Everybody has strange feelings in their early twenties. It’s a time in which you really don’t know a damn thing and, in trying to figure out who you are, you end up wandering down many solipsistic avenues, thinking that you’re sure one thing is going to work out and not knowing that something entirely unexpected will find you. Confused by these feelings, you think that other people (a loved one, for example) will somehow help you find your way. But the answer lies in being true to yourself so that you can embrace others. While moving this weekend, I uncovered a number of notebooks in which I had penned all sorts of naive feelings. I was 23.
February 8, 1998 — 2:36 PM
Again my practice of purchasing a new notebook with the optimistic plan of filling it up in its entirety has been carried out. I have little doubt that this won’t be accomplished. But who are we without dreams?
There’s not a lot on my mind these days but there are a whole bunch of minor tedious things there to get my goat.
1998 so far has proven to be a creative dearth for me. There seems no motivation to write and what I do churn out are bad imitations of Jim Thompson novels as well as a certain obsession with sex.
This is due to several things that my obstinacy can’t seem to get around.
1. Sexual frustration — The lack of a woman, loved one or casual tryst for almost two years.
2. My trapped existence — The stability of a job seems to have taken most of the spark out of me.
3. Servant of Society — Although I haven’t stared at it for some time, the burden of reshooting all remaining material needs to happen. Unfortunately, El Nino seems to have concluded otherwise, forcing me to postpone the reshoots to March, weather permitting.
4. My inability to live/my obsession with books and knowledge — I need to take O. Henry’s advice and meet more people, experience other existences beyond the Sunset. While I like my current circle of friends, I really need to meet more people. Yet something is stopping me. Some irrational fear of getting hurt or screwed over prevents the extrovert from appearing as often as it should
I’ve thought about moving to L.A. simply because the creative competition will get me working again. In addition, the fact that I will move to a populated area knowing nobody will force the extrovert to come out, simply as a means of survival.
I feel very ignorant in a lot of areas and I’ve been checking out a lot of non-fiction from the library. I know so little about history and science — more so than the average person but not enough to satisfy myself.
Perhaps I am my own worst enemy. The part of me that is a perfectionist, the part of me that wants to survive on my own terms — these aspects of myself both help and hinder me. Yet I don’t know whow I can work with them and around them to accomplish goals.
And speaking of goals, what exactly is my plan? I’m sort of bedazzled by the fat that I’m actually making some decent money and able to go out spending outrageous money on drinks every Friday night.
But, as to the goals that brought me to San Francisco in the first place, I don’t know where the passion is anymore. All I know is that I’m 23 and that if I don’t accomplish something by the end of this year, I’ll feel like a washed-up failure. Several blocks seemed to have been put up in place last year, and I think my priorities have changed for the worst [sic] after spending the sumer trying to survive through temp work.
But leaving Servant on hold for so long also has something to do with this, in addition to my lack of a better half to put a check on my personal security and self-esteem.
Why is failure such an obsession with me? Why do I take it so personally? I bullshit around with friends telling them that I don’t care what other people think of me, but I kinda do.
But then presumably we’re all liars, twisting the absolute in our own private ays.
A cigarette outside, and then a run-in with the orchid guy I always meet on the bus. And then for no reason at all aside from the fact that all this shit is on my mind, I lay it on him. My “struggle” to do what I want.
It’s so fucking obvious, it’s lying just around the corner — if I can survive through temp work admist the upheaval of debts and other nonsense, I can write two decent screenplays and move to L.A. I can become a writer-director. In fact, I will.
The question is the method.
There’s one other variable I wanted to mention and that’s my sister. She just caught the filmmaking bug after taking the class with Brozovich. We’ve talked about the possibility of making movies together, which is indeed quite possible. But part of me is saying that I have to do this myself. I want to work with my sister but only after I’ve proven myself on my own.
Is that selfishness? I don’t know. It isn’t ego; maybe it’s some sort of odd pride I have.
I’ve concluded that Java Beach is too crowded and too noisy. A hegira to Jamming Java, I’ve concluded, is in order.

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Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
Ed,
To me, failure is having never made an attempt to grab your dream. Sure, you may miss but the important thing is that
you tried. I often wonder where I would be now if I hadn’t
moved out of my confort zone and put myself in the arena.
Looking back, taking that other road “has made all the difference” for me. I encourage you not to worry about failure.
Just keep down that road and enjoy the adventure. Whatever happens, you will always know that you lived your life your way.
That’s the important thing.
Love,
Aunt Laura