Why I’ll Never Read Litblogs Again
I first heard about blogs last summer, after the word “Bookslut” caused me to break out in a foul rash. I have sensitive skin. I have sensitive ears. The doctors prescribed the toughest emollient, but it wasn’t enough. So I was forced to start stabbing myself with a plastic fork. It was a surprise to me when I couldn’t draw blood. After all, the words had hurt me. Why couldn’t the disposable cutlery?
“Bookslut,” however, was only the tip of the iceberg. Some man, fancying himself a humorist, ran a site called Black Garterbelt, daring to impugn the moral fabric of books with an unspeakable reference to lingerie. I did not laugh. Instead, I took to wearing a burqa and urging the children in my community to do the same. There was Critical Mass, the blog run by the seemingly respectable National Book Critics Circle, but the name suggesting a mass of something else you might find on the sidewalk. I hesitate to use the four letter words that these literary harlots bandy about with such frequency, but it was a filthy notion. It was as if these book critics, who I thought were made of moral character, had decided to not clean up after their dogs during a walk, if you catch my drift.
Bookshelves of Doom appeared to pilfer its name from the Holy Book of Revelations. It was bad enough that Marvel Comics had named one of their supervillains “Dr. Doom,” thus popularizing a noun of great import. A word not to be used lightly. But now these morally reprehensible blogs were encoding secret messages about the second coming in their titles. But of course, I knew that Christ would strike them down if they could not be saved! As far as I know, Anton Chekhov was a moral man. But, lo and behold, some sinner had conjured up Chekhov’s Mistress! I also understand from a friend that The Elegant Variation refers to the unholy act of premarital sex, and that Mark Sarvas’s blog is a place for unmarried pagans to hook up and commit foul and carnal acts. Enter the Octopus? Dear Lord, this is disgusting. I must also conclude that the writer Ed Park, in naming his blog The Dizzies, is addicted to the evils of alcohol. I do not know what Thumb Drives and Oven Clocks are, but I do not care to find out. And if The Publishing Spot is a coy reference to a woman’s nether regions, well then, Jason Boog is due for a public stoning. Assuming that this is his real name.
But I must stop. These words have been difficult to write. And I have my private doctor taking my blood pressure as I type these words. It had not occurred to me that those who champion literature in these online venues could be possessed of such perfidy and callous disregard for moral purity. The doctor now tells me I must confine myself to bed. Unlike the litbloggers, he chooses his words carefully.
[UPDATE: Apparently, Jessa doesn't get satire, which includes material that, in fact, champions her site. Incidentally, Eric Rosenfield and I are pals, but we do indeed have independent minds and frequently disagree. It remains a mystery to me why the two of us having penises might lead any reasonable person to think that we were connected to some Y-chromosome hive mind. No different really from some ridiculous gender-based generalization about women that one would expect from a bigot. But there you go.]
Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (