In the Margaret Atwood universe, not even an innocent cookie is safe.
From The Blind Assassin:
“Myra had left me one of her special brownies, whipped up for the Alumni Tea — a slab of putty, covered, in chocolate sludes — and a plastic screw-top jug of her very own battery-acid coffee.” (37)
“She says [hamburgers] are pre-frozen patties made of meat dust. Meat dust, she says, is what’s scraped off the floor after they’ve cut up frozen cows with an electric saw.” (44)
“On the menu, displayed in the window — I’ve never gone inside — are foods I find exotic: patty melts, potato skins, nachos. The fat-drenched staples of the less respectable young, or so I’m told by Myra.” (51)
“jars of jam with cotton-print fabric tops, heart-shaped pillows stuffed with desiccated herbs that smell like hay” (52)
“I sat on the park bench, gnawing away at my cookie. It was huge, the size of a cow pat, the way they make them now — tasteless, crumbly, greasy — and I couldn’t seem to make my way through it….I was feeling a little dizzy too, which could have been the coffee.” (54)
“There was nothing much I wanted to eat: the draggled remains of a bunch of celery, a blue-tinged heel of bread, a lemon going soft. And end of cheese, wraped in greasy paper and hard and translucent as toenails.” (56)
“Consomme, rissoles, timbales, the fish, the roast, the cheese, the fruit, hothouse grapes dressed over the etched-glass epergne. Railway-hotel food, I think of it now; ocean-liner food.” (60)
“Breakfast in a haze of forgiveness: coffee with forgiveness, porridge with forgiveness, forgiveness on the buttered toast.” (77)
“I purchased a small iced tea and an Old-fashioned Glazed, which squeaked beneath my teeth like Styrofoam. After I’d consumed half of it, which was all I could get down, I picked my way across the slippery floor to the women’s washroom.” (83)
“I’d eaten too many cookies, too many slivers of ham; I’d eaten a whole slice of fruitcase.” (96)
“We’d have buttered white bread spread with grape jelly translucent as cellophane, and raw carrots, and cut-up apples. We’d have corned beef turned out of the tin, the shape of it like an Aztec temple. We’d have hard-boiled eggs.” (138)
I’d keep going, but I think the point is clear. Either the narrator’s very being is hindered by eating, or Atwood is a closet anti-culinary type. To which I reply, if music be the food of love, play on.

Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China MiƩville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.