Condition of Mr. Segundo: Not sacrificing time for horror.
Subjects Discussed: Approachable authors in the frozen food section, the implementation of pre-2000 references into narrative, the lineage of horror films, screenplay terminology, the relationship between Demon Theory‘s top text story and the footnotes, movie references, protagonists vs. ensemble casts, horror novels, drafting vs. editing, the influence of real-life horror, girls in bras, Jones’ unintentional academic life, trepidations towards New York, refraction and contemporary “science” novels, Against the Day, small town writing communities, Jones’ influences, how the trilogy structure changed the footnotes, the difficulties of writing screenplays, drive-by urinals, and the major stylistic difference between the Demon Theory hardcover and paperback.
EXCERPT FROM SHOW:
Jones: I just discovered that footnote function in my Microsoft Word, I guess. And I was writing Demon Theory and having a ball with the screenplay terminology and all that. But then maybe, I guess fifteen pages into it, if that, I started dropping footnotes. They were meant to be deleted later. I was dropping them. Like I was calling myself names. Like “You obviously stole this from Halloween.” “You stole this from here.” You know. But then they just kept snowballing and snowballing until everything was stolen from something. And that kind of just became one of Demon Theory‘s conceits, I guess.