Maud’s posted a great little ditty on pallor. But I must assure Ms. Newton that she don’t have jack on my albino ass. For years, I was terrified of wearing shorts. I wore T-shirts to apartment complex swimming pools, and I resented the fact that, no matter how powerful the sunblock, I’d return home with ruddy, blistered flesh. Beyond this brutal reddening, I was hopelessly etiolated.
P.E. was always the toughest period to get through. Beyond my scrawny, clumsy self being among the last selected when softball or basketball teams were established on brutal Lamarckian terms, I was subjected to merciless ridicule about my skin that all seems quite silly now. I was terrified of changing out of the school-sanctioned T-shirt and shorts, back into my regular threads. And no matter how silent I remained, the jocks and their jocose acolytes berated me without letup. I was called ghost, freaky, whitey, paleface.
The turning point came, oddly enough, with the Goth movement. I was never into Peter Murphy or those other silly, angst-ridden singers. But the Goth girls would come up to me and say, “You are so Goth.” At first, I thought they were referring to a towering spire that had somehow affixed itself to my back. But it soon became apparent to me that these young vixens, with their colored hair, tenebrous deportment, and passionate piercings, intended to compliment me.
When I moved to the City, the weather certainly worked to my advantage. But since the unspoken policy here was to accept everyone, eventually I had no problems wearing shorts on rare sunny days. I had no problem at all being Mr. Paleface.
They may be honest in Brooklyn, but I’m convinced that some people aren’t meant to turn tawny. And that’s a good thing. I’m also convinced that healthy pallor is one of the most underrated attributes of beauty. Particularly in a lady.
Magic Hours by Tom Bissell: This marvelous collection of essays chronicles everything from film shoots to novelists rescued from oblivion. (The essay on the Underground Literary Alliance, with its portrait of raucous factions, unexpectedly reveals how soft today's literary world has become.) But if you peer between the cracks of these smart pieces, you may very well see how cultural lives are formed from the most unexpected life choices. And as we follow Bissell's development as a writer over the years, that goes for Bissell as well. (
Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China Miéville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.
Oh, the horrors of P.E.! Our gym shorts at my high school were black. It was not a pretty sight.
It was maroon in eighth grade, which only helped to enhance my Clorox legs.