
Category / Advertising
Amazon Author Blogs
I suppose the move was inevitable, but Amazon has started hosting author blogs. The highest profile name on the list is Meg Wolitzer, whose posts can be found here. But I can’t buy into the ethics of a retailer pushing a blog while simultaneously encouarging people to buy things. Whatever the merits of Wolitzer’s posts, however much she feels that “Anything that can get fiction on people’s radar is good,” I get the unsettling aura of Shirley Maclaine talking with the dead during an infomercial.
Even the language of Wolitzer’s posts sounds as if it’s been lifted from a sleep-inducing MBA seminar. One reads, “I feel that writers need to remind readers why they ought to read novels. Fiction writers need to put the truth about the world into their books. Actually, in some sense, they need to put the world into their books.”
If we switch “readers” with “consumers,” “writers” with “corporations” and books with “Coca-Cola,” we get the following entry: “I feel that corporations need to remind consumers why they ought to drink Coca-Cola. Corporations need to put the truth about the world into their products. Actualy, in some sense they need to put the world into their Coca-Cola.” We’re clearly leagues away from Paris Review-style insight.
Granted, it’s easy to argue that 90% of blogs are vapid. But even a lousy LiveJournal is written with a voice of integrity and authenticity, likely because the shady influence of advertising is far from the impetus.
I understand the need to market books, particularly given the oversaturated fiction market. But author websites seem to me a better way to do this. Not only do they serve as a reference point which is compatible with both buying the book (if desired) and finding out about an author, but in the case of such authors as Michelle Richmond, John Scalzi, Tayari Jones and Jennifer Weiner, they become blossoming entities which emerge from their initial purpose, leading to impassioned discussions about plagiarism, race and the stigma against chick lit. But I doubt very highly that these conversations could have developed had these respective sites been hosted by Amazon (let alone any monolithic sponsor) because the concerns of offending the boys upstairs or attracting a broad readership tainted the posts.
And here’s a question someone should ask: does Amazon “place” blogs the same way that Barnes & Noble cuts deals with publishers for placement? Is there some clickthrough rate tied into whether or not Meg Wolitzer, for example, will get placement on the main page? When the overwhelming reason to blog is to move product, surely the motivation behind the posts will be moulded to ensure presence and survival.
In the end, I think the Amazon blog is going to hurt Wolitzer more than it’s going to help her. What could have been a way for readers to elicit honest feedback from Wolitzer has turned instead into one of those Gap Kids commercials. Initially, you’re dazzled by the performance. But as the initial allure wears off, you begin cluing into the fact that it’s a commercial (in this case, the realization that Wolitzer isn’t going to rock the boat, much less provide anything even slightly subversive). My guess is that Wolitzer will be communicating with the dead, blogwise at least. Sooner than she thinks.
[UPDATE: Galleycat’s Ron Hogan challenges my assumption, suggesting, for example, that a Uzodinma Iweala essay (by comparison, a one-shot deal rather than a continuous commitment) appearing at Powell’s might be reified as “too corporate.” I should point out that, although Iweala’s essay appears on a major retailer’s site, at least Powell’s has made more of an effort to distinguish its content from its marketing, confining all marketing links in rounded yellow boxes. In other words, we have a clear separation between marketing and editorial rather than Amazon’s “anything goes” principle, with its links just under “Meg Wolitzer’s Amazon Blog” going directly to “buy this book” links. Ron is misconstruing my argument. Again, as I pointed out above, I raise no objection to the need to sell books (in fact, while I’m not a fan of advertising, I nevertheless applaud Media Bistro for placing its advertisements in clearly delineated squares so as not to mislead readers). My concern here is over the blurring of marketing and editorial and the impact this is likely to have on worthwhile content (meaning that Wolitzer’s blog is not so much about Wolitzer the author but Wolitzer the book merchant, for her books, without the pivotal distinction, are now contextualized as laundry detergent rather than as works of art). It is no less invalid an argument than the concerns raised earlier in the year over the Target-sponsored New Yorker or what’s referred to in the MeFi world as Pepsi Blue. (See also this OJR article about ethical standards in the blogosphere.)]
The Tanenhaus Ad Count
While the Brownie Watch may be on hiatus (I expect to revive it in December), I decided to analyze the ads in relation to the content. Here then is a rundown of the ads in the November 13, 2005 NYTBR issue:
PAGE 2: Full-page ad — HaperCollins.
PAGE 3: Half-page ad — Miramax Books.
PAGE 4: Half-page ad — Foucs Films.
PAGE 5: Full-page ad — Hyperion Books.
PAGE 6: Third-page ad — Norton.
PAGE 7: Full-page ad — iUniverse.
PAGE 8: Eighth-page sliver — Tor.
PAGE 9: Eighth-page sliver — Norton.
PAGE 13: Full-page ad — Bauman Rare Books.
PAGE 18: Third-page ad — Bloomsbury Children’s Books.
PAGE 19: Full-page ad — Penguin Young Readers.
PAGE 25: Full-page ad — Scholastic.
PAGE 26: Third-page ad — Random House Children’s Books.
PAGE 27: Third-page ad — Random House Children’s Books.
PAGE 29: Full-page ad — Disney Book Group.
PAGE 31: Half-page ad — Charlesbridge, Roaring Brook and Peachtree Atlanta.
PAGES 32-33: Two-page ad — HarperCollins Children’s Books.
PAGE 34: Eighth-page sliver — Minnie Dix.
PAGE 35: Eighth-page sliver — Tilly, a Deer’s Tale.
PAGE 41: Quarter-page ad — Tuxedo Blue, LLC (with a mispelling of Dr. Seuss).
PAGE 43: Half-page of column inch ads (Spirit of the Forest, Brown Barn Books, Alexie Books, Snicker Doodle, Times fillers).
PAGE 47: Eighth-page sliver — HarperCollins
PAGE 48: Full-page ad — Candlewick Press.
PAGE 53: Quarter-page ad — Nelson Current, column inches — Osprey.
PAGE 54: Half-page ad — Dr. Hisatoki Komaki.
PAGE 55: Full-page ad — The Great Courses.
PAGE 56: Quarter-page ad — Unviersity of California Press, quarter-page ad — Alyson Books, Eighth-page sliver — Bloomsbury.
PAGE 57: Full-page ad — Diabetes Danger.
PAGE 59: Half-page ad — Mysterious Press.
PAGE 61: Full-page ad — Bose.
PAGE 62: Quarter-page ad — Barnes & Noble, column inches devoted to Book Exchange.
Back Cover: Full-page ad — The Folio Society.
Now here is where things get interesting. Here are reviews that are more than a page.
PAGES 10-11: Two-page review devoted to Norton title The Rise of American Democracy. (Norton ad can be found on Page 6.)
PAGES 14-15: 1 – 1/3 page review devoted to Random House title The Lost Painting. (Random House ads can be found on Pages 26-27.)
PAGES 30-31: Page and a half review of FSG book The Baby on the Way and G.P. Putnam book Show Way. (No advertising conflict.)
So essentially if you’re a publisher that’s advertised in the NYTBR, you have a 66% chance of getting a review that lasts more than a page (at least this week). Of course, I’m sure that this is all just pure coincidence. The fact that a small publisher can’t get that kind of coverage, I’m sure, means nothing at all.
Overall, the NYTBR‘s advertising doesn’t profile any specific titles that have been reviewed in its pages. However, there is one egregious spot where editorial and advertising merge. Gordon Wood’s review of The Rise of American Democracy is more of a summary than a response to the book’s scholarship. It is uncritical in the extreme, declares the work “monumental” and it is in every sense a puff piece. Interestingly enough, an ad for the book can be found on Page 6. The first blurb underneath the book? William Grimes of The New York Times. Quid pro quo? You make the call.
“Love Me Two Times and I’ll Buy You a Clearblue Kit Just to Make Sure” Not Likely to Happen Anytime Soon
Los Angeles Times: “Offers keep coming in, such as the $15 million dangled by Cadillac last year to lease the song ‘Break On Through (to the Other Side)’ to hawk its luxury SUVs. To the surprise of the corporation and the chagrin of his former bandmates, [drummer John] Densmore vetoed the idea. He said he did the same when Apple Computer called with a $4-million offer, and every time “some deodorant company wants to use ‘Light My Fire.’ ”
An Announcement from Apple
Apple Computer is preparing to make an important announcement next week. This announcement will be bigger than all other announcements. It is very important that you pay attention and that you clear your front page and social obligations that day. You must not live even obliquely, because this is Apple talking. Not some johnny come lately, but FUCKING APPLE, if you catch the drift.
It is very likely that this announcement will be the biggest announcement in the history of Apple, if not the whole of human history. This announcement is so enormous and so earth-shattering that we will see an instant continental shift and a substantial change in average global temperature within a week of the announcement being unfurled. When the first words come from Steve Jobs’ mouth, at least six hundred humans will die of cardiac arrest at the shock and import of what Apple has to say. Yes, it is that huge.
This announcement is critical to Apple’s future. It is critical to your future. If this announcement is somehow halted or postponed, if it is not allowed to go forth as planned next week, then several people will be disappointed. Heads will roll. Humanity’s ability to function will be compromised. If the announcement does not go down, several small and cute animals will die. All because some marketing bozo wanted to perpetuate more suspense.
So let’s be absolutely clear about this. This is an important announcement. We’re not pussy-footing around here. This is fucking huge. It is not a stunt. It is not hype. It is A MAJOR ANNOUNCEMENT, perhaps on par with the Human Genome Project or the Dead Sea Scrolls.
We therefore ask you to stay nervous until such time that the announcement has been made.
Thank you for your cooperation.