doing the best that I can not to give into it (well, not completely anyway).