- Amy Finnerty: “Martin Amis excels at descriptions of creepy men–sweaty misogynists, soused lowlifes, and thugs.” Ms. Finnerty says this like it’s a bad thing!
- A reminder: fireworks on Sunday, if you’re in Los Angeles.
- Colleen illustrates the history of the science fiction label, as kick-started by this Jason Silverman piece.
- William Gibson on Borges (Thanks, Keith!)
- Churches are now slamming the doors on sex offenders. (via The Other)
- Over at the LBC, I’ve put up a guide to cultural references in Sacco & Vanzetti Are Dead. A podcast with Mr. Binelli, in which the Mr. Binelli and I talked as the sun set behind the edifice of the Phoenix Hotel, will follow tomorrow. Somehow, while we were talking about knife-throwing and films, the 1986 Anthony Michael Hall film Out of Bounds even came up in our conversation. But do sift around the LBC site and you’ll find a lot more.
- At the Huffington Post, Art Winslow sums up various newspaper closings. Norman Spinrad even shows up in the comments. (via Book/daddy)
Clipped Roundup
– April 26, 2007Posted in: Uncategorized

Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China MiƩville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.